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If you are having trouble with your SBCGlobal email not working on your iPhone, there are several troubleshooting steps you can take to resolve the issue. Here are some steps you can follow:

1. Check your internet connection: Make sure that your iPhone is connected to a stable internet connection. You can check this by opening a website or any other app that requires internet connectivity.
2. Check your email account settings: Ensure that your email account settings are correctly configured. You can go to your iPhone settings, then select "Mail" and "Accounts" to confirm that your SBCGlobal account is set up correctly.
3. Check for updates: Ensure that both your iPhone software and email app are updated to the latest version. You can do this by going to the App Store and checking for updates.
4. Restart your iPhone: Sometimes, simply restarting your iPhone can help resolve the issue. Press and hold the power button until the "slide to power off" slider appears, then slide it to turn off your iPhone. Wait a few seconds, then press and hold the power button again to turn your iPhone back on.
5. Clear cache and cookies: Clearing the cache and cookies of your email app can help to resolve any issues related to it. You can do this by going to "Settings," then "Safari," and finally "Clear History and Website Data."
6. Remove and re-add your email account: Removing and re-adding your email account can help to refresh the settings and resolve any issues. To do this, go to "Settings," then "Mail," "Accounts," and select your SBCGlobal account. Then, tap on "Delete Account" and confirm. After that, add your account back by going to "Add Account" and following the on-screen prompts.
7. Disable any third-party security software: Some third-party security software can interfere with your email app's functioning. Disable any such software and check if the
   
   1. Disable email filtering: If you're using any email filtering or spam-blocking software or settings, try disabling them to see if that resolves the issue.

Try a different device: If you have access to another device, such as a computer or tablet, try accessing your SBCGlobal email on that device to see if the issue is with your iPhone or with the email account itself.
If none of these troubleshooting steps work, contact SBCGlobal customer support for further assistance.

Hello everyone. I'll start right away, without long introductions. This post consists of two parts: theoretical, where I reflect on the nature of creativity, and practical, where I comment on the creation of specific compositions. So, let's go!
Music is an amazing kind of creativity. A song done in a few minutes can take off and earn an author a lot of popularity and a ton of money.

Roy Orbison and his partner Bill Deese sat at Orbison's house trying to compose a song. In search of a melody, they played whatever came to mind. Roy Orbison's wife, Claudette, looked into the room and told her husband that she was going to the city to shop. Roy asked if she needed money, and then Deese got into the conversation with the remark: “Pretty woman never needs any money!". Then Orbison began humming the phrase "Pretty woman walking down the street", and Bill Deese began to beat the rhythm with his fist on the table. He vividly imagined a certain woman in a yellow skirt and red shoes, her heels clicking on the sidewalk. When Claudette returned with her shopping, the song was ready. In a television interview, Orbison said that it took as long to write the song as it sounds.

Neither cinema, nor literature, nor painting can boast such a big difference between costs and results. What's the secret? And why are some compositions successful and others not? I will not delay with the answer: in my opinion, the reason for this lies in the melodies.
If you write brilliant lyrics, make a professional arrangement in a high-quality studio with the best masters, achieve crystal clear sound, draw a great cover, shoot a video for a lot of money and invest properly in advertising, but you will not have a good melody, all this will turn out wasted. Melodies that catch, swing, evoke emotions will be interesting, but just a set of notes, even a pleasant one, will not lead to anything special.
I don’t know why different people’s brains respond in the same way to certain sets of sounds, but we can take advantage of this. We need to learn how to find these sounds.
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When creating music, there are principles that are characteristic of creativity in general. In my understanding, creativity is the creation of new connections between elements. Elements can be anything: things, words, ideas. For example, let's take two elements: a table and a glass. Let's create a connection: the glass is on the table. This is trite, but this is creativity. Let's try the other way around: the table is on a glass. Already more interesting. A table inside a glass, a glass inside a table, a glass made of wood, a table made of glass - as you can see, there can be many options, and I think you have already noticed an important detail: most of these connections are complete nonsense. But among the nonsense, you can find something interesting. For example, a table where you can pour water - at least this is a little less nonsense than previous examples)
So in everything that concerns creativity: the majority of creations are uninteresting and useless, and the task of the creator is to find worthy ones among them.
The Russian poet Mayakovsky has a wonderful poem. In the original, of course, there is a rhyme that makes the poem ten times better, but the pure meaning is also worth attention.

Poetry is the same mining of radium.
In gram production, in years of work.
You exhaust a single word for the sake of
Thousands of tons of verbal ore.
But how sizzling these words are burning
Next to the decay of the raw word.
These words set in motion
Thousands of years of millions of hearts.

The creation process as a whole consists of three stages:

1. Accumulation of elements. In order to have something to create connections between, we need to find something new. The process of cognition, akin to creativity, is engaged in this. They are closely linked: recognition of something is impossible without creation, and creation leads to the recognition of something new.
2. Generation of new links. As a rule, the subconscious is involved in this process. It does it quickly, easily, and much better than consciousness. Try, for example, deliberately creating new connections between the same table and glass, and you will see that this process is slow and stressful. But if you somehow convince the subconscious to do this (for example, trying to do it consciously for a while), new connections will pour in. This is inspiration.
3. Selection. Probably the most important stage at which it is necessary, focusing on your feelings, to choose the best and throw out the rest. One of the biggest challenges at this stage is not distinguishing the good from the best and stopping work before greater results can be achieved. For example, a musician composes a melody, he really likes it, because it turns out to be better than everything that he has composed before, but he does not notice that the melody is still not good enough to use it in his work.

Eliezer S. Yudkowsky "Harry Potter and the Methods of Rationality":

"Unfortunately for Mr. Malfoy, he is still new to the art of creativity, and so he has committed a classic error of Ravenclaw."..."Mr. Malfoy is new to the business of having ideas, and so when he has one, he becomes proud of himself for having it. He has not yet had enough ideas to unflinchingly discard those that are beautiful in some aspects and impractical in others; he has not yet acquired confidence in his own ability to think of better ideas as he requires them. What we are seeing here is not Mr. Malfoy's best idea, I fear, but rather his only idea."

Now let's move on from the principles of creativity in general to creating melodies. In the case of melodies, elements are notes: their duration, pitch, and the intervals between them. And their combination is the creation of connections. Our task is to generate a large number of melodies, and then select those that cause an emotional reaction, catch. You can just hum or play an instrument. Do not forget that at first the process will be very difficult, and the result will be disgusting. Soon, the subconscious mind may figure out what you want from it (or maybe not - try it next time), and it will start working on its own. This is the optimal state for work.
Another important aspect of working with the subconscious is worth mentioning. The degree of effectiveness of his work and control over him depends on the degree of mental stress. If you are relaxed, then control and efficiency are maximized - you can easily start and stop the necessary processes, there is even an opportunity to hear melodies right in your head and control them there. If you are tense, depressed, then the situation will be the opposite. Therefore, it is advisable to bring yourself as relaxed as possible before starting creative work.
This can be done either with the help of external things that cause relaxation (environment, music, smells), or with the help of the skills of conscious relaxation (concentration on breathing, biofeedback therapy). This is a separate, no less interesting topic, but now we are talking about something else. Unless it is absolutely not worth using nicotine, alcohol or worse for relaxation - the minus is more than the plus.
When the melody is ready, you can create a composition on its basis, and here you will find all the same creativity, all the same enumeration of options - not only notes, but also chords, instruments, effects, features of the genre in which you compose. All this is also important, but not as important as the melodies, and in this article I will not go deep into this topic. As developing any skill, composing music takes time and effort, and it is worth remembering that the fundamental difference between someone who has achieved something and someone who has not achieved anything is that the first one started and did not quit.
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On this philosophizing, we can end and go to examples.
***
There are special programs for working with music, and they are called DAW (Digital Audio Workstation). There are a great variety of them: there are paid ones, there are also free ones. Those who work with them constantly argue about which one is better, but here the principle applies: the best workstation is the one in which you personally feel comfortable working. At one time I played with FL Studio, with Reaper, but now I mainly work in Cakewalk by Bandlab (formerly Sonar). Unlike the previous two, it is free and at the same time relatively full-featured (although not very popular). An interesting detail: when creating what I will talk about next, I used exclusively free programs, plugins and other intellectual property. You can judge for yourself how much this is enough to create music.
Here is the final result:
https://www.reddit.com/useAlexMikkelsen/comments/11yi6gy/alex_mikkelsen_hello_world_ep_2021/?utm_source=share&utm_medium=web2x&context=3
So, after a long break in creativity, I decided to write something and remembered that Bandlab has another free DAW that you can work with right in the browser. There it is.
Bandlab
There are a lot of instruments and sounds here, it is easy to learn, so it can be useful for beginners.
Remembering my brilliant theory about composing melodies, I began to strum whatever was right on the keyboard. I am not very good at playing the piano, but nevertheless, after several approaches and many attempts, I composed the main melody for the synthesizer. Added bass and drums. It worked out well. Then, trying to keep up with the style of this melody, I composed the intro. And then the bridge after the main melody. Added a few more instruments. And so, little by little, the following picture came together.
Road (former Blizzard)
It may look menacing, but the project is actually not that difficult. Complex arrangements can have several dozen tracks.
I've heard the expression that music is a combination of the familiar and the unexpected. Following this principle, I tried to make sure that in each measure (rectangle) there was something new - the introduction of a new instrument or a new melody, or, on the contrary, silence.
And this is how the so-called piano roll looks like in this program, where the work with notes takes place. Here you can add, move, stretch and perform other manipulations within the law of your country.
Piano roll
Let's go further. And then I decided to do something cosmic, and, torturing the keyboard, knocked out a few notes from it. I set the tempo down, took a stringy synthesizer as an instrument, and it turned out to be ambient.
Home
As you can see, everything is even simpler here, but the composition does not get any worse from this. The cherry on top was an apparently Pink Floyd-inspired guitar solo. Also played on the keyboard, but in separate fragments, and adjusted to the rhythm.
As you can see, I like to copy melodies and scatter them on different instruments playing at the same time. Here it played a cruel joke on me, and by copying the synthesizer melody to the bass track in the beat before the solo, I got a peculiar, albeit dirty sound. It would be much better to have one note on the bass here, not two. But I don't think anyone really cares.
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After creating this track, I got the crazy idea that it would be cool to publish this. But two compositions seemed to me a little, so I took out old records from the stash and finalized them. They are made in Cakewalk and look like this.
Hello World
Rainy
Yes, my narration looks like:
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But, as I said, creating an arrangement is the same often not very interesting enumeration of options, the result of which you see in the screenshots.
Let's say the arrangement is ready, and the nastiest part of the job comes - mixing. This is when a sound engineer adjusts the volume, pan (left / right), frequencies and effects for each individual track so that they sound organic and do not interfere with each other. I set up old projects right in the program, and saved two new ones as separate tracks and loaded them into Cakewalk. True, when saving to the recording, some kind of digital crackle appeared, which can be heard in some parts of the Road and Home tracks, but I suggest considering this as an artistic technique.
Mixing of Road
I must say that the mixing turned out pretty badly, and at the middle frequencies I have a mess, but I think that all this is compensated by great melodies).
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The next stage is mastering. This is the preparation of the final recording for publication. Here, the volume adjustment, equalizer and so on also come into play, but this is now applied not to individual tracks, but to the track as a whole. Modern tracks are very loud and very compressed (this is when the loudest moments of the recording and the quietest ones are brought closer to the same average loudness value). The so-called "loudness war" led to this result. Once the producers discovered that the louder the recording, the brighter and more interesting it seems to the listener, and began to compete with each other in twisting the sliders. Thanks to this, the volume of the published music has been steadily growing over the past half century, and we will not be left out either). In addition, the recordings from one release should have the same volume so that the listener does not have to turn the knob at the beginning of each new track.
My mastering skills are even worse than mixing, but here the same Bandlab came to the rescue. The service provides free (which is important) mastering services in automatic mode: you upload a track to the site, and the program tries to put it in order. And, interestingly, she is good at it, although for professionals this approach will cause severe mental and maybe physical suffering.
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I'll tell you a secret: individual people, professionals, should be engaged in mixing and mastering, since this is a painstaking and thankless process that can cause a lot of problems for a novice artist. It is a known fact that Billie Eilish recorded her debut album with her brother literally in the bedroom on not the most expensive equipment, and highly paid specialists in the studio were engaged in the subsequent processing. But this does not threaten us yet.
So, the tracks are ready, and they are even almost of the same volume (I messed up here too, obviously choosing different mixing styles for different tracks (see the picture above). Now you need to share them with others, and then collect praise, wait for letters from labels, fend off fans ...
The current time is such that even a schoolboy can send his music to all possible stores, and then collect money for listening (royalties). For this, there are special services - aggregators, which either for a fee or for a percentage of the proceeds send masterpieces to all sorts of itunes and spotifies. I decided that such a scale is not required specifically for this release - tracks in this genre have not achieved great popularity, and it will take too long to wait for the release on the platforms.
The first thing I did was upload my four-track mini-album to Soundcloud. I found some commercial licensed photos on free stock photo stocks and designed the album page and cover with them.
I also decided to make a video with my tracks and put it on Youtube. As a video editor, I used a not very convenient, but free Shotcut. The video featured the album cover on a black background and the song title underneath. Remembering that the standard Microsoft fonts are not very free for commercial use (you never know), I tried hard and found a suitable one on Google Fonts. On the one hand, the resulting picture looks quite stylish, but on the other hand, it is very cheap and creates some kind of tragic feeling. But that is what it is.
https://preview.redd.it/v0ez6df8dapa1.png?width=807&format=png&auto=webp&s=d63397f06e93263a3b1158d5f75382ebbcd62e4c
I saved the result at 720p, but, interestingly, YouTube itself added 1080p from somewhere else, apparently so that you can enjoy a black screen in HD format.
I also made my own Coub for each song, suitable for the style, and also published it, but there is no particular activity there.
I must say that I do not count on any particular popularity of these four compositions. Yes, in my opinion, there are good tunes (and this is the most important thing), but this is not the kind of music that hits the charts. What I have composed is the first steps, acquaintance. That is why the mini-album is called Hello World.
Actually, that's it. Thanks for your attention!

Organizing your beads collection doesn’t have to be a daunting task. Whether you’re a novice or an experienced beader, it’s always helpful to have an organized space for all of your beads. Having a system in place can help you keep track of your supplies and ensure that you don’t miss out on any creative opportunities. In this blog post, we’ll provide you with easy-to-follow tips and tricks on how to organize your bead collection like a pro!
HOW TO ORGANIZE YOUR BEADS COLLECTION LIKE A PRO?

SUPPLIES YOU'LL NEED

Organizing a bead collection can seem like a daunting task, but it doesn't have to be! With the right supplies, you can make organizing your natural gemstone beads fun and easy. Here are some of the supplies you'll need for getting your beads organized:
• Jewelry-making pliers - These will help you with stringing and attaching clasps onto the ends of jewelry pieces.
• Bead boards - These are great for sorting and organizing your beads before you begin stringing them together.
• Bead containers - These will help keep your wholesale beads separated and easy to find. Look for small boxes with separate compartments to store different sizes of beads.
• Jewelry-making tools - These include tools such as thread cutters, crimp tubes, and wire cutters.
• Needles – Use these when stringing beads to keep everything secure and in place.
• Bead thread – This is necessary for stringing your beads together.
• Clasps – These are necessary if you’re making bracelets or necklaces.
• Wire – This is necessary for wrapping around beads or stones to create pendants.
Once you have all the supplies you need, you’re ready to start organizing your bead collection!

SORTING YOUR BEADS BY CATEGORY

Start by separating your stone beads into categories such as precious gemstone beads, semi-precious beads, and bulk gemstone beads. This way, you'll know exactly where each bead belongs and won't have to waste time rummaging through your stash looking for the one you want.

SORTING YOUR BEADS BY COLOR

Organizing your bead collection by color is a great way to keep your collection looking neat and organized. To start, gather all of your beads and separate them into piles according to the primary colors: red, blue, green, yellow, white, black, and brown. If you have more than one of each color, divide those up further into shades. For example, if you have several different hues of blues, separate those into light blues, navy blues, turquoise, etc. Doing this will help you when you’re looking for specific colors in the future. Once all of your beads are sorted by color, you can move on to the next step.

SORTING YOUR BEADS BY POPULAR STONE TYPES

Sorting your beads by popular stone types is a great way to organize and store your collection. Popular stone beads include precious to semi-precious stones like emerald beads, ruby beads, sapphire beads, turquoise beads, amethyst beads, opal beads, labradorite beads, kyanite beads, garnet beads, fluorite beads, chrome diopside beads, crystal quartz beads, moonstone beads, carnelian beads, apatite beads, onyx beads, tanzanite beads, tourmaline beads, citrine beads, chrysoprase beads, topaz beads, amazonite beads, aquamarine beads and more.
It's important to label each container with a name or description of the beads inside so you can easily find them later. This is especially helpful if you have multiple containers with the same type of stone.
When organizing your beads by stone type, it's also important to take extra precautions to keep your collection clean and organized. To keep your beads from getting dirty or damaged, use anti-static bags and store them in airtight containers. This will protect them from dust and debris, ensuring that your collection stays beautiful for years to come!

SORTING YOUR BEADS BY CUT

If you want to be more organized and make sure that all your beads are easy to find, you can sort them by cut. This is especially important if you’re looking for a particular shape or style of bead. The most common cuts include faceted gemstone beads, briolette beads, teardrop, and more.
Organizing your bead collection by the cut will not only help you find the perfect bead for your projects but also save you time and frustration when it comes to finding the right size and shape. Whether you’re a beginner or an experienced jewelry maker, having an organized bead collection will make creating beautiful pieces much easier.

SORTING YOUR BEADS BY SHAPE

One of the most effective ways to organize your bead collection is by sorting them by shape. Different shapes can make it easier to find what you are looking for and can help create a visually pleasing display when you are finished.
When sorting your beads by shape, you should consider all of the possible shapes they come in. Some of the most popular gemstone beads shapes include round shape beads, cube beads, teardrops, triangles, rectangles, ovals, and hearts. It’s important to sort each type of bead into its own category so you can easily find what you’re looking for.
For example, if you have a bunch of round beads, you should keep all of them in one pile and label it “round beads”. Then, separate the other types of beads into their own piles and label them accordingly. This way, when you go to pick out beads for a project, you will know exactly which shape you need and where to look for it.

CONCLUSION

Organizing your bead collection can seem like an overwhelming task, but it doesn't have to be! With these tips and tricks, you can easily organize your beads like a pro. Once you have your beads sorted, it will be much easier to find the beads you need for your projects. It will also make it easier to spot beads that are missing or out of place. Having an organized and tidy bead collection will give you more time to focus on creating beautiful jewelry and other crafts.

In today's competitive online market, offering incentives to your customers can go a long way in boosting your sales and increasing customer satisfaction. One such incentive that has proven to be effective is the use of free gifts. By offering a free gift with a purchase, you not only increase the perceived value of the purchase but also encourage customers to return to your store.
One easy and effective way to offer free gifts on your WooCommerce store is by using a WooCommerce free gift plugin. In this article, we will explore the benefits of using a free gift plugin and highlight some of the best options available on the market.
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Benefits of Using a WooCommerce Free Gift Plugin

1. Increased Sales : By offering a free gift, you can increase your average order value, as customers may be more likely to add items to their cart to meet the minimum spend required to receive the free gift.
2. Increased Customer Satisfaction : Offering a free gift can make your customers feel valued and appreciated, leading to increased loyalty and customer retention.
3. Increased Brand Awareness : By offering a free gift, customers are more likely to share their positive experience with friends and family, leading to increased brand awareness and potential new customers.

Plugin Features :

• Easy to use
• You can choose popup and slider.
• Customized gift block title font size
• Add Manually gift product title , notice.
• Remove gift product from cart if rule does not Pass
• Gift product add conditionally with product wise
• Gift product add conditionally with category wise and Price
• Allow/Disallow Gifts to Only Logged in Users
• Customize Font Size and Font Color for Motivational Message
• Customize Gift Product Add to cart Button text
• WPML Support