I’ve been seeing so many posts from alt-right men about how women lose 90% of their eggs when they reach 30, and constantly saying that older men should be with young women because they’re more “fertile and attractive”. So…what do they expect older women do? Should they just not exist? Should women accept the fact that they are only deemed attractive until they’re 22-30?Do they realize that more women are going to choose to be single by learning this fact? I just don’t understand why so many men are obsessed with arguing about why they should be with young women.

Ross Jeffries – Speed Seduction – Methods and Masters Gold Walkups

LINK DOWNLOAD: https://healingcourse.net/ross-jeffries-speed-seduction-methods-and-masters-gold-walkups/
In this CD, yours truly, the Master of Muff, Ross J spills the beans on how to meet women anytime, anywhere.
Over an hour of me telling you all about:

• How To Meet Women Who Are Jogging, Biking or Blading: The Incredible “STOP” Method
• How To Do The Incredible 90 Second Pick-up: Word For Word What To Say From Start To Finish To Get Her Attention, Introduce Yourself, And Get The Number In 90 Seconds! (Vital for when you’re both in a hurry and don’t have time for “small talk”.)
• How To Verbally Pace The Ongoing Situation: The GOLD Key To Make Walk-Ups/Pick-Ups Work In ANY Circumstances/ANY Situation! (Understand this key principle and you will NEVER again have to worry about what to say or risk her not trusting you and your intentions!)
• Why You Must NEVER “Ask” For Her Phone Number Or Indeed “Ask” Her For Anything, And How To Instead Structure Your Language So SHE Volunteers The Method For Getting TogetheSpeaking Again
• Mastering Waitresses: Keys To Make Waitresses Your Favorite Pickup And Restaurants Your Hunting Ground!
• The Perfect Line For Picking Up Athletic Women, Works Anytime, Anywhere!
• How To Select And Work The Right Coffee Shop To Pick Up Beautiful Women And NEVER Have To Set Foot In A Club Or Bar Again!
• How To Work Restaurants To Pick-Up Female Customers
• Different And Devastating Ways To Handle The “Boyfriend” objection
• The Two Key Things To Compliment A Woman On That Will Distinguish YOU As Being Completely Unique And Different From The Average Horny Chump Who Hits On Her
• The Terrible Artist Approach: How To Put A Unique Twist On The Old, “May I Sketch You?” Line That Will Enable You To Meet Her Easily, ESPECIALLY If She Is With A Group Of Friends
• How To Use The “Swish” Pattern To Pick Up That Ice-Cold, Glowering, Unapproachable, Super-Hotty Who Is Showing Her Body For All To See But Radiating “Stay Away” Signals!

THIS is the CD for those of you who have been stuck on the initial approach phases. It combines theoretical understanding along with WORD FOR WORD approaches that have been tested and proven. Get this one and SUPER-Charge The Pool Of Prospects For You To Pleasurably Play!

Hi!
I am finally building my Thoma Burgeon, i have a very good Flower of Paradise set. I am using Dragon's Base level 90 and a energy recharge Sands. He's 860 EM and 201 Energy Recharge. Is it worth it to keep the energy recharge sands or to change for a EM one?
With the EM sands he goes to 168 Energy and 995 EM. I am using him with Nahida on the team.

Hey everyone, I recently resigned from my job last month. I left on good terms, and put in my two weeks notice. However when I received my final paycheck it was short by about 800-900 dollars. I called my former manager to let him know of the discrepancy. He told me they have all my hours from that pay period registered, including the 9 hours from my final day. The number of hours is around 90. Which is correct. However, he said he couldn’t find my paystub to see what went wrong since I’m “no longer in the system” from resigning. I told him that my paycheck is obviously short given my pay rate and hours worked. I told him the amount deposited in my account.
My former manager said he didn’t know what to do, and that basically he can’t help me. He also tried to question if my “math was right” regarding the amount deposited into my account. He knows my pay rate, and the hours worked for those weeks… it doesn’t take a genius to realize that I was shorted.
He further told me that there’s another payout coming to me for unused PTO in about a week (about 12 hours). I told my former manager I will wait until then to see if the rest of the money comes in.
Question is, what can I do to claim my unpaid wages?
Any advice is appreciated! Thanks!

Thank you for reading this.
I recently got some great <$1000 Integrated amplifier suggestions, but for some reason I'm drawn to the idea of separates, especially the Topping 90 stack (LA90 power amp, D90 DAC, A90 headphone amp or Pre90 preamp). I like the ability to ensure each part of the signal chain is a quality product as well as the ability to slowly upgrade over time.
I'm the millionth person to get a Pro-ject Debut Carbon Evo turntable, a pair of Kef LS50 Metas and a Kef KC62 subwoofer. I'm coming from Yamaha HS8 studio monitors (still keeping at my desk) and also have a Focusrite 18i20 audio interface (at my desk). I'm looking for as neutral and accurate a sound possible for my living room setup, for casual listening (TV / game / streaming), as well as more critical listening (vinyl / streaming / music production). Listening distance is 11 ft in a medium sized open apartment living room (connecting to kitchen), at low to moderate volumes. I'm more interested in clarity, neutrality, instrument separation and soundstage than loud volume. The last thing I want is hearing loss. I also don't want to upset my neighbors.
For now, I'm considering just buying a Topping LA90 power amp (or similar, open to suggestions) and a Pro-ject Phono Box S2 (or similar, open to suggestions). And incorporating my 18i20.

1. Can the LA90 reasonably power my speakers given my listening conditions? I used a dB SPL meter app at my listening position with my terrible TV speakers. 55 avg and 75 max SPL seems pretty loud but OK to me for regular listening. Are these apps not accurate - I thought they were? Am I missing something? How are people listening at 85dB average? Right now I'm at 40avg, 50 max and this feels very comfortable? I also played some test tones which measured at 60dB at 11 ft and it's quite loud? Is this just up to preference or am I missing something?
   
2. For now I'm thinking about incorporating my 18i20 as a DAC / Preamp. Is it a decent preamp? I'm slightly suspect on routing the phono pre into it, but the 18i20 has direct monitoring so does that mean it won't color the sound much? The 18i20 is 40 ft away from the TV / turntable / speakers / amp.
   
3. Does this signal chain make sense:
   

*A.) Turntable RCA out > Phono preamp RCA in (via short RCA cables) *B.) Phono preamp RCA out > 18i20 quarter inch / XLR in (via 40ft RCA to quarter inch cable) *C.) TV optical out > 18i20 optical in (via 40 ft optical cable) *D.) 18i20 quarter inch outs > KC62 RCA line in (via 40 ft quarter inch to RCA cable) *E.) KC62 RCA line out > LA90 quarter inch in (via RCA to quarter inch cable) *F.) LA90 out > speakers (via speaker wire)
This would allow me to use the KC62 high pass filter, which people seem to recommend?

1. Instead of using the 18i20 as an input selector / Preamp, should I just use it as a DAC? By instead plugging the phono preamp directly into the LA90. And plugging the 18i20 into the LA90. Then taking the LA90 outs directly to the speakers, as well as the high level inputs on the sub in parallel? This would mean no HPF for the speakers right? It would also mean a shorter cable run out of the phono pre amp. Would that mean I use 8 wires on the 4 LA90 output posts?
   
2. In the future (or now) would it make sense to buy a streamer, a D90 and a Pre90 (or similar) to avoid the long cable runs and incorporate the sub's HPF? Do these long cables I mentioned even exist / would they work well? Should I just bite the bullet and buy these now - it's not out of the question. Does this setup even make sense? Am I a complete idiot for all of this nonsense and should I really just buy an integrated? I'm really drawn to the reports of super neutral sounding separates. I'm also averse to buying parts and then wanting to upgrade it very soon... I'm hoping to keep the setup unchanged for at least a few years.
   

Thank you so much for your help.

Hi all,
I only have a couple of devices in a dev instance for Intune, but was wondering if there is a limit as to how many records are returned in a call.

 Function Get-Assets (){ #Import-CSV -Path $csvpath Get-MgDeviceManagementManagedDevice -All Where-Object { $_.EnrolledDateTime -gt (Get-Date).AddDays(-90) } Select-Object @{expression={$_.devicename};label="Device name"}, @{ Name = 'Model' Expression = { $_.Model } }, @{expression={[string]$_.ComplianceState};label="Compliance"}, @{expression={$_.OperatingSystem};label="OS"}, @{expression={$_.OSVersion};label="OS Version"}, @{expression={$_.EmailAddress};label="Primary user email address"}, @{expression={$_.IsSupervised};label="Supervised"}, @{expression={$_.IsEncrypted};label="Encrypted"}, @{expression={$_.Manufacturer};label="Manufacturer"}, @{expression={[string]$_.ManagedDeviceOwnerType};label="Ownership"}, @{expression={$_.SerialNumber};label="Serial Number"}, @{expression={$_.EASActivated};label="EAS Activated"}, @{expression={$_.Jailbroken};label="Jailbroken"}, @{expression={$_.EnrolledDateTime};label="Enrollment date"}, @{expression={$_.LastSyncDateTime};label="Last check-in"}, @{ expression = { [string]$_.DeviceRegistrationState } label = "Intune registered" }, @{expression={$_.WiFiMacAddress};label="WiFi MAC"} } # Check if MS Graph module is installed if (Get-InstalledModule Microsoft.Graph) { # Connect to MS Graph #Connect-MgGraph -Scopes "User.Read.All" Connect-MgGraph -ClientID $ClientID -TenantId $TenantID -CertificateName $CertName }else{ Log "Microsoft Graph module not found - please install it" exit } 

I have that script which is working fine and returning my records, but if I roll this out and there are hundreds or thousands of devices am I going to hit a wall with the call, or it will just pull down what it needs to via what I have done above?
​
Thanks

I did a three card spread about my ex. One for feelings, one for intentions and one for next actions.
Feelings- Knight of Cups Intentions- Queen of Wands Next Actions- Two of cups
The overall inrerpretation i got for the entire spread was that they want to come back. Could someone help me break it down seperately by category?

So I've finished the story with my Sorc (currently 40 something) and figured I'd give the Necro a go (currently 22)as I tend to be a solo player 90% of the time and seen it's a good solo class to give a go while I plan what class I want to continue as.
Just wondering if there's any peeps out there wanting some Cannon fodder to join them as going through the story again alone kinda seems dull at this point. .
I'm a pretty casual player and not really a mic user. (timezone is UTC+12)
Battletag RirirNz#1918

My partner and I are going to the Hanshin Tigers game tonight and have a couple of questions, haven't been able to find answers yet. Do we use the same tickets we printed out for Friday's June 2nd (rained out game) tonight? Also, what's the stadiums policy on outside food or drink, we found conflicting info, I guess you used to be able to bring outside cans and pour them into a provided paper cup? Anyways we're real excited to take in a game. Thanks!

Hello, kpopthoughts! Originally this was posted in twice but one of my friends said I should crosspost it here — so here this album review is.
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Intro

To preface the review, I just need to say that this is going to be a very long read. Going through it myself for the fun of it takes around 30 minutes — it's almost 7k words, including lyrical references. So for the best experience, listen to the album beforehand to understand what the hell I was thinking when I wrote this, play the album while reading, and set a good amount of time aside.
And yes, this is 9 months late 😭 I'm not sorry — when I find an album review online it's always around a paragraph per song or even shorter. It makes sense from a journalistic perspective, but I want to do this album justice, hence taking 7 months to write out all my thoughts.
This shit is comprehensive and definitely overanalyzed, especially in Talk that Talk and Trouble. Each song review will compose of my commentary, noting the details I noticed through months of listening, then a conclusion. Also, mild swearing warning, I like implementing a touch of "French" when I'm very emotional about something. Anyway, onto the review!
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Between 1&2 💞

Album Review
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TELL ME WHAT YOU WANT
TELL ME WHAT YOU NEED
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Talk that Talk 🎙

Producers by collapsedone and MRCH
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One of the most perfect TWICE songs.
I think this is one of TWICE’s best-sounding title tracks. Warm modulated synths, a thrumming bass line, distant bells, shimmering synths — the purpose of this song is to be fun and my god is it excellent at it, like, Sana and Chaeyoung are saying knock-knock-knock and beep-beep-beep as if they’re some kind of car. So much fun.
Further along in the verse, Dahyun’s voice sounds so full and smooth with that layered harmony. Tzuyu coming with the Yes or Yes, Push & Pull, and 1 to 10 references — these are 5 years of song references. And Jeongyeon closes the pre-chorus accompanied by a rising synth to drop into chorus one. Jeongyeon slays pre-choruses.
The drums accelerate, the synths start blasting, and Jihyo opens to that party of a chorus with her godly vocals,
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Tell me what you want
Tell me what you need
A to Z da malhaebwa
But shijageun ireoke have
Talk that Talk ttak han madi
Talk that Talk L-O-V-E
deullyeojweo ooh
Now now now now now yeah~

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During Sana's Talk that Talk~ lines there’s this gentle ascending synth bell that rings with the descending melody and it sounds absolutely gorgeous. And the choreography during that part of the chorus is so so so so fun: the talking hands bit, spelling L-O-V-E, concluding with the deullyeojweo ooh! Oh my Jihyo the deullyeojweo ooh…
Have I mentioned this song is fun?
Speeding through verse 2; Chaeyoung’s part with the cat ears popping in the music video is adorable; Momo her stretching her arms out looks so damn cool; and Dahyun with her replay part sounds so lovely — although I think it sonically sounds a touch random, it makes sense thematically.
And now for this pre-chorus. Mina and Jihyo leading into it sound great BUT JEONGYEON… Now, she is my ult bias, and this pre-chorus sounds almost identical to the first one, but the way she holds that final note, inflecting and holding that now~ for one more beat before the chorus drops sounds so perfect — the song teeters on a cliff edge. Jeongyeon slays pre-choruses.
Dropping into the second chorus and man the way Nayeon delivers it just hits different. She has this indescribable “pop” voice (I promise this wasn't on purpose) that shouts out loud that this is THE chorus. This is especially apparent in how both lead their choruses where Jihyo starts at 120% power while Nayeon waits until [Tell me] WHAT YOU WANT to full-send it. The production also helps with this effect, cutting out during what you to emphasize Nayeon's voice before crashing back down, double the pause at Jihyo's intro.
Another deullyeojweo ooh! Nayeon travels to Narnia, and Mina the engineer strikes again in this heavenly, underwater-esque bridge,
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The simple words “I love you”
That’s all I wanna hear
Without hesitation, I’ll go up to you
I’ll make it simple
And just tell you I love you

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The word “love” is said for the first time in the song. There’s a funky keyboard instrument behind Chaeyoung’s part. Jihyo, Chaeyoung, and Nayeon take the initiative in their lyrics, professing their love before closing the bridge.
And now for the pièce-de-résistance: this final double chorus is exceptional — 40 seconds of crack-laced euphoria; Jihyo switches up the chorus and the choreo, Dahyun chimes in with her fluttery Talk that Talk, Momo comes out of nowhere with oh yeah it sounds so good! — you’re damn right it does, and this is where the song SOARS.
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han beon deo~ haejweo
geurae banggeum geu mal~

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Nayeon outright shouts Tell me what you need and then Jeongyeon sings the above lines in such an ethereal, warm way where the first line ascends while the second descends, causing a lull in the song before the finale with Tzuyu and Nayeon, finishing off the song with the final deullyeojweo ooh!
What a party. What a song.
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THE GOOD

• The synths of all time
• The chimes during Talk-that-talk~
• Jeongyeon’s pre-chorus going into Nayeon’s chorus
• Rich harmonies and fun ad-libs
• The entirety of that magical final chorus and outro

Needs Work

• The opening hook (Tell me what you want) and accompanying choreography could be “catchier”

Core Memory

• Singing (and dancing) my heart out when this song played at a K-pop club

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Lyrics and theme-wise, if this were to have been TWICE’s last comeback, they’ve once again built upon the theme they've been doing since debut: a Bildungsroman, a coming-of-age story.
This song’s chorus is honest yet simple; it asks the listener, in this case, the other half of the relationship, to be more upfront and open with their love (never be scared of love), that before the relationship can continue and flourish, there has to be a foundation and commitment of love between each other.
TWICE debuted with a song about making your crush go ooh ahh. Years later, they started pondering What is Love? and imagining their crush responding with Yes when asking them out — and now concluding with the phrase Talk that Talk, [Talk that] L-O-V-E, being upfront with the relationship, wishing their partner to also be happy, to commit to them, to feel the love that they want to impart on them. From gawking like ooh-ahh to talking out your shared love like adults — to having a true relationship between (one and) two.
And can I just say before finishing off Talk that Talk's review that this is such a fun and repeatable song with many little intricacies hidden in the nonet’s vocals and the song's production. This is the third draft I’m writing about Talk that Talk and its original word count pretty much quadrupled.
Harkening back to TWICE’s roots by combining mature thinking with youthful character, an incredible ending to look forward to, and just simply being a club-banger that’s easy to listen to, TTT is an easy 10/10.
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WATCH ME GO WATCH ME GO
RULE THE WORLD
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Queen of Hearts 👑

Produced by LDN Noise
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If there was one B-side to promote in a live clip, this was a solid choice.
Helmed by LDN Noise going headlong into the Western boy-group rock-band aesthetic, Queen of Hearts is a boom-boom-clap song through and through. The drums are very prominent throughout the song, only giving room to riffs of electric guitar in the chorus to drive and continue the momentum of the music.
And speaking of the chorus, vocal line each got a chorus to flex and they did not fuck around,
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You ain’t ready for it
Watch me go~ watch me go~
Rule the world
Know you never doubted baby
I’mma go run the whole universe~

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Cymbals crashing, drums booming, and 3MIX belting all just so sound so good.
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Baby I was born to rule~~
Yeah I’m the Queen, I’m the Queen
And it’s all because of you~~
That I’m the Queen of Hearts

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These long, held-out notes performed by Jihyo and Nayeon are simply exquisite. Along with the shredding guitar, the drum set coming in full, and the interludes by Dahyun, Momo, and Chaeyoung, this is the part of the song that always, always, gives me goosebumps — it sounds so visceral, so energetic, so fun, so triumphant. Boom-boom-clap songs can be hit or miss with people, but there's no denying the payoff from the first part of the chorus to the second part is worth the wait.
The theme of the song so far has been kind of spread around the song. The chorus alludes to it with the line And it’s all because of you. But Mina shows more sides of it in the second verse, especially with the phrase,
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And now that I’m surrounded by all my girls
We be shining bright like diamonds and pearls

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It sounds really lovely — in a very cheesy and affectionate kind of way, as it rightfully should — the song is about the girls and their fans. But the bridge is where the song indeed shows its colours
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Screaming out my name
See it in the stage lights
Feel so lucky just to have ya
Cause I know deep down I was meant for something bigger! Greater!
I know you’re seeing what I see
Yeah I’ll be everything you need
I know I’m gonna walk the walk
And talk the talk to be~ [the Queen of Hearts]

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This is a song CONCEIVED TO BE PERFORMED FOR THE FANS. It’s meant to be loud. It’s meant to be unapologetic. It’s meant to be sappy. And it’s all the more wonderful for it.
This is the TWICEiest shit ever.
Like Talk that Talk, Queen of Hearts also has a killer closer. The production already started to grow from the bridge, but now the guitarist finally went Super Saiyan and instead of supporting the drums, they both take the centre stage in tandem.
Then finally, the closing moments of the song even manage to squeeze in some more sappiness.
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So thank you for the memories
You’re all the ones who made me~
So thank you for the memories
That I’m the Queen of Hearts

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I still can’t believe that this banger is a FAN SONG out of all things. Truly, the TWICEiest shit ever.
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THE GOOD

• Adorable fucking lyrics
• Unrelenting, roaring chorus
• English and vocal flex
• Intoxicating guitar riffs

Needs Work

• Chaeyoung rapping in English in their Korean songs somehow slaps harder than her English rapping in their English songs, nonetheless, in QoH, it fits with the sound of the song

Core Memory

• Walking home from a K-pop festival with this song playing, felt like a Queen of Hearts

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I love these types of rock songs with how grunge and head-bang-able they are, there is just a certain nostalgic and cheesy quality to them that feels so cozy. I don’t love putting them on repeat, because in this case, I do believe there is such a thing as too much of a good thing. Perhaps more shredding, maybe a guitar solo to rock out to, or an accompaniment(!) of ad-libs from 3MIX to support Jihyo’s final chorus? A ONCE can dream of a truly bombastic rock song from TWICE. But then again that distracts from the core of what this song is: a fan song disguised as a rock song.
Queen of Hearts has so much sweetness in its lyrics and message that it's overflowing. The drums, guitar, and vocals can be as loud and intricate as they can, but the theme of this song is what makes it special from TWICE’s other rock songs — it’s a 9/10 for me.
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I WANNA WANNA WANNA
TAKE YOU TO THE BASICS
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Basics 🌈

Lyrics by Chaeyoung
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Quite possibly the jammiest (pun intended) song of the album.
A song written by the Strawberry Princess herself — an event similar in frequency to other artists' releases with her last song being 2020’s silky Handle It — Basics first starts with an understated and dreamy delivery. After the first stanza, however, a bouncy Miami bass line emerges, revealing the true nature of the song: this is a classic summer bop! Especially in the first rap,
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dareun aedeulgwaneun dalla
Ain’t beggin’ for love
nappeun geon anijana ige naraseo
eodiro twilji molla
Like rainbow bubble gum
geureoni nal kkwak butjabadweo

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Syllables are pronounced in a relaxed nature, bars often starting with an "ah" sound, flirty lines in English — this rap features a production full of pop with R&B flourishes and, in my opinion, this is Chaeyoung’s bag. Also, the line rainbow bubblegum is so adorable and so Chaeyoung.
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I wanna wanna wanna take it to the Basics
da weonhae weonhae weonhae? seodureuji ma Baby
ppeonhae ppeonhae malhae mweohae da al tende
Ah yeah ah yeah ah yeah ah yeah

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That chorus is pure pop with a Miami bass backing; you better be bopping your head to the melody, if not booty poppin' to the bassline. Chaeyoung loves rhyming in the first half of the chorus to enhance its catchiness and it's damn incredible: wanna, weonhae, and ppeonhae all create these imperfect rhymes that continue momentum without feeling repetitive.
After the very Boy With Luv-sounding ah yeah ah yeah, ah yeah ah yeah comes an 8-bar split half and half between Chaeyoung and Momo. Coming from the chorus, the production completely cuts out for the first 2 bars. This adds tension; the song yearns to have that bass beat thumping again and all we have in the audio space in those 2 bars is Chaeyoung spittin' and she delivered.
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taneun deut tteugeoun samak wie
yeppeuge pieonan jangmi gata
joshimseure naege dagaol ttae
nado moreuge jjilleobeoril tende

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Translating to:
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Above the hot, burning desert
It’s like a rose that bloomed beautifully
When you come to me slowly
I will prick you unconsciously

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The rap feels slick, effortless, and confident. Her diction remains sharp when enunciating each syllable but she doesn’t let the flow of her rap waver or build as her 4 bars go by, it’s just smooth consistency throughout. Even the lyrics possess an aura of laid-back collectedness that is just so her. The things Chaeyoung can do when given her pen.
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THE GOOD

• That sweet summer vibe of a chorus
• The spaceship post-chorus is killer
• Chaeyoung devoured this song
• Sure-footed, confident lyrics

Needs Work

• Perhaps an alteration of that ah yeah ah yeah line
• The way Jihyo did her pre-chorus line is good, but Mina’s is great

Core Memory

• After donating my hair, walking down the rainbow-coloured areas of downtown Toronto with this song playing was very… fitting

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This song is summer bliss distilled into 2:56. It’s dreamy, the raps are satisfying, and the ending is charming. I will say that although the second half of the song adds the stunning spaceship post-choruses and a floaty bridge with an incredible drumbeat drop into the final chorus, the raps of the song make it feel a bit front-loaded. And in an album stacked with awesome finishers, it feels more apparent.
With that said, it’s an 8/10 bop for me. This song is so easy to put on and it feels exactly what Chaeyoung would make if given the reins to produce a pop song all on her own. The lyrics are nonchalant but full of conviction, the wordplay is intricate, and the production playful but not too bombastic — it's just a nice vibe. Songs like Basics are the standard for good, simple, repeatable pop music and I’m happy that Chaeyoung got to test her pen in this genre.
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BABY WE’RE IN
TROUBLE TROUBLE
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Trouble 💃

Lyrics, vocal direction, and background vocals by Jihyo
Produced by Jihyo and earattack
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One of the most enjoyable songs I’ve heard in a while.
There is an underlying tension within the first 4 bars of the song, Jihyo and Nayeon confidently open it to a nondescript array of synths and then the stanza ends, Momo announces Let’s go, the beat drops and it hits you: this is a club song.
Dahyun's relaxed delivery contrasting with Jeongyeon's staccato flow, the wobbly synth beat mixed with a sprinkle of house piano, Sana dramatically slowing down the song only for Tzuyu to build it back up until the chorus drops,
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• Nayeon opens it using a breathy tone, with vocal chops serving as harmonies
• The blooming of the house piano takes centre stage and the song ascends into euphoria
• A random drum roll capped off by a cymbal crash
• Jeongyeon’s growling pronunciation of the word Trouble
• Chaeyoung slyly admitting I like this Trouble
• The entirety of Tzuyu’s tro~oh~oh~ouble yeah~
• Sana using her deep voice for the na~na~na~na
• Jihyo leading the vocals during the synchronized T W I C E chant

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This chorus is perfect. Toronto’s residential market needs this song injected into its veins because god damn this song has SO much house in it. And then, ANOTHER KILLING PART: this rap fucking slaps.
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gamchweo bwatja geugeon Fake
ppajin hamjeongeun Sweet cake

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During the first 2 bars, Chaeyoung is keeping it calm because that trip of a chorus just ended and the song needs a breather, but I don't think anyone expected her to SNAP this hard afterwards:
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You cannot resist this
Cannot miss this, such a bliss
Ima put it down down
Oh yeah, better kiss kiss

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Below is the structure of her this portion of the rap, I’m not that well versed in this technical aspect of music theory but I digress, this is all in the span of around 5 seconds where it’s:
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Triplet-triplet
Quadruplet-triplet
Quadruplet-doublet
Doublet-quadruplet

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Now, 25/5 = 5 syllables per second isn’t groundbreaking, but goddamn it these 2 bars sound so nice — if there is one part in this album that I always repeat, it’s this. The addition of that first quadruplet for cannot miss this in the midst of the triplets sticks out and accelerates the flow of the rap while the following doublets and quadruplets destabilize and slow the rap down as the verse closes. And can I just point out:
THE MAIN VOCALIST WROTE, DIRECTED, AND COMPOSED THIS SONG ‼
Chaeyoung of course delivered the fuck out of her verse but THIS is what you get when you have a member not only write the words they’re saying but also the melody and flow with which they sing it, when that member knows the others so well that when they write a song they know how to make the group exceed. This is what you get when the artists you stan love doing artist shit.
And. AND. That's not all — with how much I mentioned I love a good outro to close a song, this outro slaps as well:
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Woo wee woo wee woo
I like this Trouble be-be
Woo wee woo wee woo
I like this Trouble bay-be
Woo wee woo wee woo
I like this Trouble bay-beh
Woo wee woo wee woo
I like this Trou-ble

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Like, come on, Nayeon’s imitating a police siren for crying out loud. And this is all after her ad-libs in the final post-chorus; after the pianist going full tilt and playing that piano as if it was their last chance to ever play; after that final T W I C E chant by all the members come these blissful 20 seconds at the very end. What a song.
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THE GOOD

• The theme of relishing in an uncontrolled love
• Sana and Mina’s melody in the pre-chorus
• Whole neighbourhoods full of house
• You cannot resist this, cannot miss this, such a bliss
• Wees and woos

Needs Work

• Mina’s line of falling down, falling down, falling down low in verse 2 feels a bit too abrupt of a change

Core Memory

• While writing Trouble's review I had this song on repeat for my whole subway commute and I must've been so distracting, just head-bopping and being so invested in my enjoyment

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Need I say more, easy 9/10. The only reason I place Talk that Talk above Trouble is because of what that song represents but besides that, this is one of the best “international” sounds they’ve put out. Actually, I haven’t listened to Eyes wide open in a while but this song is up there with one of the most sonically pleasing pieces of work they’ve done.
Clubbing TWICE has always been a thing since TT was birthed in 2016, and has been a staple of their discography since 2019’s Fancy You and Feel Special mini albums, but Trouble unapologetically dives into and fits the house genre so well you’d think that this is TWICE’s bread and butter sound.
Trouble is Jihyo’s magnum opus. What a song.
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BRAVE BRAVE BRAVE
FOR YOU
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Brave 💖

Produced by Slow Rabbit
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I first thought this was just a good song, then I read the lyrics.
Gentle guitar plucks, shimmering synths, a distant keyboard in the right ear, in the left a glockenspiel, the melodic oohs from the members — this song is PRETTY.
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The night that was unusually dark
Above this terrifying world, felt so lonely
The world has grown in the time of wandering
So hard to breathe

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Mina and Chaeyoung open the song with how they feel lonely, that it's hard to breathe and now suddenly the song feels bittersweet — I was not expecting the song to become this emotional. Brave describes a situation where the singer is in a darker place in life and it isn't until another person gives them hope by calling them Brave that they find the drive to keep going.
Once the chorus hits, the melodies pick up, more guitars get added — there’s even an electric guitar hidden in the mix somewhere, and the song drops the emotional front to reveal a mid-tempo pop song to dance to while crying in the club. The song as a whole still carries this melancholy feeling, but now with the added support of the chorus, acting as a light amongst the gloom.
Continuing on in the second verse there's this gorgeous, well-placed break in the song that just lets it settle after that chorus. Only a seasoned producer would risk this much empty space in a song and Slow Rabbit went to fill those shoes.
Back to the chorus, I'll take this moment to once again commend Slow Rabbit with the mixing of the song, because 4MIX undoubtedly sounds good in the chorus, and the interludes from Dahyun, Chaeyoung, and Mina also sound really good, but the clear highlight of the choruses are these lines:
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Oh na na na neon nal naige hae
On and on and on
Brave Brave Brave for ya
Oh na na na neon nal sum shwige hae
On and on and on oh trust me babe

​
Momo, Sana, and Tzuyu form this beautiful, surprisingly catchy, second half of the chorus accompanied by a guitar drop. It should not turn out this well with how conflicting the "na"s are with the guitar melody but it creates this gentle bopping ebb and flow that feels so lush and mellow.
Diving into the bridge reveals that the listener of the song is revealed not only capable of supporting the singer through direct words but also through their thoughts and dreams. As can be discerned, this can be a song interpreted to be about ONCEs, about how they push TWICE to be their best selves despite the breathless hardships they face. It's a very sweet and touching song.
​
THE GOOD

• Special lyrics
• Pleasant sound to vibe out to
• That gentle break after the first chorus
• 3MIX poppin' off at the end
• Just very pretty vocals throughout

Needs Work

• Potentially hard to comprehend without translating the Korean lyrics

Core Memory

• Form of Therapy’s life motto revolves around the word “brave” — I don’t know where I got that from, but I remembered it right before watching his album reaction (yes, this is very random)

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I’m actually spoiled with the TWICE members’ easy-to-understand songwriting that when a song like this pops up where it's not written by a member and the thematic bits are mostly in Korean, I tend to put it aside in favour of the other songs on the album. And, especially for a song focusing on a theme like this where the English phrases don’t do the Korean lyrics enough justice, it does place a bit of a barrier on the listening experience, dropping it down to a 7/10 from an 8/10.
With that anecdote out of the way, this song is just such a vibe, man. I know that sounds super hippy to say but Brave is so mellow and smooth that I can’t help but sway a little when that chorus hits. And then I remember what the lyrics say and I tear up a bit on the inside. This song is so pure, raw, and full of heart — we need more songs like these where they just reminisce about life while putting up an upbeat front. Don't mind me just crying while dancing the night away.
With that said, this isn't the first time this theme has been sung by TWICE either, they've long trodden this path of supportive, confiding, up-lifting songs with Young & Wild, Rainbow, Queen, Go Hard, Depend on You, even this album's Queen of Hearts, and, of course, Feel Special. Brave just adds another on top of an already stacked lineup, unique with its mellow somberness.
Also now feels like a good time to get into my rating system:

• 7/10s are songs are ones that are simply good throughout or great songs with apparent flaws
• 8/10s are great songs with distinct killing parts
• 9/10s are borderline perfect songs where I sometimes can't comprehend how great they are
• And 10/10s are the best of an artist's discography, songs that encapsulate their ethos perfectly or expand upon them in a meaningful way

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I SEE THE LIES
ON THE TIP OF YOUR TONGUE
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Gone 💨

Lyrics by Dahyun
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Who the fuck pissed off Dubu this time??
It’s getting quite rare to see TWICE pull off brand new sounds because, with now 190 original songs under their belt as of this review, they’ve done so many genres and sub-genres varying from hyper pop, to bossa nova, to whatever 2020’s Go Hard is. So it’s surprising to see they’ve still got tricks up their sleeves and Gone is one of them.
The song starts with strings swinging back and forth and vocal chops dancing from ear to ear, teasing what’s yet to come. Jihyo enters the song with a whisper and the song sets its pace. A stagnant drum pad moves the song along and typical song progression would have Mina continue the build, but — it doesn’t. The song simmers, adding a hint of high hat to the pot. And then Sana and Tzuyu come on and surely the buildup must boil over right?
Silence, until…
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I see the LIES on the top of your tongue

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The strings emerge again on full blast, the simmer rolls to a boil, and the anger of the song is revealed,
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All the fate I had towards you
Fades like a fog, Gone, Gone
Your flipping mind of doing this and that
I’m tired of it, it’s meaningless
In the beginning, it was hard to believe
With that, hatred increases

​
The singer is so scorned and burned from this relationship that they reminisce about all the effort they’ve put in since the beginning, but their “partner” is so unconcerned that they’ve just about had enough of the relationship altogether.
This has been Dahyun’s thing since 2020’s Bring It Back, 2021’s Cruel, 2022’s That’s all I’m saying, and even 2023's Don't Blame It On Me — emotionally charged breakup songs that make you feel as if she’s survived through a dozen bad relationships. Dispatch, do try to do your job better.
Another highlight of the song is the post-chorus going into the bridge. This segment reiterates the structure from the first post-chorus — a barrage of drums supported by the rhythmic strumming of a bass guitar along with a consistent synth filling out the soundscape. But this time, it’s Dahyun and Chaeyoung on the rap:
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I can’t stand it anymore
My patience, invisible
I can’t find it, it’s all Gone
Even if I try to turn back, it’s too late
There’s no use anymore
It has left, it’s long Gone
You, with flipping mind, you are out
I know that you know what I’m talking about
Nothing you could say that could turn this around
I’m Gone

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Building upon the disrespected theme of the song, Dahyun notes that she’s finally had enough with Chaeyoung adding that there’s no point salvaging what love was once there. Momo and Dahyun round it off by telling the listener that there’s no point trying to reason with them or playing naive, they fucked up and there’s no coming back.
Can I just say, it's a bit of a shame that Chaeyoung’s rapping popped off in this album while Dahyun only has this one verse that she shares with Chaeyoung, but it just sounds so good how Dahyun eases in after the chorus with her light rapping tone transitioning into her singing. She even holds the Gone in a little crescendo for some added pizzazz.
And, there’s no way I’m not going to talk about Momo’s vocals in this bridge. Damned if she only got 1 line to use it in, her lower register is incredible. She sounds so smooth singing in this tone. All of TWICE do in particular and there is nary a weak vocal performance in this album.
To close the song off, a wash of synths gets to have their shine in the spotlight, showered with Nayeon’s belting, signifying the dramatic and drawn-out conclusion of this partnership.
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THE GOOD

• They’ve still got their surprises
• Thundering chorus
• 2nd rap and bridge combo
• A bitter, crumbling relationship theme

Needs Work

• I’m not a huge fan of the mixing during the first post-chorus, where Momo's vocals were fighting with the production, which is disappointing because Momo is capable of an insane flow
• The post-chorus in general, specifically the first one, can be a bit tiring on repeat listens

Core Memory

• Actually, I think this song sounds like a mix between GOT7's Not By The Moon, BLACKPINK’s Love To Hate Me, and Dahyun’s Bring It Back. I don’t know where I got this thought came from, but it stuck

​
Going back to that point about the first post-chorus as a whole; songs that have the production continue unchanged into the post-chorus/2nd verse are very hit or miss for me — see TWICE's Don't Call Me Again for an overbearing example. The post-chorus going into the bridge contrasts Dahyun’s light tone nicely with the hard-hitting production, continuing the energy until it slowly fades into silence at the end of the bridge.
Back to the song as a whole, as much as TWICE has been experimenting with their sound for the past 4 years now, I’m happy they’re still finding new ways to explore what they’re capable of. And for that alone, even though I’m not a big fan of songs like these where they rely on sounding “big”, Dahyun’s lyricism and the thrill I receive every time I indulge myself in this song elevates it to an 8/10. Keep on breaking hearts, Dubu.
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INVINCIBLE
SUPERHEROES
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When We Were Kids 🧸

Lyrics by Dahyun
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Press play to reminisce, pull up lyrics to cry.
This song is so beautiful. I’m totally not writing this song review, crying on the bus reminiscing about my childhood, while just having turned 21. I don’t know if these are happy or sad tears but this song is so beautiful either way.
Warm synths, muted piano, a gentle high hat, the younger members starting off the song — this has to be up there for one of the softest TWICE songs ever. And as it should, it’s one of the TWICEiest songs ever. And then Nayeon comes in:
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Invincible superheroes, we wanted to be adults
To the higher, clearer world

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The chords start swelling, the high hat keeps pace, and the harmonies pour in.
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Remember When We Were Kids
When We Were Kids, we didn’t know
If we could go back
I will love it even more
Remember When We Were Kids

​
Jihyo takes up the second half of the chorus as it drops, trading the strings for an almost R&B synth production — if choir R&B takes off, this song started it. The song relishes in this cacophony of warm sounds until returning to its sparse and peaceful verses.
This time, the hints of piano are louder, little twinkling synths begin to shimmer, the drum buildup comes and Jeongyeon drives the song straight into the chorus. No time for the strings to build like in Nayeon’s — this song loves its chorus so much.
And I'll just take this time to appreciate the amount and range of Jeongyeon vocals in this album. Her voice is so textured, stable, and projected — but also more tender and soft compared to the more pronounced tones of Nayeon and Jihyo.
The bridge comes in, repeating the phrase:
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I wish that I could meet
Could meet the younger me

​
Giving the song time to rest, before building back up to the last chorus — this time led by Jihyo, completing the 3MIX trifecta. And interestingly enough, Chaeyoung follows up in the second half of the chorus, rather than another member of the vocal line. She really did pop off in this album.
As the last chorus begins to close, the percussion at its strongest, the harmonies on blast, the background vocals cranked up to their Sunday best, is the song going to end? Of course not! This is an album full of banger endings as if the songs don’t want to end, and When We Were Kids being the album closer very much indulges in that feeling.
After a brief refrain, accented by Nayeon’s high note with a touch of vibrato, the song almost dives back into a fourth chorus. Nayeon and Jeongyeon harmonize — a rare and heavenly moment. And the song repeats the bridge, reiterating that they want to meet their younger selves, this time with the lush chorus production before closing with silence, a few piano notes, and Tzuyu singing the last line of the song:
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Oh, we were kids

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Reflection, acceptance, hope. What a song.
​
THE GOOD

• Heavenly vocals throughout
• Relatable, heartfelt lyrics
• Euphoric chorus
• Great closer to the album

Needs Work

• Refrain after the last chorus, Back When We Were Kids, could’ve been executed better

Core Memory

• For an album titled Between 1&2, I don’t think anything hits harder than finishing the song reviews, with this song in particular, during your 21st birthday

​
I wrote the first part of this review in November 2022. Then university, life, and other things got in the way of my headspace for me to feel confident about wrapping all of this up. In a way, I felt like I just didn’t want this review to end because of the joy that writing gives me — I didn’t want the happiness to end. And then it hit me, after watching a YouTuber rank animated movies and them placing Spirited Away at the top and explaining 'why' reminded me of just how important growing up is, and by extension this song.
This theme is important for both the rookie TWICE members in 2015 and the teenagers who would follow their journey and grow up with them, facing life’s obstacles along the way. Hardships that used to only involve family, crushes, and social media, evolve into work, commitments and all the struggles that adult life brings. Being a kid and enjoying the simple things in life is one of the most sought-after moments we want to relive because we took growing up for granted. The only thing we can do now is look back on ourselves with fondness and rose-tinted lenses.
TWICE’s original meaning was to resonate with people through their senses and their hearts. That was during their debut, and I think it still holds up today. In my opinion, touching people through their emotions is what TWICE does best and makes them one of K-pop’s all-time greats. It was never about having the best numbers — it was about being the best idols. And to think that this journey of maturation and growth would occur from 2015 all the way to this song, being a fitting nod to TWICE’s 7th anniversary, I don’t think anyone at the company nor the group would ever imagine that they would get this far. It’s these nine women or none — 9/10.
This song honestly deserves a 10/10 with how much I noticed other people reminiscing their childhoods after I heard this song, it is such a widely-relatable message, but I am determined to limit myself to one 10/10 song per album and if I were to pick between TTT and WWWK, I'd give it to the one's that's more repeatable — Talk that Talk just has this electric energy about it.
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Epilogue

And finally here is the end. If you made it in one sitting then I commend you, because I could not write this mess in one sitting. As alluded to, I started writing this album review sometime in October, after a series of edits the first draft was finished in March, and now here's the final draft in June.
I love this album. It got me through some important parts of my life, both good and bad, and it's just a wonderful listen throughout. Reliving this album again before finally completing the review has been an exciting journey. Brave hit me harder this time, after being overshadowed by the other gems of this album, and WWWK finally got me to tear up and not just be emotionally satisfied.
I feel like there's something for everyone on this album. From the exhilarating thrills of TTT to the anthemic euphoria of QoH, the clubbing dichotomy of Trouble and Brave to the blissful glee of Basics, and the sweet reminiscence of WWWK to the thundering anger that is Gone. Like Eyes wide open, I liken Between 1&2 to a pop music taste platter — there's such an eclectic mix of pop music in this album that there's bound to be a song that someone will love, like, and dislike.
Is this album perfect? I don't think so, but it's close — it was certainly my 2022 AOTY. Was this review biased? Absolutely. I've been a fan since 2019 and with the themes in this album, I also feel like it was biased towards me as a ONCE. And how would I rank the album in TWICE's catalogue? It's honestly at the top, at least with EPs — I also felt that way towards Feel Special but then this album was birthed so I'm excited for TWICE's future.
Ready To Be was also a stunning album and Eyes wide open frankly also deserved the spotlight that Formula of Love received so I might hit those next but no promises; this album took long enough to bake.
As for the performances, I've only seen Twitter clips (no fancams to not spoil myself) and I am SO EXCITED to finally see them in July. QoH was as glorious as expected, Brave was a delightful surprise, and WWWK, while not being the concert closer everyone expected it to be, paired up nicely with Crazy Stupid Love. And of course the bombastic addition of the dance break to TTT. But, this is not a concert review, and here is where this album review ends.
Feel free to comment with any thoughts regarding the album, other TWICE albums, and any suggestions for my writing in general. Congrats again on making it this far!
God, I love this album.

her character design ...just not my cup of tea...(i like the green hair girl that perform sword array attack in 3.0 trailer more , she is totally waifu material and hot)
but yulan kit seem perfectly fit my taste
crit value weapon
f2p/normal spender friendly (strong with a1,a2,a3 while a4,a5,a6 just a bit more dmg i can live without them)
normal attack spam focus main dps : easy and comforable to play via abusing mouse macro auto click ;))
self-hyperbody : can't be stun-lock or knock around like ragdoll by enemies , also very easy to active without cd (dodge attack)
a3 come with no-cd self-healing (not too hard to obtain)
very high dmg out put
she is basically the new frost fennir
and now i face a dilemma :(( if i pull yulan i may not have enough fund for the waifu girl i aim for :((
​

I literally have no money right now and don't have many groceries to actually make food with. Like I legit ate a whole bag of hamburger buns with butter ontop😭
Anyway if anyone is willing to deliver food via doordash/instalation or cashapp that's appreciated. Or any other option is cool those were just the first suggestions that came in my head.

Literally scrolling through this sub and I decide to go through controversial, what do I find? 90% of all the LGBTQ posts, you're trans? Fuck you, you're gay? Go right to hell brother. Grow up.

Hot Mayonnaise and Butter Sandwiches

By: Raymond A. Febles

If you got caught with your fingers in the pudding, don't hold the common place villain responsible. The price of the dollar is set based on the bloodshed of the fallen when the iron rains like weather driven by warm and sunny midday April showers. Let alone it's not just enough to make a living and literally live with no bread stashed up in the bread box while paying full rent for next to nothing. Not trying to win iron man marathons, just trying to get what's given and hope there's still a little pie still left waiting for me in the old painted roach ridden kitchen oven. Moral of the story is that a pig is going to be a pig, and next stop is possibly the butcher shop not unless they they luck out and take the household place of the dog and get fat and learn to turn tricks just to earn it's keep and not end up on the dinner table accompanied by waffles, diced hashbrowns, refried beans, and Sunnyside eggs to speak in the least. All is fair game while walking the fabled shadow of the valley of death, but it's better to die like a man than to be slaughtered like a beast.

Proof - https://imgur.com/a/QM7BTU0
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Keep on stacking my friends!

The Hoax Story of Remarkable Testimony of a Buddhist monk in Myanmar (Burma) who came back to life a changed man!
Introduction The story that follows is simply a translation of a taped testimony from a man with a life-changing story. It is not an interview or a biography, but simply the words from the man himself. Different people react in different ways when they hear this story. Some are inspired, some skeptical, a few will mock and ridicule, while some others have even been filled with rage and anger, convinced these words are the ravings of a mad man or an elaborate deception. Some Christians have opposed the story simply because the radical and miraculous events described herein do not fit their feeble image of an Almighty God.
We were first made aware of this story from several Burmese church leaders who shared it with us. These leaders had looked into the story and had not found any suggestion of it being a hoax. It was with this in mind that we decided to step out and circulate the story. We do not do so for any monetary gain, or with a motivation of self-promotion. We just want to let the story speak for itself, and invite Christian believers to judge it according to Scripture. If God wants any part of it to be intended for His glory or to encourage His people, then we pray His Spirit will work in the hearts of the readers in those ways.
Some people have told us they think the monk in this story never actually died, but that he just lapsed into unconsciousness, and the things he saw and heard were part of a fever-driven hallucination. Whatever you think, the simple fact remains that the events of this story so radically transformed this man that his life took on a complete 180-degree shift after the events described below. He has fearlessly and boldly told his story at great personal cost, including imprisonment. He has been scorned by his relatives, friends and colleagues, and faced death threats for his unwillingness to compromise his message. What motivated this man to be willing to risk everything? Whether we believe him or not, his story is surely worth listening to and considering. In the cynical West many people demand hard evidence of such things, evidence that would stand up in a court of law. Can we absolutely guarantee, beyond doubt, that all of these things happened? No, we cannot. But we feel it is worth repeating this man's story in his own words so that readers can judge for themselves.
My Early Years Hello! My name is Athet Pyan Shinthaw Paulu. I am from the country of Myanmar. I would like to share with you my testimony of what happened to me, but first I would like to give some brief background information from my life growing up.
I was born in 1958 in the town of Bogale, on the Irrawaddy Delta area of southern Myanmar [formerly Burma]. My parents, who were devout Buddhists like most people in Myanmar, named me Thitpin [which means 'tree' in English]. Our lives were very simple where I grew up. At the age of 13 I left school and started working on a fishing boat. We caught fish and sometimes also shrimp from the numerous rivers and streams in the Irrawaddy area. At the age of 16 I became the leader of the boat. At this time I lived in Upper Mainmahlagyon Island [Mainmahlagyon means 'Beautiful Woman Island' in English], just north of Bogale where I was born. This place is about 100 miles southwest of Yangon [Rangoon], our nation's capitol city.
One day, when I was 17, we caught a large number of fish in our nets. Because of the many fish, a large crocodile was attracted to us. It followed our boat and tried to attack us. We were terrified so we frantically rowed our boats toward the riverbank as fast as we could. The crocodile followed us and smashed our boat with its tail. Although no one died in this incident, the attack greatly affected my life. I no longer wanted to fish. Our small boat sank because of the crocodile attack. We had to go home to our village that night on a passenger boat.
Not long after, his employers transferred my father to Yangon City [formerly spelt Rangoon]. At the age of 18 I was sent to a Buddhist monastery to be a novice monk. Most parents in Myanmar try to send their son into a Buddhist monastery, at least for a time, as it is considered a great honor to have a son serve in this way. We have been observing this custom for many hundreds of years.
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A Zealous Disciple of Buddha When I turned 19 years and 3 months old (in 1977), I became a normal monk. The senior monk at my monastery gave me a new Buddhist name, which is the custom in our country. I was now called U Nata Pannita Ashinthuriya. When we become a monk we no longer use the name given to us at birth by our parents. The name of the monastery I lived at is called Mandalay Kyaikasan Kyaing. The senior monk's name was called U Zadila Kyar Ni Kan Sayadaw [U Zadila is his title]. He was the most famous Buddhist monk in all of Myanmar at the time. Everyone knew who he was. He was widely honored by the people and respected as a great teacher. I say he "was" because in 1983 he suddenly died when he was involved in a fatal car accident. His death shocked everyone. At the time I had been a monk for six years.
I tried hard to be the best monk I could and to follow all the precepts of Buddhism. At one stage I moved to a cemetery where I lived and meditated continually. Some monks who really want to know the truths of Buddha do things like I did. Some move deep into the forests where they live a life of self-denial and poverty. I sought to deny my selfish thoughts and desires, to escape from sickness and suffering and to break free from the cycle of this world. At the cemetery I was not afraid of ghosts. I tried to attain such inner peace and self-realization that even when a mosquito landed on my arm I would let it bite me instead of brushing it off!
For years I strived to be the best monk I could and not to harm any living being. I studied the holy Buddhist teachings just like all my forefathers had done before me.
My life proceeded as a monk until I got very, very sick. I was in Mandalay at the time and had to be taken to the hospital for treatment. The doctors did some tests on me and told me I had both Yellow Fever and malaria at the same time! After about one month in the hospital I was getting worse. The doctors told me there was no chance for me to recover and discharged me to make arrangements to die.
This is a brief description of my past. I would now like to tell you some of the remarkable things that happened to me after this times...
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A Vision that Changed My Life Forever After I was discharged from the hospital I went back to the monastery where other monks cared for me. I grew weaker and weaker and was lapsing into unconsciousness. I learned later that I actually died for three days. My body decayed and stunk of death, and my heart stopped beating. My body was prepared for cremation and was put through traditional Buddhist purification rites.
Although I faded away in my body I remember my mind and spirit were fully alert. I was in a very, very powerful storm. A tremendous wind flattened the whole landscape until there were no trees or anything else standing, just a flat plain. I walked very fast along this plain for some time. There were no other people anywhere, I was all alone. After some time I crossed a river. On the other side of the river I saw a terrible, terrible lake of fire. In Buddhism we do not have a concept of a place like this. At first I was confused and didn't know it was hell until I saw Yama, the king of hell [Yama is the name ascribed to the King of Hell in numerous cultures throughout Asia]. His face looked like the face of a lion, his body was like a lion, but his legs were like a naga [serpent spirit]. He had a number of horns on his head. His face was very fierce, and I was extremely afraid. Trembling, I asked him his name. He replied, "I am the king of hell, the Destroyer."
The terrible, terrible lake of fire The king of hell told me to look into the lake of fire. I looked and I saw the saffron colored robes that Buddhist monks wear in Myanmar. I looked closer and saw the shaven head of a man. When I looked at the man's face I saw it was U Zadila Kyar Ni Kan Sayadaw [the famous monk who had died in a car accident in 1983]. I asked the king of hell why my former leader was confined to this lake of torment. I said, "Why is he in this lake of fire? He was a very good teacher. He even had a teaching tape called 'Are You a Man or a Dog?' which had helped thousands of people understand that their worth as humans is far greater than the animals." The king of hell replied, "Yes, he was a good teacher but he did not believe in Jesus Christ. That's why he is in hell."
I was told to look at another person who was in the fire. I saw a man with very long hair wrapped on the left hand side of his head. He was also wearing a robe. I asked the king of hell, "Who is this man?" He replied, "This is the one you worship: Gautama [Buddha]."
I was very disturbed to see Gautama in hell. I protested, "Gautama had good ethnics and good moral character, why is he suffering in this lake of fire?" The king of hell answered me, "It doesn't matter how good he was. He is in this place because he did not believe in the Eternal God."
I then saw another man who looked like he was wearing a soldier's uniform. He had a large wound on his chest. I asked, "Who is this man?" The king of hell said, "This is Aung San, the revolutionary leader of Myanmar." I was told, "Aung San is here because he persecuted and killed Christians, but mostly because he didn't believe in Jesus Christ." In Myanmar the people have a common saying, "Soldiers never die, they live on." I was told that the legions of hell have a saying "Soldiers never die, but they go to hell forever."
I looked and saw another man in the lake of fire. He was a very tall man and he was dressed in military armor. He was also holding a sword and a shield. This man had a wound on his forehead. This man was taller than any person I have ever seen. He was six times the length between a man's elbow and the tips of his fingers when he stretches his arm out straight, plus one span of a man's fingers when he spreads out his hand. The king of hell said, "This man's name is Goliath. He is in hell because he blasphemed the Eternal God and His servant David." I was confused because I didn't know who either Goliath or David were. The king of hell said, "Goliath is recorded in the Christian Bible. You don't know him now, but when you become a Christian you will know who he is."
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I was then taken to a place where I saw both rich and poor people preparing to eat their evening meals. I asked, "Who cooked the food for these people?" The king of hell replied, "The poor have to prepare their own food, but the rich people get others to cook for them." When the food had been prepared for the rich people they sat down to eat. As soon as they started a thick smoke came up. The rich people ate as fast as they could to ease their consciences. They were struggling to breath because of the smoke. They had to eat fast because they were fearful of losing their money. Their money is their god.
Another king of hell then came to me. I also saw a being whose job is to stoke the fires beneath the lake of fire, to keep it hot. This being asked me, "Are you going into the lake of fire too?" I replied, "No! I am only here to observe!" The appearance of this creature stoking the fire was very terrifying. He had ten horns on his head and a spear in his hand that had seven sharp blades coming from the end. The creature told me, "You are right. You came here just to observe. I cannot find your name here." He said, "You must now go back the way you came." He pointed me toward the desolate plain that I had first walked along before I came to the lake of fire.
The Road of Decision I walked a long time, until I was bleeding. I was hot and in great pain. Finally, after walking for about three hours I came to a wide road. I walked along this road for some time until I came to a fork. One road, going off to the left, was wide. A smaller road went off to the right hand side. There was a signpost at the fork saying that the road to the left was for those who do not believe in the Lord Jesus Christ. The smaller road to the right was for believers in Jesus.
I was interested to see where the larger road led so I started down it. There were two men walking about 300 yards ahead of me. I tried to catch up with them so I could walk with them but no matter how hard I tried I couldn't catch them up, so I turned around and went back to the fork in the road. I continued to watch these two men as they walked down the road away from me. When they reached the end of the road they were suddenly stabbed. These two men cried out in great pain! I also cried out when I saw what happened to them! I realized the bigger road ended in great danger for those who traveled down it.
Looking into Heaven I started walking down the believers' road instead. After traveling for about one hour the surface of the road turned to pure gold. It was so pure that when I looked down I could see my own reflection perfectly. I then saw a man standing in front of me. He was wearing a white robe. I also heard beautiful singing. Oh, it was so beautiful and pure! It was much better and more meaningful than the worship we have in churches here on the earth. The man in the white robe asked me to walk with him. I asked him, "What is your name?" but he did not answer. After I asked his name six times the man answered, "I am the one who holds the key to heaven. Heaven is a very, very beautiful place. You cannot go there now but if you follow Jesus Christ you can go there after your life has finished on the earth." The man's name was Peter.
Peter then asked me to sit down and he showed me a place to the north. Peter said, "Look to the north and see God create man." I saw the Eternal God from a distance. God spoke to an angel, "Let us make man." The angel pleaded with God and said, "Please don't make man. He will do wrong and will grieve you." [In Burmese literally: "He will make you lose face."]. But God created a man named anyway. God blew on the man and the man came to life. He gave him the name "Adam". [Note: Buddhists do not believe in the Creation of the world or of man, so this experience had a significant impact on the monk].
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Sent Back with a New Name Then Peter said, "Now get up and go back to where you came from. Speak to the people who worship Buddha and who worship idols. Tell them they must go to hell if they don't change. Those who build temples and idols will also have to go to hell. Those who give offerings to the monks to earn merit for themselves with go to hell. All those who pray to the monks and call them 'Pra' [respectful title for monks] will go to hell. Those who chant and 'give life' to idols will go to hell. All those who don't believe in Jesus Christ will go to hell." Peter told me to go back to the earth and testify about the things I had seen. He also said, "You must speak in your new name. From now on you are to be called Athet Pyan Shinthaw Paulu ["Paul who Came Back to Life."].
I didn't want to go back. I wanted to go to heaven. Angels opened a book. First they looked for my childhood name (Thitpin) in the book, but they could not find it. They then looked for the name I had been given when he entered the Buddhist monk hood (U Nata Pannita Ashinthuriya) but it wasn't written in the book either. Then Peter said, "Your name is not written here, you must return and testify about Jesus to the Buddhist people."
I walked back along the gold road. Again I heard beautiful singing, the kind of which I have never heard before or since. Peter walked with me until the time I returned to the earth. He showed me a ladder that reached down from the heaven to the sky. The ladder didn't reach to the earth, but stopped in mid-air. On the ladder I saw many angels, some going up to heaven and some going down the ladder. They were very busy. I asked Peter, "Who are they?" Peter answered, "They are messengers of God. They are reporting to heaven the names of all those who believe in Jesus Christ and the names of those who don't believe." Peter then told me it was time to go back.
It is a Ghost! The next thing I was aware of was the sound of weeping. I heard my own mother cry out, "My son, why did you leave us now?" I also heard many other people weeping. I realized I was lying in a box. I started to move. My mother and father started shouting, "He is alive! He is alive!" Other people who were farther away did not believe my parents. I then placed my hands on the sides of the box and sat upright. Many people were struck with terror. They cried out, "It is a ghost!" and ran away as fast as their legs could carry them.
Those who remained were speechless and trembling. I noticed I was sitting in smelly liquid and body fluids, enough to fill about three and a half cups. This was liquid that had come out of my stomach and my insides while my body was lying in the coffin. This is why people knew I had indeed been dead. Inside the coffin there was a type of plastic sheet fixed to the wood. This sheet is placed there to retain a corpse's liquids, because many dead bodies release much fluid like mine did.
I learned later that I was just moments away from being cremated in the flames. In Myanmar people are placed in a coffin, the lid is then nailed shut, and the whole coffin is burned. When I came back to life my mother and father were being allowed to look at my body for the very last time. Moments later the lid of my coffin would have been nailed shut and I would have been cremated!
I immediately started to explain the things I had seen and heard. People were astonished. I told them about the men I had seen in the lake of fire, and told them that only the Christians know the truth, that our forefathers and us have been deceived for thousands of years! I told them everything we believe is a lie. The people were astonished because they knew what kind of a monk I had been and how zealous I had been for the teachings of Buddha.
In Myanmar when a person dies their name and age is written on the side of the coffin. When a monk dies, the monk's name, age and the number of years he has served as a monk are written on the side of the coffin. I had already been recorded as dead but as you can see, now I am alive!
Epilogue Since 'Paul who came back to life' experienced the above story he has remained a faithful witness to the Lord Jesus Christ. Burmese pastors have told us that he had led hundreds of other monks to faith in Christ. His testimony is obviously very uncompromising. Because of that, his message has offended many people who cannot accept there is only one Way to Heaven, the Lord Jesus Christ. Despite great opposition, his experiences were so real to him that he has not wavered. After many years in the Buddhist monk hood, as a strict follower of Buddhist teachings, he immediately proclaimed the Gospel of Christ following his resurrection and exhorted other monks to forsake all false gods and follow Jesus Christ with all their hearts. Before the time of his sickness and death he had no exposure to Christianity at all. Everything he learned during those three days in the grave was new to his mind.
In a bid to get his message out to as many people as possible, this modern-day Lazarus began distributing audio and video cassette tapes with his story on them. The police and Buddhist authorities in Myanmar have done their utmost to gather these tapes up and destroy them. The testimony you have just read has been translated form one of those cassette tapes. We are told it is now quite dangerous for citizens of Myanmar to be in possession of these tapes.
His fearless testimony has landed him in prison at least once, where the authorities failed in their bid to silence him. Upon his release he continued to testify of the things he saw and heard. His current whereabouts are uncertain. One Burmese informant told us he is prison and may have been killed, while another informant was told he is now released from prison and is continuing his ministry.
Translated by: Asian Minorities Outreach P.O.Box 901 Palestine, TX 75802 U.S.A. E-Mail: monkst... u/yahoo.com Website: http://www.antioch.com.sg/mission/asianmo
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Dear Triplegem Members, The following message was posted to the NDE.com Website by someone called 'James' on 23rd July, 2000. (NDE = Near Death Experience). The Monk's story is identical. But the source is different. Details can be viewed at
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The message began with: "Buddhist Monk visits Hell" I believe this person died, body decay & rotten. He was then brought to those places by the LORD to show him some vision. <-------
This is taken from a mission paper "Northside Missions Update" Northside Christian Centre 31-61 McLeans Road Bundoora Victoria 3083 Australia
The same 'Monk's Story' followed. Then, exchange of interesting messages took place at the NDE.com Bulletin Board among NDE regulars, some of them are Christians, and finally, someone called 'Melvin', 'a Myanmar Buddhist', posted the following message and the discussion came to a close.
The fact that the same story has re-surfaced in another form (cassette), perhaps in a another country is a bit disturbing!
Best wishes to all our Triplegem members, MM Lwin
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I'm new to watching South Park but I've noticed that the 4th kid of the main cast is either Kenny or Butters but never both. When I first watched I thought they were the same character but they had split personality disorder or something