I have this recurring nightmare. I attend this school where odd things happen. In this school, there are people I’ve never met before. Classes I’ve never taken.
Every time I have this dream, I enter a classroom that is listed on my class schedule, and the teacher yells at me for not showing up for weeks or even months. The teacher embarrasses me in front of the class and makes me do work that I didn’t even study for.
I guess it’s not the SCARIEST thing someone can dream about, but being forced to do a mountain of missed classwork is horrible. It also feels embarrassing being humiliated in front of this made-up class. It always feels too real.
I also get variations of this nightmare. Sometimes I dream that I’m running through the halls of the school trying to find where a class is. Then, by the time I find the classroom with the right room number, it’s too late, class is over. Detention.
I’ve had these types of dreams so many times that it feels like I’m enrolled in a completely different school in my mind when I’m asleep. I even have a mental image of what the school looks like from the outside after all those times I’ve been in recess or in the parking lot in other dreams.
Sometimes it’s a class with a teacher from an earlier dream, other times it’s completely different.
I figured these dreams were based on past experiences from elementary, middle, and high school that manifest themselves into vivid simulations from the back of my mind. But then three days ago I found out that it was a lot more than that.
My friend Santiago and I ride motorcycles together when the weather is nice. For weeks we were planning on going to this huge motorcycle meetup together. Before the meetup started, we wanted to rendezvous at his house and then ride our motorcycles to the spot together.
I rode my motorcycle from my house to his using my GPS. I’ve never been to his house before. He lived about thirty-five minutes away from me in a town I’ve passed by but never visited. As soon as I got to his house, Santiago was already turning on his motorcycle in front of his garage.
“Hey man, how’ve you been?” I spoke.
“Good, and you?” he replied.
“Great. I love this weather. You ready to go?”
“Hold on, let me put my dogs inside”.
Once we were all set to go, Santiago rode his motorcycle in front of me as I followed. He knew his way around to get us out of the neighborhood and back on the main road.
Now here’s where things get weird. Between the cluster of suburban neighborhood houses there was a long building that broke the pattern. I saw it in the distance as Santiago and I rode closer. The building was sitting on a hill and just looked unnatural in its place.
As we got past each stop sign and rode closer, the building strangely kept looking more and more familiar. I kept my bike going at a decent speed of 20 miles per hour. I intended to look at this building closely and drove slowly
Then, Santiago and I passed by the front of the building. I constantly turned my head to look at it, then to the road so I didn’t fall or crash. But once we were right in front of it, I just stared. I realized it when I saw the main doors.
It was... just like in my dreams. A long one-story building sitting on top of a grassy green hill. The same distinct main entrance doors. A red and yellow playground on the side of the building. A medium sized parking lot.
There was something so liminal about this building. Almost like those liminal spaces pictures that you see everywhere online. The building did not look real, but it was there right in front of me.
Once I turned my head back to the road, we reached the next stop sign and I nearly bumped tires with Santiago’s bike. Then, eventually, Santiago and I got farther, and farther away.
The rest of the day went well. We went to the meetup, saw a bunch of cool motorcycles, ate at a restaurant in the area, then parted ways and headed home. I had almost forgotten about the building until I rode home on my motorcycle and had time to think about it.
I thought, “What was that place? A school? Why did it look almost the exact same as that school that I see in my dreams? Have I been there before? No, that can’t be. I’ve never visited such a specific neighborhood before. There’s no way I’ve seen this building in my life. It’s just not possible for this dream school to be real.
Last night, I dreamed of the school again. It started off with me looking at the time. It was noon and I was just arriving to school. I was walking towards the entrance in a hurry. I entered the building, and the students were walking in the halls as usual.
I checked my schedule to see where I had to go next. In the list of unintelligible writing, I somehow deduced that I had to go to pottery class. I walked in an aimless direction until I reached a small classroom.
An old man with white hair and glasses looked at me angrily as I took my seat. I always hated old grumpy teachers. This guy was no different
“WHERE have YOU been. What, you don’t think this class is IMPORTANT? You haven’t even started on the first project and we’re already on PROJECT FOUR.”
As always, I just sit there, confused and ashamed. The entire class giggling or shaking their heads in disappointment. The teacher gave me the angriest face as his right hand shook while holding a small pot. Right before the dream ended, I saw the pot leave his hand and soar in my direction.
I woke up not knowing if I was still dreaming or not. Dazed, I had to remind myself that it was only a dream. That dream was extremely vivid. Moreso than the others because the school felt all too real. It was like I was there. The similarities between the dream school and the real building I saw were uncanny. Something made me want to investigate it further.
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I had Google Maps pulled up on my phone. I was looking at Santiago’s address while lying in bed. I knew the building should be around his house, maybe about five or six blocks away. Since the meetup spot was more east, I tapped and dragged the map to the right slowly.
It took only seconds until I found the long building. In this top-down view, I saw how it broke the pattern from the rest of the houses. I tapped it to see if I could get more info on it. Strangely, Google Maps did not have this building listed as anything. It just showed the address as if it were another house.
Then I went into street view mode to get a look at it from street level. “Oh god...” I thought to myself. It looked the exact same as the school I visited in my dreams. This can’t be a coincidence. I must see it for myself.
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UPDATE
It’s been a week and one day since I passed the building on my bike. It was Monday now. Curiosity got the better of me as I was interested in seeing the interior of the building.
The morning was breezy and chilly with cloudy skies. I couldn’t believe what I was doing. I was driving in my car to a school I saw in my dreams. It didn’t take too long to arrive since there was less traffic in the morning. It was almost 8 AM when I arrived at the parking lot of the school and there were a couple of other cars parked there. “Last time it was empty. There should be people inside” I thought.
At first, my plan was that I wasn’t going to enter. I was just going to look through the windows on the doors. Just to see what the inside looked like. This place seemed like a school for small children that I had no business entering.
I walked to the entrance with the glass doors. Honestly, I felt like a creep, but I really wanted to look inside, while hoping there wasn’t a cop around being suspicious of me.
I put my forehead on the glass of the door, with my hands covering the sides of my face to see better. As soon as I got close enough to the glass, I saw nothing but heard everything. With my eyes, I saw an empty hall. With my ears, I heard hundreds of voices.
“Wait... where are these noises coming from?” I thought as I kept looking around. These sounds were so audible that it sounded like people were on the other side of the door. Yet, I didn’t see anyone. Just a long hallway with the lights off. There were doors on the sides. All closed. There was even debris on the floor. The place looked ruined and abandoned. Yet, the sound of walking, shuffling, talking, and shouting were still audible.
It was all so spooky. I felt like my mind was playing tricks on me. Something inside me begged me to open the doors and walk around. Was that the right thing to do? This was all unnerving and mysterious and I felt like I had to go inside. At least to just walk a couple of feet.
Again, I looked around behind me to see if anyone was looking. While my head was turned toward the outside, I slowly opened the doors and entered when there was enough space to get in. As soon as I was in, I turned my head forward again and I did not expect to see what was in front of me.
Like magic, the once empty hall was now sprawling with people. Hundreds of them appeared seemingly out of thin air. The lights were on, the floor was clean, and people were going in and out of classrooms. I couldn’t tell what age they were. They all looked somewhere between middle and high school.
“What the fuck. Where am I?” I whispered. I looked down at my hands to make sure this wasn’t one of those dreams. I opened and closed my fists. I pinched myself and it hurt. Sure enough, it was real life.
I stood in that same spot for about a minute just watching everyone walk. When that minute was up, I realized there were less and less people out in the hallway. I saw the last few hurrying to where they needed to be as the last classroom door closed.
In just a few moments, I was alone in the hallway with the buzz of the fluorescent lights. The walls were half white at the bottom, and half red at the top. It looked so liminal like the hallways in my dreams. This wasn’t a dream, though.
I began walking down the hall. I passed by classrooms that had small square windows on the doors that I couldn’t see through.
It was almost silent now with no noise besides my footsteps. I checked my phone for the time. It was 8:15AM. I noticed I didn’t have signal at all. “What? ...why don’t I have service?” I thought to myself.
Once I got to the end of the hallway, I saw that it split into two other hallways. I looked deep into each hallway and they both looked the same. Not knowing where to go I thought, “Okay. That’s enough. Time to leave.”
I did a 180 degree turn to go back the way I came. I didn’t even take a third step when I heard a door open intensely and a harsh voice say “oh THERE he is. OUT in the HALLS and not in CLASS. HEY. YOUNG MAN. You better get in this classroom RIGHT NOW.”
I was startled by that voice. It broke the silence so abruptly that I jumped. It was a fat old lady with a wrinkled and scrunched face. She had curly gray hair and glasses.
I just stared at her for a moment. Then I tried to speak, “... I- I'm sorry, I’m uh... not-”
“YOU HAVEN’T SHOWED UP TO A SINGLE CLASS. Do you have ANY idea how much TROUBLE YOU’RE IN?” she boomed.
I sounded like a mouse compared to her. “L-look I... I think you uh... got the wrong per-”
“GET IN HERE.” she grew angrier. “GET IN THIS CLASSROOM RIGHT NOW.”
I stopped my little muttering and began to walk backwards. The lady then vigorously swung open the classroom door so hard it hit the wall as she speed-walked in my direction with such an aggravated look on her face.
Now, I’m not short, but I’m also not tall. I’m 5’8”. But compared to this lady, she made me look like a third grader. She was gigantic. Probably more than 7 feet tall.
I didn’t know what she was going to do. I walked backwards first and then tried turning around. Before I could make a complete turn, I felt a strong grip on my wrist and my motion stopped completely. I looked down at my wrist and saw a fat hand around it. I struggled hard to break free from the grasp, but I was swiftly pulled in the old lady’s direction.
No matter how much I struggled, I couldn’t break away. The old lady was dragging me toward the classroom.
“WHAT... THE HELL. HEY. ERGHHH LET GO OF ME!” I yelled.
“YOU DAMN TROUBLESOME KID. GO TO YOUR SEAT!” She pulled me up into the air, suspended by my shirt, and threw me into the classroom.
I hit the floor with a hard thud. My elbow and knees took the most impact as I was slow to get up. Pain hit my legs hard as I got back on my two feet and heard the door shut firmly.
The old lady that just got done manhandling me took a heavy sigh and said, “OKAY. Now we have a full class. That makes Miss Howler happy.” She took a seat at the big desk in the front. After sitting down, she looked over at me with an angry and confused expression.
“Why are you still standing there? Get to YOUR SEAT.”
I was frozen but my eyes darted around the room. I looked at the students. The class was indeed full. I looked at their faces and they were all grinning and looking straight.
My observation of the class was interrupted by the loud slam of Miss Howler’s fat fist on her desk.
“I SAID GO TO YOUR SEAT. RIGHT NOW!!!” she yelled.
I didn’t know what to do. Should I make a run for it? Or should I just sit like the teacher said and just get it over with? I didn’t want to risk being thrown again so I went to the back of the classroom where I saw an empty seat. I sat down and still couldn’t believe what was going on. This felt like a nightmare I couldn’t wake up from.
I looked around me. Everyone was still looking straight forward. Miss Howler was sitting at her desk again sorting some papers.
“How did I get myself into this mess? And how long will this all take?” I thought. Then, Miss Howler got up from her desk and walked over to the first student sitting in the front row. From where I was, I could see she was passing a packet of papers to each student.
“OKAY. Take one and pass it backwards, please. What you will all receive momentarily is our next assignment. Read through it carefully” she said.
The student sitting in front of me passed a packet over his shoulder for me to grab.
“Surely, I won’t be needing this” I thought while placing it on my desk. I read the words at the top.
ORGANIC CHEMISTRY 101 – ASSIGNMENT 8
The title was the only thing I understood. The rest of the page was just a bunch of science jargon. The questions were all based on equations with more letters than numbers.
“Like always, have this completed by the end of the week. Late work WILL NOT give you full credit... OHHH... SPEAKING of LATE WORK” Howler turned around and grabbed something beneath her desk. When she turned back around, she looked at me over the top of her glasses.
“YOU. Young man. Come here. Now.” Howler pointed at me and wriggled her finger, motioning for me to come up to the front of the class.
Nervously, I got up and walked past the many students that were still smiling and looking forward. I don’t think I ever saw them blink. When I got to Howler’s desk, she had a neat stack of papers probably about a foot high.
“Take your work and SIT down,” said Howler while glaring at me. Before anything else I grabbed the packet on the top of the stack. I looked at the top, ORGANIC CHEMISTRY LESSONS 1-127. I quickly turned around and walked back towards my seat before Howler slammed her fist again.
“WHERE ARE YOU GOING?”
I turned around slowly and nervously. “Wh- what?”
“WHY DID YOU ONLY TAKE THE ONE? YOU THINK THIS IS FUNNY?!?
“Umm... no. Look, I’m not supposed to be here” I said. “How DARE YOU. COME TAKE THE REST OF YOUR WORK,” she yelled. “I... okay,” I said as I walked back. I didn’t know that the whole stack was for me. As I reached for the stack, my vision went all white.
KABWOOSH
In an instant, white papers flew everywhere around me like a hurricane. Howler had bashed the stack with the back of her fat hand so hard that none of them were on the desk anymore. As the last page hit the floor she said, “You have SOME NERVE trying to joke around with ME. YOU’VE GOT SOME NERVE. Now PICK IT UP”.
I thought, “there’s no way I’m going to pick all of this up. This is ridiculous. I must leave. I can make a run for it from here”.
Before picking up a single page, I rushed to the door, pulled on the knob violently and turned it both ways. Sadly, it wouldn’t give. It was locked from the inside. Once I realized this, I felt something towering over me from behind. A shadow loomed over the door.
“Where do you think YOU’RE GOING? I cannot BELIEVE THIS. IN ALL MY YEARS YOU ARE THE WORST”.
I was still facing the door. Disappointed that I couldn’t leave. Suddenly, my neck tightened, and I felt like I was choking. I was pulled backwards. My shirt's collar fell tight as I realized I was being pulled by the back of my collar.
Then I was airborne and fell onto the bed of papers on the floor.
“I SAID PICK THEM UP. I WON’T ASK YOU AGAIN. DO IT NOW!!!!!!” Howler was the angriest she’d ever been so far.
I had no other choice but to pick them up and put them back in a stack. As I was placing them in a pile, I saw bright red dot appear on the white of a page. “Blood?” I thought. Then a few seconds later another drop. I placed my hand on my cheek, and it stung. My fingers were red from touching it. When Howler bashed the paper stack, I must have gotten a paper cut.
Once I was done stacking, I lifted it up and went to my seat. Then Howler began teaching. I can’t remember a single word she said while teaching. It was all chemistry, and I didn’t know a thing about it. All I knew was that I had to get out of there. I needed a reason.
But then she said, “Alright. Any questions?”
I shot my hand up before any of the five other students could. As soon as I did, Howler looked at me and said, “Yes, YOU.”
“Uh... may I use the bathroo-”
“NO. PAY ATTENTION.”
“Please. I just need some paper for this cut on my face.”
She glared at me so hard. I was starting to regret even asking. It felt like I made a huge mistake for even raising my hand at all.
To my surprise she said, “FINE. But don’t think for a SECOND that I’m just going to let you WALK OUT OF HERE by yourself. I’m NOT stupid.”
She looked at the student right in front of her. “James. Please escort your fellow student to the restroom.”
I immediately got up and walked towards the front. James stood up and turned to me. He had short blond hair, green eyes, and was still smiling even when looking at me. “Yes ma’am.” He said in a proud voice. James walked in front of me.
Before we got to the door, I froze as we heard, “LISTEN. You BETTER be back here in TWO MINUTES. BOTH OF YOU. DO NOT waste my time. GO.”
With that, James turned the doorknob. Surprisingly, it opened. How did it open so easily for him?
James and I exited the classroom. Just being out of it felt like freedom. My cut was still dripping blood. I then spoke, “Hey James. What is this place? What’s going on?”
“This is our school. Where have you been this whole time?” He replied. He would not stop smiling.
“What do you mean?” I said, “I’ve never been inside this school before.”
He said, “Yes you have.”
When we got to the bathroom, I quickly got some paper towels and placed them on my cheek. James then said, “Okay. Let’s go back now” as he turned around and headed for the door.
My stomach ached at the thought of going back into that classroom. I was already through with being there. “Hey James, you go on ahead I’ll be in the classroom soon,” I said while opening a stall door.
James stopped before opening the door. “I don’t think we should keep Miss Howler waiting any longer,”
I entered the stall and said, “I really, really, have to use the toilet pretty badly. It’s going to take a while. Please, go ahead and return. I’ll take the blame, James”. With that, I closed the stall door and locked it.
I waited for a response. There was no sound coming from the outside of the stall. James had gone quiet. I was looking down in the opening of the stall under the door. These two neat shoes appeared. I was starting to get creeped out. “Umm... James?” I spoke.
Then, suddenly, blond hair was appearing under the stall door slowly. The neat shoes were still there and hadn’t moved. I kept my eyes on the blond hair as it moved down ever so slightly. I saw a forehead, then eyebrows, then green eyes.
“What the fuck...” I whispered.
It was James’ head. It was upside down. His head kept lowering slowly as his nose was now visible. Then his mouth was coming into full view. He was grinning cheek to cheek like always. I was about to scream my lungs out.
Then he said, “It’s time to go back”.
I will end it here for now. There’s so much more to this occurrence than I can write in one post. I will continue in the next one.

Eurovision Song Contest is an international competition that has been running annually since 1956. It's a massive event as a total of 52 countries participated in Eurovision and it's a fun event. Everybody has their own reason for watching it from supporting their own country, celebrating different cultures, enjoying music to appreciating Dustin the Turkey.
You don't need to know details on how voting works or how Eurovision works as we are going to focus on something else. Specifically, the process of choosing the performer. Some countries have a committee that picks a willing performed and some host a competition.
The size and length of the competition differ in each country as every country has their own budget. You can either have Swedish Melodifestivalen or Polish Tu Bije Serce Europy! Wybieramy hit na Eurowizję!. Today, we are going to focus on Poland's history of pre-selections and the latest drama.
Important information.
The post is a bit unique due to the nature of the sources. It's recommended to listen to music videos from 2023 with headphones and without them to get the full experience. There will be mentions of gossip and conspiracies, so wearing a tin foil hat is recommended. Almost all sources are in Polish and they were translated by me. I'm not a professional translator and so I am prone to making mistakes. After a while, this post is going to be edited to include a link to a comment explaining the translation process. Some sources have comments sections and you may encounter triggering content.

Holding onto memories - The history of Poland in Eurovision

Poland debuted in 1994 with "To nie ja" by Edyta Górniak, who was sent by a Polish tv broadcaster known as TVP. The song almost got disqualified, but it wasn't and Górniak got 2nd place for Poland. It was the first time, when Poland was in the top 3 and also currently the last one.
Then there were 5 years of being outside the top 10, which resulted in Poland withdrawing from Eurovision 2000. Poland returned for the 2001 edition, but Piasek's bad performance resulted in Poland withdrawing again.
Then in 2003, Ich Troje with "Keine Grenzen - Żadnych Granic" finally breaks the unlucky strike as they manage to get 7th place. Unfortunately, the unlucky strike comes back. Blue Cafe only manages to get 17th place. Next years are similarly bad. 2 years of not qualifying for the final, 24th place and 3 years of not qualifying. One of the representatives that didn't qualify was Ich Troje, who came back with "Follow my heart".
Poland withdrew again for 2 years, partially due to hosting UEFA Euro with Ukraine. The return of Poland in 2014 was controversial as "My słowianie" by Donatan & Cleo was chosen. The song is basically about how Slavic girls are the best wives as they know how to use body language. It divided Polish viewers. Some treated it as a fun satire of Polish stereotypes (hypersexual girls, poor old-fashioned country, etc.), while others had issues with the song spreading these stereotypes and the sexual nature of the music video. According to one of the biggest Polish newspapers, Britain described the song as a typical weird Eurovision song and they thought it was about bread. Sweden threw sexism allegations, while Germany described the music video as softcore porn.
It also started a discussion about Eurovision and how it's viewed by others. The same newspaper described Polish viewers treating participation in Eurovision as a matter of national pride and how the scale of emotions is similar to a schizophrenic patient running from one end of the room to another. Even when the quality of competition can be questionable.
Donatan&Cleo got 14th place and Poland didn't withdraw. It was probably a good decision as Michał Szpak with his song "Colour of Life" got 8th place in 2016. There were two controversies surrounding Szpak. One of them was a difference between televotes and judges' votes, but the controversy was quickly forgotten. Another controversy is related to TVP, but I will cover it later.
Then Poland got 22nd place and it had 3 songs not qualifying for a final in the row, again. The third song that didn't qualify was "The Ride" by RAFAŁ, which became a meme due to a horrible live performance. It was so bad that many Polish viewers wanted RAFAŁ to not qualify for finals.
The unlucky strike got interrupted by "River" by Ochman, who managed to get 12th place. The live performance became meme due to cheap special effects.

I ain't done yet - Everything about TVP

TVP (Telewizja Polska S.A) is one of the oldest TV broadcasters in Poland and also a controversial one. If you say "politics" and "TVP" in one sentence, you are legally allowed to change your name to Pandora. But you can't escape from TVP, especially if you are interested in music competitions for newcomers. They are associated with one of the biggest music festivals in Poland (Opole Festival) and run three different editions of The Voice (Of Poland, Kids and Senior). Other TV broadcasters don't offer too much. Polsat keeps changing trying different formats and the last music competition was in 2020. TVN has only Got Talent.
Going back to Eurovision, TVP is responsible for anything related to Eurovision. Depending on the year, you may expect either an internal selection carried or a competition. Both of them have their own unique reputation due to many reasons.
The most controversial entry from an internal selection is The Ride from 2021. At that time, most people expected to see Alicja with her song "Empires". Alicja won Szansa na Sukces (a music competition, where singers get a chance to perform somewhere) and she was supposed to participate in Eurovision 2020, but it got cancelled due to covid. Most countries decided to send their 2020 representative, so expectations weren't unreasonable. Yet, TVP decided to do something else and Poland ended up getting multiple memes about RAFAŁ instead of the sweet victory.
However, this doesn't mean that music competitions are without flaws. Some people in TVP wanted to remove Michał Szpak from the competition due to being worried about him potentially winning, but the director Radek Kobiałko and other people organising the competition 2016 decided to stand up against it. The reason behind it is unclear, but Michał Szpak used to be controversial due to his androgynous looks and presentation.
Then there were some minor issues with the first edition Tu Bije Serce Europy!, which were brought up one year later due to the 2023 drama. Some viewers have noticed that one song "Paranoia" by Daria has been promoted by TVP. Daria performed her song before the show. She performed at New Year's Eve's Music Festival by TVP and somebody could say that was TVP's conspiracy to secure Daria's televotes victory. However, Ochman won and some say it was due to the voting consisting of two rounds.
This leads us to 26th February 2023 and the latest drama. Grab your popcorn as we are going back to the past and I am going to serve as your host.

Welcome to the party - The show

It's 17:30 and you are watching TVP 1. The show begins and so it's time to explain to you how the show works.
Tu bije serce Europy! Wybieramy hit na Eurowizję! 2023 works similarly to the previous edition. Every performed could send one song and that song had to meet standard requirements for Eurovision. Specific requirements are under point 6 and other rules, can be read here. Around 300 songs were sent to TVP and only 10 of them could make it to the show.
Each judge has 100 points and they have to judge each contestant... That's how I would explain rules if they weren't changed 4 days before the competition. It was a fully legal move from TVP as rule 39 specifies that TVP has the power to change rules. The explanation was given by TVP and rules were changed to be closer to those in Eurovision.
Now each judge gives points (12, 10, 8, 7, 6, 5, 4, 3, 2, 1) to contestants. Points are then added together and the contestant with the highest total gets 12 points. The next person gets 10 points, etc. Viewers can still vote and they are still as important as judges. Voting works the same, except viewers don't give points.
Without further ado, let's meet the judges and the contestants.
The judges

• Edyta Górniak - She is our first judge and the chairwoman of judges. She is a singer active since 1990 and she has been at the centre of gossip magazines since her participation in Eurovision. She was a judge in some TVP music competitions such as The Voice of Poland and she performed in many events organised by TVP. She also performed in other shows hosted by other TV broadcasters. Like in the case of many stars, Górniak caused many controversies. One of the things that you should know is the fact that Górniak is spiritual and openly talks about her beliefs.
• Agustin Egurrola - If you are watching a music/dance competition or a music festival on TV, you will probably see him or his name. Egurolla is a famous dancer and choreographer. He worked in many different shows as either a dance choreographer or a judge. His dancers performed at NYE Music Festival 2022.
• Marek Sierocki - So there is a mixture here. He is well known for journalism, hosting some music competitions or being a commentator for those. This includes Eurovision Junior 2021.
• Aneta Woźniak - A new director in TVP. There isn't a lot of information about her and she was mostly involved with TVP ABC (a channel for children).
• Marcin Kusy - A director of Polish radio Jedynka.

The contestants

• Natasza "Lift U Up"- If you ever watched other Polish pre-selections or 365 days, you may know her. Her career is longer than my life and you would probably see her at least once on TVP.
• Kuba Szmajkowski "You Do Me"- A fresh blood in the Polish celebrity world. His career started after performing in The Voice Kids 2017 and he managed to perform in finals. He performed in TVP's New Year's Eve Music Festival 2021 and 2022
• Ahlena "Booty" - A new singer that never for the public. She started composing in 2020 and her first song was "Booty".
• Dominik Dudek "Be Good" - The winner of the latest edition of The Voice of Poland that had a final in November 2022. The show started his career.
• Alicja "New Home" - The winner of pre-selections for Eurovision 2020, which unfortunately didn't happen due to covid. She has won 3 music competitions broadcasted by TVP and her music career has been steady since 2019.
• Felivers "Never Back Down" - Another fresh blood in the music world that has been active for 3-4 years. They performed Uptown Funk at TVP's NYE music festival 2022.
• Maja Hyży "Never Hide" - An established star that has started her music career thanks to TVN's X Factor 2012. She performed with Kuba Szmajkowski in 2021 and 2022 at the same music festival.
• Jann "Gladiator" - His career started in 2020 and performed in an alternative music festival known as Off Festival. Tu Bije Serce Europy! is his TV debiut.
• Blanka "Solo" - 2021 can be considered as the start of her music career. Solo is her second song and she performed it for TVP's NYE Music Festival 2022. She also performed as a guest for You Can Dance - Nowa Generacja 2.
• Yan Majewski "Champion" - Yan is another contestant of The Voice of Poland, specifically the 2021 edition. He later performed at the Grand Prix Festival of young talents 2022, TVP's NYE music festival 2022 and You Can Dance - Nowa Generacja 2.

At this point, you may probably see 3 things that were pointed out by fans and the media. The most obvious one is a lack of songs in Polish. Feliver's song only has one Polish segment and that's it. It has been a point of competition criticism, but it isn't anything abnormal. Poland has sent multiple entries in English and even English & Spanish before.
Another thing that can be noticed is the fact that only Ahlena and Jann don't have ties to TVP. Many contestants have performed for TVP at one point and many of them performed a couple of months before the competition. In the case of Yan Majewski and Blanka, you could see them on TVP a couple of days before the competition.
The third thing would be the quality of the show. While not all videos come directly from TVP, the quality doesn't differ that much from what you would see on TV. Journalists and fans openly talked about their ears bleeding thanks to some performances. There were even jokes about the quality of special effects and anything related to visuals. At this point, Poland's special effects are a meme and you can find videos depicting how the performance of (Insert Eurovision 2023 contestant) would look like if they represented Poland. What doesn't help is the fact that recordings from the audience and journalists tend to have better audio.
From things that you could only see by watching the full show, all contestants got at least one round of applause from the public. The craziest applause was for Jann before and after his performance. The beginning of his introduction could be barely heard and even hosts acknowledged the madness after his performance.
Now let's reveal results. During the show, Edyta Górniak was responsible for revealing results.

Name	Score
Blanka	12
Dominik Dudek	10
Felivers	8
Jann	7
Natasza	6
Alicja	5
Yan Majewski	4
Kuba Szmajkowski	3
Maja Hyży	2
Ahlena	1

This didn't sit well with the public. When Jann's score was revealed, many people started booing. It was so loud that Edyta Górniak had to ask whoever was giving her score to repeat themselves and you could hear it on TV.
There was also another moment of booing and screaming "EDYTA" after the results were revealed. Then it changed to screaming "USTAWKA" (set-up) and one of the hosts had to calm down the public again. Performances of the contestants were replayed and you can guess what happened when Jann's performance was shown. The crowd went for applause this time and became quiet during Blanka's performance.
This brings us to televoting. Rules changed again and now you can send up to 20 SMS from one SIM card. The cost of one SMS is 3.69 zł, which was the equivalent of $0.83 (US), £0.69 or €0.78. The total number of votes is unknown.
So now let's reveal the final score and the televote scores.
​

Name	Total Score	Televote Score
Blanka	22	10
Jann	19	12
Dominik Dudek	18	8
Felivers	14	6
Yan Majewski	11	7
Alicja	10	5
Natasza	8	2
Kuba Szmajkowski	6	3
Maja Hyży	6	4
Ahlena	2	1

Originally, TVP didn't reveal televote scores and viewers only had the total score. The televote ranking has been released by TVP one day later. Number of televotes is still not confirmed. According to one source, TVP has received over 35000 votes. There is also gossip that Jann has received 18000 votes, while Blanka has received only 6000.
But even without specifics, the audience was lukewarm. When 2nd place and 1st place were about to be revealed, the audience was cheering for Jann. When Blanka was revealed, the audience lost its energy. There were some cheers instead of booing, but they weren't too loud.

They mad - Initial reactions

While Blanka's show didn't end with booing, celebrities and social media exploded.
The celebrities' side had reactions ranging from strongly negative to neutral. Ralph Kamiński was openly supporting Jann and even promoted him. He also criticised the format of the show and how only viewers should decide whom to send to Eurovision. He called the situation a "SCANDAL!" and "SHAME!!!".
Michał Szpak was supporting Jann. When the results were revealed, he supposedly end up laughing and swearing on Instagram. During one of his interviews, he openly states that he is in Team Jann but he will be still supporting Blanka. He also added there will be lots of work for Blanka, but he is still hopeful and the song itself is catchy. Maja Hyży, Kuba Szmajkowski, Doda and Roxie Węgiel (Eurovision Junior 2018 winner) share similar views. Their interviews can be reduced to how they were cheering for Jann or another contestant, but it doesn't mean that they will not support Blanka. Then there is a small talk about how she doesn't deserve hate or how her song is catchy.
When ask about songs and singing abilities, Agnieszka Hekiert end up praising Jann's vocal abilities and only said that Blanka's song is a well-produced pop piece. Similarly, Ochman avoided answering a more direct question "Does Blanka sing nicely?".
Another celebrity worth mentioning is Ramona Rey. She also preferred Jann and she was the first celebrity to call out the lack of clarity from TVP regarding how songs for the show were selected. She also called out the lack of Polish songs and mentioned how her rejected song predicted the future.
Even those supporting other contestants had a negative reaction to Blanka. Sandra Kubicka was supporting and promoting Dominik Dudek due to him "singing, playing the guitar, composing and writing his own songs". Her reaction to Blanka was calling her song "disco polo". Disco polo has a similar reputation to modern pop. Some love it and some consider it low-quality music.
Social media was less kind than celebrities. People were either attacking Blanka or TVP. Every tiny move of judges and contestants was analysed. Some even dug through the social media of contestants to make their point about how somebody deserves or doesn't deserve to represent Poland. At that time, you could easily encounter homophobia, racism and conspiracy theories.
Media obviously decided to produce multiple articles about this situation and every website presented something different. It's hard to say if they media the situation worse or better as multiple things have been happening at the same time.
People were divided. For some, Blanka was a twin sister of Ariana Grande that didn't show anything special. That's from one article and from there comments kept getting worse or better. Blanka was either considered a shallow rich girl with a generic song or a singer making others smile with her summer vibes. On another hand, Jann was a talented underdog who was too controversial for TVP or a copy of Måneskin that was singing out of tune.
TVP and others also got lots of comments. Some openly stated that they would be fine with Jann losing, if TVP decided to send either Dominik Dudek or Alicja. Others mentioned the political situation in Poland and how TVP perfectly shows corruption in Poland. One of the things that got pointed out was Blanka having a contract with Warner Music Poland and how TVP could earn money by having Blanka work for them.
Similar theories were slowly popping out and they were discussed by fans. So quickly fix your tin foil hats as we will be moving to the next sections.

Dance along with me - Egurrola's involvement

One of the most popular theories was how judges were voting for Blanka due to personal reasons. Agustin Egurolla and Edyta Górniak were the main focus of these theories.
To start with Egurrola, you can't run away with him as he is always doing something associated with dancing. He either sends his dancers or creates choreographies for multiple shows. Egurolla was supposedly working with Blanka for NYE 2022 music festival and his dancers performed with her for Tu Bije Serce Europy!. There were implications of potential bias and some people pushed this theory further. Supposedly, Egurrola didn't want Jann as Jann wouldn't agree to perform with his dancers and Egurolla wouldn't make money. The extra bit of this theory is based on the fact that Jann created his own choreography and performed without dancers.
Egurolla's controversy got worse thanks to his co-worker, Michał Piróg. Piróg published on his Instagram a picture of him with Egurrola and judges from You Can Dance - Nowa Generacja. In his description he wrote:

"I always sat behind the table and waited for something that would suprise me and enchant me, but there were those who asked beforehand "Who should be the best?"...."

This was later followed up by his comment, which appears to be deleted. Fortunately, the media saved it.

"The chairman, the second man on the picture, the man of the internal businness. Call it as you like"

The post was published a couple of days after the show and most people interpret it as a criticism of what happened in Tu Bije Serce Europy! and the implication that Egurrola had something to do with Blanka's victory.
In the end, the drama surrounding Egurrola died after a reveal that he will not work on Blanka's choreography for Eurovision.

Everybody has somebody - Involvement of Górniak's family

In the case of Górniak, there were multiple dramas surrounding her and her son. They lived for longer than Egurrola's drama due to Edyta's multiple responses and the fact that she was a chairwoman of judges.
Allan Krupa is Edyta's son and he is known as Enso. Most articles refer to him using his real name and so I am going to use it to be more or less consistent.
Going back to the main topic, it has been noticed that Allan was sitting next to Blanka during the competition and one picture was enough to start drama. People quickly started calling Blanka his friend or even lover. However, the first theory that Blanka is his friend became more popular due to Allan already dating somebody.
Allan quickly reacted to negative comments as some people were also attacking his girlfriends. He explained that he didn't even know there were pre-selections and he knew about them after his mother called him a day before. He didn't know other contestants, except for Felivers. He thought that Blanka was just a dancer and she asked him if she can sit next to him.
This wasn't the end as Allan went on some angry rants. Some phrases can't be directly translated without losing their original meaning, so I've tried my best to localise some bits. Check this comment for more information.

"People are writing to me - as if I had a f^^^ing connection to Eurovision - you are re^^^^ed or you are f^^^ing something else"

There was also another rant where he called people NPCs and how they make sh^t on the internet like animals for attention. He ends his rant saying that he understands that pre-selections are a situation of life or death and there is slaughter, when somebody doesn't win.
His story of not knowing Blanka was considered as weird. If it was true, then why Blanka had to search for a seat? Some questioned the legitimacy of this story as Allan has performed at NYE Music Festival 2022 like Blanka and he could theoreotically meet her there.
Allan was later defended by Edyta. He also posted some memes about how he manipulated pre-selections and Eurovision.

You do you and I do me - Edyta's involvement

Just after Blanka's victory, Górniak has been interviewed. She started her interviews by saying that Blanka was chosen by judges and also viewers, when she was expecting to see a change. She then went on a talk about how she thinks that viewers chose Blanka as they need something sunny and international. Also, how people lack something optimistic after all these dramas in their lives.
She then started describing Jann. She described him as demonic, but characteristic and full of charisma. The use of the word "demonic" became controversial and a meme due to being peculiar. What makes the situation worse is the reputation of Edyta when it comes to spirituality. As I've previously mentioned, Górniak is open about her beliefs and she even talked about bad energies, including how Halloween is bad. Funnily, Jann and somebody from his environment knew about this line and even made a joke about his salt necklace and potential exorcism.
To add salt to this situation, a recording from Dobry wieczór Europo! caught Górniak looking away and staring at the ceiling during the performance of Jann.
The day after the show, Edyta wrote a comment on her Instagram post saying that if anybody sees issues with the clarity, they should report them to the producer of the show.
There was also a small misunderstanding of rules from Edyta's side as she said that if people really wanted Jann to win, he would have won as televotes are responsible for 50% of the total score. But according to her, there were probably not enough votes sent to him.
To clarify, Jann got the maximum possible amount of points from viewers and it's unlikely that getting more votes would change anything. So either Górniak was confused by how scores work or she didn't know that Jann has won televote.
Small bits like that started accumulating and started creating a weird picture. During one of the interviews, Edyta stated that judges were questioning a bit if they should vote together or separately. At the end they shared each other's views while hiding their notes and voted separately.
The weirdest thing was the timeline of events presented by Edyta. According to her, votes were collected right away and judges didn't have time to further discuss them. Votes were counted while she was preparing for her guest performance during the ad break. However, later she stated that judges gave their voting cards when she was going to the stage to perform. What doesn't click here is the fact that Górniak was performing after the ad break.
This either means that votes were collected twice (before and after the ad break) or Górniak misremembered the timeline of events. This added fuel to the fire and people kept asking for voting cards. Górniak responded to that stating that she wouldn't have issues with her voting card being revealed. She also revealed that she was receiving results through her earpiece. It had a mixed reaction as TVP didn't reveal anything specific about voting cards and the bit about the earpiece fuelled the theory that somebody was manipulating behind the scenes.
The whole drama with Edyta Górniak was closed by her final comments. In one of the deleted comments she openly said that she is getting hatred for just reading results and some hatred is coming from people due to her being an easier target than the institution. Then there were two comments that you just have to read:

"Regarding the project Eurovision, I've lost my trust to everybody. Even if the rules were about to be change and fixed, I will never go back to this topic. I've seen what was happening last year, I have also seen what people were doing when Rafał was sent to Eurovision. And now the same thing is happening. I feel like a shield that was borrowed by somebody and put at the front of doors. This topic is closed for me."

The other comment:

"I am sure that time will tell and respond to all doubts. [...] I recommend to remember that despite of me being an influential person, I am not a boss of bosses and I can't do everything. [...] I will pray for justice"

You are about to know - Other dramas

So before we talk about Blanka herself, there are some small things worth mentioning. They are mostly based on gossip and they didn't live too long.
According to one of the theories, TVP was setting up MaRina as Poland's representative. She supposedly had to just send her song and everything would be set up. But after her performance at NYE Music Festival 2022, she supposedly withdrew.
From the same source, there is a gossip that one judge had issues with Jann's costume and choreography They supposedly found his costume as too inappropriate and too controversial. His choreography supposedly had some errors. These factors together supposedly created an impression on this judge that Jann would struggle to get points at Eurovision.
Another drama was caused by the release date of the article about Blanka's victory. The article was supposedly released around 2 hours before the competition and some people supposedly have seen it before Blanka's victory was revealed. However, there is no evidence of that and TVP explained the issue with the time of the article. The article supposedly saved the date of creation of the article instead of the release or final edit. The article was created early to publish results as fast as possible and it didn't contain names of contestants.
The final thing worth mentioning is an article talking about how pre-selections in Moldova and Serbia were better than Polish pre-selection. Moldova showed the individual votes of judges and amount of votes sent by viewers, while Serbia released voting cards. Even Lithuania and Latvia were praised.
The cherry on top is a depiction of how much Germany's ranking would change if they followed the rules of Polish pre-selections. Lord of the Lost would get a second, while Will Church (the winner of the judge's voting) would win instead.
This is similar to one theory that the previous representative of Poland, Ochman wouldn't win if the competition followed new rules. This cemented an impression that rules were changed to set up a winner.

It's kinda crazy - Blanka

Since results the reveal of the results, Blanka had to deal with multiple comments and memes. Depending on whom you ask, their perception of Blanka will vary. For some, she became "Bejba" due to her pronunciation of "Babe" and multiple memes. Bejba became viral and Ochman joined the trend. Even Blanka herself embraced the meme by wearing a dress with the text "Bejba". She explained her decision by stating that everybody now calls her bejba.
For some, she became a symbol of everything wrong with TVP and people started searching for evidence of corruption or Blanka being evil.
Somebody pointed out that Blanka's mother was working for TVP as a make-up artist for some shows. But it's possible that she was working for a company that happened to work for TVP and other tv broadcasters. For some, it was treated as evidence that Blanka has direct connections to TVP and there could be some bias.
Then there was another controversy regarding Blanka's social media. She supposedly liked comments that were saying that Jann is from the margin of society, which was interpreted as a classist remark or queerphobia. Just in case, Jann didn't say anything about being LGBTQ+ and only his appearance is relatively androgynous. Going back to the topic, some people defended Blanka stating that she could miss this bit as the comment starts as rather supportive. Some questioned the validity of it as Blanka's relationship with Jann appears to be positive. Blanka complimented Jann, while Jann was one of the first people to cheer her up after the competition and even defended her.
Another controversy was plagiarism. Specifically, there were allegations that Blanka either copied Clean Bandit's Solo or INNA's Up. These allegations remained allegations and that was their end.
The final controversy surrounding Blanka was a petition for Blanka's removal. There were two petitions and one of them has 91170 signatures. People wanted transparency from TVP and to see Jann perform in Eurovision. Blanka reacted to the petition and she was hurt by it.

Never back down - Eurovision

This year, Eurovision was divided into two parts. There were two semi-finals and one final. During the semi-finals, only viewers could vote.
Blanka performed in the second semi-final without massive issues and got 124 points. As a result, she got 3rd place in the second semi-final. It was a gigantic success and she beat the previous representative of Poland. Details can be found on Eurovision website.
Generally speaking, there was a positive reaction. People have praised Blanka for improving her performance, especially her vocals. Solo became one of the most popular Eurovision 2023 songs.
There were only two minor issues worth mentioning. Norway's newspaper Verdens Gang has openly criticised Blanka. Unfortunately, my Norwegian is non-existent and so this translation is straight from Google Translate. The original comment can be found here.

"Polish plastic pop reggae in the category that was once dominated by Swedes in the Stone Age (nineties). Blanka is probably not singing about Norwegian orange soda or a scruffy looking Star Wars hero, but about being completely alone in a relationship. The best thing that can be said about the "Solo" show is that she has the best glove of the finale. She falls out of tune, and loses her tone several times, That she actually thinks she can sing is hopelessly overwhelming. That, and that no adults have stopped this - regardless of the corruption charges."

Even Sweden talked about potential corruption and nepotism. They mentioned that Blanka's choreography was created by Egurolla. Funnily, even Edyta Górniak was mentioned, but she was called Blanka's mother-in-law.
Then there was a final performance, which had a similar reaction. The only difference was the lack of drama from the media and Polish fans even being proud of her. Blanka was placed 24th by judges and she was better than two performers. However, she got 8th place in televoting and it got her 19th place. A bit worse than the previous representative, who got 12th place.

The conclusion

Blanka managed to partially save her face and it's unclear what's going to happen in future. Blanka after Eurovision went on vacation and there hasn't been much news about her.
There was some discussion regarding her placement in televotes ranking and some people in the Eurovision subreddit have used her to make a point about how televoting is bad, while discussing the whole drama that happened due to Loreen's victory. For more information, I recommend checking this write-up.
Other contestants of pre-selections are doing fine and many of them released new songs. Especially Jann is doing well as his fanbase tripled in size and he is going to perform at OGAE Second Chance. Edyta Górniak and her son are still active, while Agustin Egurrola is focusing on his dance studio.
TVP is still controversial due to politics and it will probably remain controversial for a long time due to recent events. Years of bad reputation are hard to erase and most people are ready for another controversy Eurovision controversy.

Hey all, i just moved to Pittsburgh and I see these Ruckus’ everywhere. I’ve been lurking on fb marketplace and there seems to be a good amount for sale in the rural parts of the state. Does anyone have any recommendations on how to transport a Ruckus? Some of the potential ruckus’ are about an hour away and it’s all highway.
Side note, I own a gmc Acadia that is fairly large especially if I lay down the 2nd and third row seats. Do you think it could fit in there?
TIA!!

“I just had an idea pop into my head about something to do this coming weekend, and I wanted to bounce it off you two before it slips my mind” My friend Natasha said those words as the three of us sat on my couch one afternoon. I found myself sitting up slightly. Normally, Natasha was the last of our group to suggest things to do, letting Vinny, the third member of our group, or I come up with the plans to keep our free time occupied. The fact she was about to suggest something intrigued me. “What have you got in mind?” I asked her. A smile played over her face as her brown eyes seemed to flash. “How about a little ghost hunting?”
I felt Vinny sit straight up beside me. She had clearly grabbed both our attention now. The three of us were what you might call amateur ghost hunters, using very basic items we bought offline to visit some of the spookier places in the area and posting our adventures on YouTube, sort of like a crappier version of Ghost Adventures. “Now that’s one hell of a good idea” Vinny said, before a puzzled expression spread over his face. “But, I mean, where? We’ve already done most of the places around town. The Tioga building won’t let us in after that…well, what that one resident claims we stirred up in the old ballroom, and I’m not about to make the hours long drive to the Wolf Creek Inn” Natasha’s smile grew wider. “No, we don’t have to even go out of town for this one” she said, her voice dropping low, “What I’m suggesting, is we check out…” her voice trailed off, letting the suspense grow for a few seconds before finishing, “The Egyptian Theatre”
Instantly, Vinny let out a harsh bark of laughter. “HA! Now that’s a good one. You know damn good and well that the society that runs the theater won’t allow us in after hours to ghost hunt. As far as I know, they’ve never allowed any paranormal teams into the place” He pulled a face. “So, how exactly do you propose we get in there? You flutter your eyelashes for the night janitor and use your feminine charms to get us in?” Natasha still grinned, but rolled her eyes at our friend’s quip. “No, actually, I was thinking about using my lock picking skills to get us in” she declared. It was my turn to give her an incredulous look. “You’re joking, right?” I asked. She shook her head. “Nope, I’m dead serious” I let out an incredulous, almost baffled snort of laughter and pulled my glasses off my face, rubbing my eyes.
The country, and, to a large extent, the entire world, became gripped in an interest, sometimes bordering on obsession with all things Egyptian when King Tut’s tomb was discovered over a century ago. Many things came out of this, including the classic 1932 monster movie The Mummy. But, one thing that also came of this fever gripping the country was a desire to build many Egyptian style buildings. And one of the buildings which took this design and ran with it, were the movie theatres. A decade after the legendary discovery, over a hundred theatres had gone up all around the country, their interiors clad with fake temple columns, paintings of sphinxes and Egyptian gods such as Anubis decorating the walls, and hieroglyphs adorning the archways. People flocked in droves to them, both to watch movies, and live performances. But, like all trends, eventually, the interest began to wane, and as the late 20th Century approached, many began to shut down and be either remodeled, or straight up demolished. Today, there’s only between five and eight Egyptian style theatres left in the entire country.
And one just so happens to be right in the town I live in.
When I moved to Coos Bay, Oregon nine years ago, I immediately fell in love with the place. Even though it’s the largest coastal town on the Oregon coast, it’s a place which is more or less perpetually frozen in time, still looking pretty much as it did between thirty and seventy years ago. And, as someone who is not exactly into the modern world, it made a perfect place for me to live and escape away from the 21st Century. I began exploring right away, driving every street of it and the town neighboring it, North Bend, along with walking every alley and back road I could to learn the layout. That’s how I learned about the supernatural element to the town.
There are many places in town which people claim supernatural occurrences take place. From the remains of the old logging buildings on the estuary, to the old Tioga Hotel which has been remodeled into apartments, there is no shortage of ghostly tales. There was even the old McCauley Hospital, which had once been the focal point of the town’s annual ghost walks until it was demolished in 2018. As a side note, I heard a rumor that a couple people broke into that place right before it got torn down. Something sure spooked them, because a friend of mine on the police force told me they gave him a fright, bursting in the night before Easter and rambling about something. I always wondered what they saw in there.
But, for me, the place in town I always loved the most, and enjoyed the most hearing about the ghostly accounts told, was the Egyptian Theatre.
Originally built as a garage in 1922, it was renovated by a man named Charles Noble into a movie theatre in 1925, where it drew in droves of people from around the area to watch films, and enjoy live vaudeville performances. It continued to operate almost to the end of the 20th Century, when other theatres began to attract younger moviegoers, and for a while, it almost seemed as though the historic building might even be closed for good and gutted. But, thanks to the efforts of local preservation societies, it was saved, and now operates as a theatre once again. They mostly play only older movies, along with live performances.
And, of course, it draws curious people for the paranormal rumors surrounding it.
For years, people have reported strange occurrences happening inside the building, both when it’s open, and after hours. Patrons and employees alike have spoken about a pervasive feeling of being watched inside the building, but finding no one there when the place was searched. There have been reports of being touched by invisible hands, a few even pushed slightly. Beyond physical interaction, employees have reported the sounds of old film projectors playing and unseen audiences laughing after hours, along with the eerie playing of the theatre’s Wurlitzer pipe organ, along with a host of other occurrences. No ghost hunting team has ever gone in to try and document these events. And to Natasha, that was too good of an opportunity to pass up. Legal, or not.
“Are you freaking nuts?!” Vinny exclaimed, “Do you have any idea how much trouble we’d be in if we got caught breaking and entering? The cops around here are already a bit twitchy with the druggies and the homeless. You wanna give them a reason to throw us into jail alongside them?” Natasha held up a finger, flipping her black hair over her shoulder. “They won’t find out, because I have not one, but two aces in the hole here. The first is that thanks to being friends with Scott, I know the nighttime police sweeps, where they’re going to be and everything. There’ll be an hour long window where they’re not anywhere near the alley where the back door to the theatre is. We can get in and out with no threat of being spotted at all. And the second is, did you forget I’m dating Dylan now?” The realization washed over me like a wave; she had started dating the man who helped the preservation society run the theatre a month or so ago. Damn, she’s been planning this one for a while, I thought.
Vinny had a thoughtful look on his face, his green eyes darting around rapidly, but not seeing. “Hmm” he muttered, then looked at Natasha. “And you’re sure that there’s no chance of us getting caught?” he asked slowly. “Absolutely none” she said, then looked at both of us. “So, how about it?” For a few moments, there was silence, and then Vinny let out a chuckle. “What the hell, why not? The most exciting thing we’ve done the last few weeks is go down to the farmer’s market. This could shake things up a bit” I suddenly became aware that the two of them were looking at me, waiting for me to make my decision. I was always the most sensible of the three of us, doing all I could to keep us out of trouble with others as well as the law. But, I always had one nasty Achilles Heel ever since I had been a child, and that was peer pressure. So, despite the overwhelming feeling that I should tell them no, that I should say we should just find something else to do, I nodded. “Alright, let’s do it” I said simply, causing grins to break out on both of my friend’s faces.
I wish to God in retrospect that I’d just had the damn spine to stand up and say “No”
The rest of the week seemed to pass by faster than usual. Before I knew it, the weekend had arrived. We’d decided that late Saturday night would be the best time to do this, as most places downtown closed up between eleven and midnight, aside from the bars and strip club. To say I felt anxious about breaking the law, something I wasn’t used to doing at all, would be like calling a Megalodon a goldfish, but my worries about disappointing my friends ended up outweighing it. And so, at eleven-thirty, the three of us piled into my beat up Chevy Tahoe, and made our way towards downtown. As I drove us down Ocean Boulevard, which connected the two sides of town, something settled over me. I can’t exactly place it, even to this day. But it was the most uneasy feeling I’ve ever experienced. But I did my best to push it away. It’s nothing, Troy. It’s just because you’re, understandably, worried about this. Plus, the road being deserted isn’t helping much.
My mental chiding seemed to help center me a bit, which was a good thing. The road was now angling downward, and a moment later, we drove into downtown. The darkened shapes of the closed stores seemed to rise up higher on either side of us than they looked during the daytime. We’d decided to cruise by the front entrance first, just to see if anyone were still inside. As I turned the truck onto the main drag, the sign for the theatre rose high above us, a depiction of an Egyptian pharaoh next to the yellow and white letters which proclaimed its name to everyone who drove through town. I spared a glance as we passed it. The lit up marquee windows showed that The Blues Brothers and Jaws would be shown soon. For whatever reason, though, I couldn’t bring myself to look through the glass doors that showed the building’s darkened interior. The uneasy feeling had returned, and, for a moment, it felt as though if I did look, I would see someone, or something staring back out at me. And then we passed it, taking the next right and looping back around to Anderson Ave.
I turned the truck into the narrow alley drive which ran along the back of the theatre and neighboring buildings. Parking right next to the rear doors would be extremely conspicuous, so I pulled up a bit further and parked in a carport like area. Shutting off the engine, I turned to my two friends. “Well, this is it” I said, “Last chance to turn back if anyone’s having second thoughts” I’d hoped that either Vinny or Natasha would’ve gotten cold feet in the last few minutes, allowing us to go do something else. But there was no such luck. “Are you kidding me?” Natasha said from the passenger seat, “We are far too close to back out now!” Vinny grunted from behind me. Well, shit. Resigning myself to the fact they were determined to go through with this, I let a deep breath out through my nose and nodded. The others opened their doors and hopped out. A moment later, I followed.
The night air was cool and crisp on my skin as we slowly walked back down the alley to the rear of the yellow-ish, tan building. Three different sets of red double doors were built into the back of the theatre. Natasha pulled something out of her coat pocket, and I realized, with a small pang of surprise, that it was a lock pick set. A legitimate lock pick set. “Where the hell did you get that?” I whispered to her. She shrugged and smiled. “I have my ways of getting things” she said simply, then pointed to the far right set of doors. “We’ll have a bit of cover from that electrical box. You two keep an eye out while I deal with the lock” And with that, she scurried forward, bending down in front of the door handles. Vinny and I stood guard, each of us looking down both ends of the alley. As the soft sound of Natasha messing with the lock filtered over to me, I realized just how quiet it was. And how eerie hearing downtown so quiet was. Aside from a few distant booms and bangs, and the far off sound of a dog barking, all I could hear was the whistle of the wind as it whipped between the old buildings.
An involuntary shiver cascaded up my spine, and I tried again to reason myself back to a relative sense of calm. “Get a grip, dude, you’re gonna be fine” I whispered under my breath. But this time, it felt as though I weren’t able to entirely convince myself. I suddenly became aware of a creeping sensation, one which made me shoot a look around. Nothing moved in the stillness, no indication of anyone besides us being in the alley. And, yet…I was overcome with the distinct feeling of being watched. Not by either of my friends. But…by someone else. Before I had a chance to even think about it, I heard a rather loud click, and Natasha let out a soft laugh of triumph. “We’re in, ladies and gentleman!” she declared, standing up and pulling on the door. It opened silently, the streetlight in the alley casting a small shaft of light into the darkness beyond. Turning, she waved an arm at Vinny and I. “Come on, let’s get inside”
Before either of us could say anything, she turned and disappeared into the dark. I shot a look at Vinny, who simply shrugged. “After you, my man” he whispered. I let out a deep sigh, and then moved to the door. Reaching into my pocket, I pulled out the small flashlight, and then pulled on the heavy metal, slipping inside, Vinny right behind me. The darkness swallowed us as the door closed. For a moment, a small rush of panic from not being able to see flashed through me, before a light appeared beside me. It wasn’t from a flashlight, though; instead, a small, orange flame flickered beside me. “Don’t turn on your flashlights yet, just follow me” Natasha said, the flame making her face seem to dance and move behind it. She turned and headed away, leaving us no choice but to follow. I listened to her and didn’t turn on my flashlight. But every fiber of my being was screaming at me to. Because the feeling of being watched out in the alleyway? Had quintupled in here. The best way to describe it, was that we were angrily being stared at. And I didn’t like the sensation one bit.
Natasha led us up a flight of steps and pushed open another door. “We’re here” she said, still keeping her voice low, “You can turn on your flashlights now” Thank you, God, I silently said, snapping mine on and casting a bright white light into the room we’d entered. A moment later, so did my two friends’ lights. The beams played around, and I heard Vinny let out a bit of a gasp. “Ho-lyyyy shit” he muttered.
Natasha had guided us into the main theatre. The ceiling rose high above our heads, almost out of sight of even the flashlights. Rows upon rows of red movie seats stretched out and away from us, seeming almost unending in the shadows. The walls were all covered in hieroglyphs, all still original from the 1920s. To our left, the second story, which housed a smaller row of seats, along with the projection room rose about twenty feet above us. And to the right, was the stage itself. It was flanked by two huge columns, the screen rolled up and revealing a mosaic of an Egyptian building on the back wall, with two men clutching staffs sitting on either side. Directly in front of the stage sat the organ, its seating bench tucked beneath it.
“Okay, this is a trip to be in at night!” Natasha exclaimed excitedly, then pulled the backpack she’d been wearing off her shoulders. Dropping it into a seat, she unzipped it and began pulling items from it. “Guys, here” she said, holding them out. Vinny stepped forward and grabbed the camcorder from her; as someone who’d had a lifelong dream of being a filmmaker, he was our resident cameraman. I stepped forward and took two items from her: an infrared thermometer and an EVP recorder. The rest, she placed on the ground, and then faced Vinny. “Alright, tell me when you’re recording” He fumbled with the camcorder for a second, then shot her a thumbs up. Instantly, she took on a somber, eerie expression, giving an admittedly creepy look at the camera. “Well, well, welcome back to The Three Ghostkuteers, everyone. I hope you all have been well since our last trip. Tonight, you join us in a very, very special place, and one close to home for us. We are currently in the Egyptian Theatre in Coos Bay, Oregon, one of the last remaining in the country. It was built in the 1920s by a man named Charles Noble-“
I turned away, tuning her out as I did. The woman really, really enjoys being in front of the camera. Better her than me. Shining my light around, I looked up at the balcony. I could see the small hole in the projection booth where the movie projector would shine out onto the screen. Something caught the beam’s light, reflecting off it slightly, and I aimed the light at the wall. It was a wrought iron light fixture, one which had been shaped into the figure of a King Cobra, poised to strike. Gazing around, I saw they adorned much of the walls. I let out a small shudder at it. God, do I hate snakes. Thankfully, though, the feeling of being watched I’d had in the alley and the darkened back of the theatre had seemingly disappeared. Yeah, see, what’d I tell you, Troy? Nothing but your nerves.
Natasha had finished her opening monologue and moved to the edge of the stage, on which she placed the small, square spirit box. “And now, let’s see if anyone would like to speak with us” she said, flicking it on. Instantly, the silence of the theatre was shattered by the sound of static, intermittently interrupted by quick snippets of radio shows being picked up. “Is there anyone here who’d like to talk to us?” she called out into the huge room. The static and snippets were the only sound to answer her. After a minute, she tried again. “Are there any spirits who’d like to communicate with us?” There was still nothing. Vinny panned the camera from the box to Natasha as she paced back and forth for a few minutes. A small look of disappointment flooded over her face, but she instantly plastered it over with the same look she’d given the camera before. “Well, it looks like the spirit box isn’t gonna work tonight, so we’re gonna have to try something else” She pulled out an EVP recorder identical to mine and switched it on. “Let’s try this instead, shall we? Remember, by the way guys, if you’re new here and want to see more, to like and subscribe-“
I turned away again, feeling a small pang of irritation flow through me. This is freakin’ ridiculous, man. The longer we stay in here, the more chance we have of getting caught. Truth be told, as much as I enjoyed ghost hunting, I didn’t even really believe in the paranormal. In all the years the three of us had filmed together, not once had we caught anything, on tape or otherwise. In fact, many times we’d had to fake spooky occurrences in order to make sure our videos got any views at all. This is your own fault, man, I silently chided myself, you’re the one who couldn’t stand up to them and say no. You really, seriously need to grown a spine and learn how to say no. The mental self lecture was furthering my rotten mood, and I began to feel a wave of anger at my two friends, as well as myself boil up.
“Hell with this” I finally muttered, then turned and began walking up the aisle. “Troy, where the hell are you going?” I heard Natasha call out behind me. I stopped, not looking over my shoulder, but quietly aiming my voice behind me and allowing a hint of irritation to seep into it. “I’m gonna go check out the second floor balcony, okay? I don’t exactly like just standing here” For a moment, there was silence, and then her voice came, soft and almost apologetic. “Okay, go ahead” Before she could say anything more, I strode away, walking to the open doorway which led out of the theater and into the concession area. I hooded my flashlight beam with one hand to make sure it wouldn’t accidentally shine out of the glass entrance doors into the street and looked around. The lobby and concession stand took up most of the front area, the darkened shape of it stretching along the far wall.
Taking a few steps ahead, I turned and looked up at the wall above me. Large, blue letters stretched out from one side of it to the other. Through these doors pass the most wonderful people. I snorted softly. “Yeah, unfortunately, not tonight” I shook my head, then looked around. And nearly jumped out of my skin. Something also seemed to jump back. I felt my heartbeat begin to race in my chest and my breath quickened. “Shit…” I let out weakly, then slowly moved forward. After a few steps, I suddenly realized what I’d seen and let out a soft laugh of relief.
“Your own damn reflection, you fucking pussy” Shaking my head, I turned away from the glass wall and headed for the stairs to the second floor. At the base of them, I stopped and shone my flashlight up. “Ooh, boy” I said quietly. Sitting next to the stairway like a sentry, was a huge, golden statue of a pharaoh. It towered over me, and I estimated that, were it be standing straight up, it’d easily be between eight and ten feet tall. It stared straight ahead at the wall ahead of it, and I couldn’t help but let out a small shiver as I stared at it. It just seemed so damn eerie in the dark, and I quickly moved past it, heading up the stairs and stepping out onto the second story balcony.
I shone my light around. Red seats again surrounded me, though this time far fewer. Ahead of me, I could see the balcony’s edge and the hulking shape of the main stage beyond. I could also see the beams of my friends’ flashlights playing over it, and hear both of their voices speaking softly. Deciding while I was up here to at least check out the projection booth, I strode over to the door and tried to turn the handle. It was locked. Feeling my irritation bubble over into exasperation, I jiggled the handle in some stupid attempt to open it. But the door stayed shut. I turned away and rubbed my eyes, again hearing the voices of my friends softly filtering up to me from down below.
“Hey, if there really are any ghosts, or spooks, or specters, or whatever in here? If you’re actually real, could you appear to us, please?” I whispered to no one, “That way my friends can get what they want and I can go home” I received only silence in reply. I hadn’t really expected anything, anyways. You know what? Screw this, I’m going back down there and telling them I’m going home, with or without them. This is beyond stupid, I just broke the law for what? For nothing! For something dumb as hell. And with that, I turned to walk away. But I hadn’t even taken a single step when something crashed into me like a wave. The breath was driven from my lungs as I felt a massive chill shoot through me, as though I’d been doused with ice water. “What the fuck?!” I hissed through gritted teeth, then froze, my eyes going wide. The feeling of being watched had returned with a vengeance, and it had seemingly been ramped up in its intensity. I shot a look around, but saw nobody.
Still, the feeling remained, and with each passing second, it almost seemed to grow stronger. Chill after chill rolled up my spine, and even though I didn’t really believe, something deep inside me told me that it was time to get out. Okay, time to leave, I said in my head, and headed quickly for the stairs. As I reached the head, I turned to look back one final time. That’s when I saw something. It disappeared when I aimed my flashlight at it, but I swear a second earlier it had been the outline of a person, standing in the shadows and watching me. The split second sight catapulted me into motion, and I hurried down the steps, shining my light every which way but loose. Believer or not, I knew something wanted us out. I’d planned on jumping off the second to last stair and running for the main theatre floor. But as I reached the bottom, I froze.
For a moment, I couldn’t place why. And then, the realization fell over me like a tsunami. I let out an involuntary gasp, and fear like I’d never felt before surged through me. I didn’t want to turn around and look. I wanted to pretend I hadn’t seen it. I desperately wanted to. But, like a dumbass character in a horror movie, I couldn’t help it. I needed to look. I slowly turned, aiming my flashlight back up. And I couldn’t help but let out a strangled scream, falling backwards over my own feet as I began to backpedal rapidly.
The statue of the pharaoh still sat where it had. It still towered over me, looking as imposing and eerie as ever. But it’s carved and painted eyes were no longer staring straight ahead at the wall. Instead, they had somehow moved. And when I’d turned, I’d come to find they were staring directly at me.
I scrambled to my feet, snatching the flashlight from the floor where I’d dropped it and aiming it at the statue again. It stared straight out at nothing again. But I knew what I’d seen. It hadn’t been a trick of my mind, or the light. The freaking thing’s eyes had moved to watch me as I passed down by it. I began to stammer out as I backed away from it. “Okay, that’s it, no no no no, we’re done here, fuck this shit, I’m officially a believer, we’re leaving, right now” I kept backing towards the doorway to the theatre, never taking my eyes off the statue. I was terrified I’d seen it suddenly stand up and turn to lumber after me like Boris Karloff or something.
The blaring sound of the theatre’s organ slashed through the silence, causing me to let out another strangled scream and jump almost a foot off the ground. I whipped around, thinking I would see my moronic friends tinkering with the instrument. Instead, I froze again. The theatre was no longer dark. Both of my friends had seemingly vanished from the room, as I could no longer see them. The movie screen had somehow been pulled down, and above me, I heard the whir of the movie projector playing. An old, black and white movie, one which had no sound, played on the screen, occasionally changing to show dialogue being displayed in white letters.
It was also no longer empty.
The entire theatre was packed. I saw people sitting at almost every single seat in the huge room. I could only see the backs of their heads as they watched the movie playing. At the edge of the stage, what looked like a man now sat at the organ, playing it in time with the film. A slapstick moment came across the screen, and the audience began laughing. In any other situation, it would’ve been a comforting sound. But at that moment, it was the most spine chilling sound I’d ever heard. Especially as another wave of realization crashed into me. From the little I could see, everyone in the theatre looked to be dressed in long passed fashions.
That’s when the voice, low and quiet, came from behind me. “Good evening, sir” it said. It sounded like a man’s voice, one rather low and deep pitched, but something about it paralyzed me on the spot. The voice continued, putting on an air of pleasant politeness. “We’re so glad you could make it, it’s been so long since we’ve had new patrons arrive at a showing. If I could just see your ticket, please?”
For a moment, I couldn’t speak. Then, I managed to squeak out two words. “Uh, ticket?” The tone of the voice seemed to change somewhat. “Yes, your ticket. That’s the only way you could’ve gotten in. Please, let me verify it and show you to your seat” Ohhh, shit. Whoever, or whatever the voice belonged to, thought I had shown up like a regular moviegoer. The voice’s tone became less polite. “You do have a ticket, right, sir?” I was beyond terrified to answer, but I was more terrified to remain silent. For a moment, I considered lying. But I feared what might happen if I did. So I told the truth.
“I….uh, I, uh….I don’t have a ticket, sir” I stammered out, my voice barely above a whisper. Instantly, all sound stopped in the room like someone had flipped a switch. “You…don’t have a ticket?” the voice said, all pretense of manners vanishing from it, “Then how did you get in here for the late night showing?” Oh, god. I forced myself to speak, still unable to say anything except the truth. “My…my friends and I….broke in…through the back door…to…ghost hunt…” There was silence for a few moments, and then a heavy hand dropped onto my shoulder. My head swiveled to look at it. Oh, fuck me sideways. It wasn’t a regular hand. It was a fucking claw. One with black skin, tipped with what looked like razor sharp nails. It sat there for a moment, then tightened; almost painfully so, making me let out a small whimper of pain.
That’s when I looked up. Everyone in the theatre had turned to look at me. My initial thought had been correct; they all wore clothing from almost a century ago, and not the stuff cosplayers wear, either. They also had very angry expressions on their faces, as if they’d just noticed the intruder among their midst. The voice finally came again, almost directly behind me. Its tone lowered, almost sounding guttural and animal, making my legs almost melt into jelly from the fear. “Then, might I make a suggestion to you and your trespassing little friends?” My breath came in rapid, ragged gasps, and I barely managed to force out the one word. “Yes?”
“LEAVE”
At the single word reply, which now more closely resembled a growl than a word, I did something I will forever wish I hadn’t. I finally turned and looked up at who was addressing me. The only way I can describe what happened is, my mind shattered. The next thing I remember, I was crashing into the back doors of the theatre into the night.
And I was screaming.
That was a month or so ago. When I’d stumbled back into the alley, I’d turned and, in what I can only call blind fear and panic, bolted for my truck. I hadn’t even heard my friends chasing after me. Not until Vinny caught up to me as I scrambled with my keys, grabbing me from behind and turning me to face him. He said the look I’d had on my face scared him and Natasha more than anything ever had before. I’d been pale as a sheet, my eyes wider than they ever thought a human’s could be. I'd been babbling softly. I’d been saying the words “They want us to leave” over and over. They didn’t ask me what had happened. They just pushed me into the backseat of my truck and drove away from there. It was clear, as I found out later on, that both of them hadn’t seen anything. As far as they were concerned before seeing me dash to the rear doors, it was just an empty theatre. Neither one of them ever asked me what I saw that night. And for that, I’m thankful. Because I could never utter from my lips what I did see.
But I’ve had nightmares since then. Horrible ones. Ones that’ve been so bad, I had to let out what happened to me, deciding to just post it here, regardless of whether people believe me or not.
Nightmares about being back in that theatre after hours. About seeing that pharaoh statue’s eyes flick in its painted sockets to look at me. About seeing all those people, people long since dead, sitting and watching the films they did when they were alive. About seeing that hand fall on my shoulder, hearing that voice, telling me not to come back until I have a ticket.
And about turning to see who the hand and voice belonged to.
The Egyptian Theatre will be celebrating its centennial this year. People are planning to show up in 1920s cars, dressed in period clothing. They’re even going to show an old, silent film as part of the festivities. But I won’t be attending it. I won’t ever go anywhere near it again. The one time I tried, a week or so ago, I started trembling with fear. And the mental image played over and over in my head.
The image of turning to see that horrible canine head attached to the human-like body, red, glowing eyes glaring down at me as it’s sharp teeth glinted in the light.
I pray to god I never will end up with a ticket to one of its late night showings.
But I can't help but fear that, like those packed into the theatre, sooner or later, we all will.

Hey all this is my first post here. My cousin totaled my Land Rover Discovery HSE Luxury on Memorial Day and so I have to find a new car.
My husband and I (the decision is entirely mine to make but I wanted him to be able to weigh in) went and looked at most places (Acura MDX Type S (he loved how fast and zoomy this was it may have been his fave and the Lexus second fave just for fun factor but the screen wasn’t a touch screen and that was annoying. It was all the touch pad thing), BMW X7(I LOVED this but can’t justify 90k plus especially with 3 kids one is a toddler that is a mess), Audi Q7 (meh for me I didn’t even take him to see one after I’d quickly checked it out myself on the way home from work I was just underwhelmed when I sat in it), Toyota 4Runner(which I was like okay with for what it was trying to be practical and entertain a non luxury option but he totally hated it with a passion and couldn’t get out of the test drive fast enough which shocked me), another Land Rover (we loved the car so much but it was already having issues which you kind of buy it knowing it will and we didn’t want to deal with that again), we even would have looked at a Kia Telluride as a non luxury option if we could have found one to see we didn’t want to rule anything out but I couldn’t even find a dealership that had one to check out) and after trying out everything we decided on the GX460 and put our deposit down yesterday. We test drove that one first yesterday and it stayed with us. We both loved it and felt it was a solid choice for our family and would be reliable and safe but give us that luxury feel we want still.
It’s the Premium Package 2023 Atomic Silver with Sepia interior. We needed the bench seat since we have 3 kids and with the captains chairs we would have to use the third row all the time and have zero room in the back. With the bench we would only need to use the third row very occasionally but have it if we need it.
The vehicle will arrive at the dealership in a few weeks but I’m starting to second guess myself and wonder if I should have done the Luxury trim package? I would love some insight from those who own a 460 already on the major differences and if I should call my salesman and ask to move my deposit to a different vehicle. Like I think only the luxury has air suspension which I had in my Rover. It’s not like we go off-roading but we are in Texas and there are definitely lots of potholes in the city and dirt roads and uneven terrain in the country. Does it make the ride better? Worse? Is it worth it? Anything else I’d regret not upgrading?
Right now my price out the door with all fees and taxes etc is 65k as I am now. The car definitely feels nice as is but since it’s my first Lexus I don’t want to miss something I shouldn’t.

The Airbus A300 is a wide-body airliner developed and manufactured by Airbus. In September 1967, aircraft manufacturers in the United Kingdom, France, and West Germany signed a memorandum of understanding to develop a large airliner. West Germany and France reached an agreement on 29 May 1969 after the British withdrew from the project on 10 April 1969. European collaborative aerospace manufacturer Airbus Industrie was formally created on 18 December 1970 to develop and produce it. The prototype first flew on 28 October 1972.
The first twin-engine widebody airliner, the A300 typically seats 247 passengers in two classes over a range of 5,375 to 7,500 km (2,900 to 4,050 nmi). Initial variants are powered by General Electric CF6-50 or Pratt & Whitney JT9D turbofans and have a three-crew flight deck. The improved A300-600 has a two-crew cockpit and updated CF6-80C2 or PW4000 engines; it made its first flight on 8 July 1983 and entered service later that year. The A300 is the basis of the smaller A310 (first flown in 1982) and was adapted in a freighter version. Its cross section was retained for the larger four-engined A340 (1991) and the larger twin-engined A330 (1992). It is also the basis for the oversize Beluga transport (1994).
Launch customer Air France introduced the type on 23 May 1974. After limited demand initially, sales took off as the type was proven in early service, beginning three decades of steady orders. It has a similar capacity to the Boeing 767-300, introduced in 1986, but lacked the 767-300ER range. During the 1990s, the A300 became popular with cargo aircraft operators, as both passenger airliner conversions and as original builds. Production ceased in July 2007 after 561 deliveries. As of March 2023, there were 228 A300 family aircraft in commercial service.
Origins:
During the 1960s, European aircraft manufacturers such as Hawker Siddeley and the British Aircraft Corporation, based in the UK, and Sud Aviation of France, had ambitions to build a new 200-seat airliner for the growing civil aviation market. While studies were performed and considered, such as a stretched twin-engine variant of the Hawker Siddeley Trident and an expanded development of the British Aircraft Corporation (BAC) One-Eleven, designated the BAC Two-Eleven, it was recognized that if each of the European manufacturers were to launch similar aircraft into the market at the same time, neither would achieve sales volume needed to make them viable.[2] In 1965, a British government study, known as the Plowden Report, had found British aircraft production costs to be between 10% and 20% higher than American counterparts due to shorter production runs, which was in part due to the fractured European market. To overcome this factor, the report recommended the pursuit of multinational collaborative projects between the region's leading aircraft manufacturers.[3]: 49 [4][5]: 2–13
European manufacturers were keen to explore prospective programs; the proposed 260-seat wide-body HBN 100 between Hawker Siddeley, Nord Aviation, and Breguet Aviation being one such example.[2][6]: 37–38 National governments were also keen to support such efforts amid a belief that American manufacturers could dominate the European Economic Community;[7] in particular, Germany had ambitions for a multinational airliner project to invigorate its aircraft industry, which had declined considerably following the Second World War.[3]: 49–50 During the mid-1960s, both Air France and American Airlines had expressed interest in a short-haul twin-engine wide-body aircraft, indicating a market demand for such an aircraft to be produced.[3][8] In July 1967, during a high-profile meeting between French, German, and British ministers, an agreement was made for greater cooperation between European nations in the field of aviation technology, and "for the joint development and production of an airbus".[2][9]: 34 The word airbus at this point was a generic aviation term for a larger commercial aircraft, and was considered acceptable in multiple languages, including French.[9]: 34
Shortly after the July 1967 meeting, French engineer Roger Béteille was appointed as the technical director of what would become the A300 program, while Henri Ziegler, chief operating office of Sud Aviation, was appointed as the general manager of the organization and German politician Franz Josef Strauss became the chairman of the supervisory board.[2] Béteille drew up an initial work share plan for the project, under which French firms would produce the aircraft's cockpit, the control systems, and lower-center portion of the fuselage, Hawker Siddeley would manufacture the wings, while German companies would produce the forward, rear and upper part of the center fuselage sections. Addition work included moving elements of the wings being produced in the Netherlands, and Spain producing the horizontal tail plane.[2][6]: 38
An early design goal for the A300 that Béteille had stressed the importance of was the incorporation of a high level of technology, which would serve as a decisive advantage over prospective competitors. As such, the A300 would feature the first use of composite materials of any passenger aircraft, the leading and trailing edges of the tail fin being composed of glass fibre reinforced plastic.[5]: 2–16 [10] Béteille opted for English as the working language for the developing aircraft, as well against using Metric instrumentation and measurements, as most airlines already had US-built aircraft.[10] These decisions were partially influenced by feedback from various airlines, such as Air France and Lufthansa, as an emphasis had been placed on determining the specifics of what kind of aircraft that potential operators were seeking. According to Airbus, this cultural approach to market research had been crucial to the company's long-term success.[10]
Workshare and redefinition:
On 26 September 1967, the British, French, and West German governments signed a Memorandum of Understanding to start development of the 300-seat Airbus A300.[6]: 38 [11]: 43 [12]: 57 At this point, the A300 was only the second major joint aircraft programme in Europe, the first being the Anglo-French Concorde.[9] Under the terms of the memorandum, Britain and France were each to receive a 37.5 per cent work share on the project, while Germany received a 25 per cent share. Sud Aviation was recognized as the lead company for A300, with Hawker Siddeley being selected as the British partner company.[2] At the time, the news of the announcement had been clouded by the British Government's support for the Airbus, which coincided with its refusal to back BAC's proposed competitor, the BAC 2–11, despite a preference for the latter expressed by British European Airways (BEA).[9]: 34 Another parameter was the requirement for a new engine to be developed by Rolls-Royce to power the proposed airliner; a derivative of the in-development Rolls-Royce RB211, the triple-spool RB207, capable of producing of 47,500 lbf (211 kN).[13] The program cost was US$4.6 billion (in 1993 Dollars).[14]
​
In December 1968, the French and British partner companies (Sud Aviation and Hawker Siddeley) proposed a revised configuration, the 250-seat Airbus A250. It had been feared that the original 300-seat proposal was too large for the market, thus it had been scaled down to produce the A250.[5]: 2–14 [8][15] The dimensional changes involved in the shrink reduced the length of the fuselage by 5.62 metres (18.4 ft) and the diameter by 0.8 metres (31 in), reducing the overall weight by 25 tonnes (55,000 lb).[10][16]: 16 For increased flexibility, the cabin floor was raised so that standard LD3 freight containers could be accommodated side-by-side, allowing more cargo to be carried. Refinements made by Hawker Siddeley to the wing's design provided for greater lift and overall performance; this gave the aircraft the ability to climb faster and attain a level cruising altitude sooner than any other passenger aircraft.[10] It was later renamed the A300B.[9]: 34 [15]
Perhaps the most significant change of the A300B was that it would not require new engines to be developed, being of a suitable size to be powered by Rolls-Royce's RB211, or alternatively the American Pratt & Whitney JT9D and General Electric CF6 powerplants; this switch was recognized as considerably reducing the project's development costs.[11]: 45 [15][16]: 16–17 To attract potential customers in the US market, it was decided that General Electric CF6-50 engines would power the A300 in place of the British RB207; these engines would be produced in co-operation with French firm Snecma.[8][10] By this time, Rolls-Royce had been concentrating their efforts upon developing their RB211 turbofan engine instead and progress on the RB207's development had been slow for some time, the firm having suffered due to funding limitations, both of which had been factors in the engine switch decision.[5]: 2–13 [15][16]: 17–18
On 10 April 1969, a few months after the decision to drop the RB207 had been announced, the British government announced that they would withdraw from the Airbus venture.[6]: 38–39 [15] In response, West Germany proposed to France that they would be willing to contribute up to 50% of the project's costs if France was prepared to do the same.[15] Additionally, the managing director of Hawker Siddeley, Sir Arnold Alexander Hall, decided that his company would remain in the project as a favoured sub-contractor, developing and manufacturing the wings for the A300, which would later become pivotal in later versions' impressive performance from short domestic to long intercontinental flights.[5]: 2–13 [9]: 34 [16]: 18 Hawker Siddeley spent £35 million of its own funds, along with a further £35 million loan from the West German government, on the machine tooling to design and produce the wings.[6]: 39 [15]
Programme launch:
On 29 May 1969, during the Paris Air Show, French transport minister Jean Chamant and German economics minister Karl Schiller signed an agreement officially launching the Airbus A300, the world's first twin-engine widebody airliner.[2] The intention of the project was to produce an aircraft that was smaller, lighter, and more economical than its three-engine American rivals, the McDonnell Douglas DC-10 and the Lockheed L-1011 TriStar.[10] In order to meet Air France's demands for an aircraft larger than 250-seat A300B, it was decided to stretch the fuselage to create a new variant, designated as the A300B2, which would be offered alongside the original 250-seat A300B, henceforth referred to as the A300B1. On 3 September 1970, Air France signed a letter of intent for six A300s, marking the first order to be won for the new airliner.[6]: 39 [10][16]: 21
In the aftermath of the Paris Air Show agreement, it was decided that, in order to provide effective management of responsibilities, a Groupement d'intérêt économique would be established, allowing the various partners to work together on the project while remaining separate business entities.[2] On 18 December 1970, Airbus Industrie was formally established following an agreement between Aérospatiale (the newly merged Sud Aviation and Nord Aviation) of France and the antecedents to Deutsche Aerospace of Germany, each receiving a 50 per cent stake in the newly formed company.[3]: 50 [6]: 39 [10] In 1971, the consortium was joined by a third full partner, the Spanish firm CASA, who received a 4.2 per cent stake, the other two members reducing their stakes to 47.9 per cent each.[10][16]: 20 In 1979, Britain joined the Airbus consortium via British Aerospace, which Hawker Siddeley had merged into, which acquired a 20 per cent stake in Airbus Industrie with France and Germany each reducing their stakes to 37.9 per cent.[3]: 53 [5]: 2–14 [6]: 39
Prototype and flight testing:
Airbus Industrie was initially headquartered in Paris, which is where design, development, flight testing, sales, marketing, and customer support activities were centered; the headquarters was relocated to Toulouse in January 1974.[8][10] The final assembly line for the A300 was located adjacent to Toulouse Blagnac International Airport. The manufacturing process necessitated transporting each aircraft section being produced by the partner companies scattered across Europe to this one location. The combined use of ferries and roads were used for the assembly of the first A300, however this was time-consuming and not viewed as ideal by Felix Kracht, Airbus Industrie's production director.[10] Kracht's solution was to have the various A300 sections brought to Toulouse by a fleet of Boeing 377-derived Aero Spacelines Super Guppy aircraft, by which means none of the manufacturing sites were more than two hours away. Having the sections airlifted in this manner made the A300 the first airliner to use just-in-time manufacturing techniques, and allowed each company to manufacture its sections as fully equipped, ready-to-fly assemblies.[3]: 53 [10]
In September 1969, construction of the first prototype A300 began.[16]: 20 On 28 September 1972, this first prototype was unveiled to the public, it conducted its maiden flight from Toulouse–Blagnac International Airport on 28 October that year.[6]: 39 [9]: 34 [11]: 51–52 This maiden flight, which was performed a month ahead of schedule, lasted for one hour and 25 minutes; the captain was Max Fischl and the first officer was Bernard Ziegler, son of Henri Ziegler.[10] In 1972, unit cost was US$17.5M.[17] On 5 February 1973, the second prototype performed its maiden flight.[6]: 39 The flight test program, which involved a total of four aircraft, was relatively problem-free, accumulating 1,580 flight hours throughout.[16]: 22 In September 1973, as part of promotional efforts for the A300, the new aircraft was taken on a six-week tour around North America and South America, to demonstrate it to airline executives, pilots, and would-be customers.[10] Amongst the consequences of this expedition, it had allegedly brought the A300 to the attention of Frank Borman of Eastern Airlines, one of the "big four" U.S. airlines.[18]
Entry into service:
On 15 March 1974, type certificates were granted for the A300 from both German and French authorities, clearing the way for its entry into revenue service.[18] On 23 May 1974, Federal Aviation Administration (FAA) certification was received.[16]: 22 The first production model, the A300B2, entered service in 1974, followed by the A300B4 one year later.[8] Initially, the success of the consortium was poor, in part due to the economic consequences of the 1973 oil crisis,[6]: 40 [8][9]: 34 but by 1979 there were 81 A300 passenger liners in service with 14 airlines, alongside 133 firm orders and 88 options.[18] Ten years after the official launch of the A300, the company had achieved a 26 per cent market share in terms of dollar value, enabling Airbus Industries to proceed with the development of its second aircraft, the Airbus A310.[18]
Design:
The Airbus A300 is a wide-body medium-to-long range airliner; it has the distinction of being the first twin-engine wide-body aircraft in the world.[8][9]: 34 [12]: 57, 60 [19] In 1977, the A300 became the first Extended Range Twin Operations (ETOPS)-compliant aircraft, due to its high performance and safety standards.[6]: 40 Another world-first of the A300 is the use of composite materials on a commercial aircraft, which were used on both secondary and later primary airframe structures, decreasing overall weight and improving cost-effectiveness.[19] Other firsts included the pioneering use of center-of-gravity control, achieved by transferring fuel between various locations across the aircraft, and electrically signaled secondary flight controls.[20]
The A300 is powered by a pair of underwing turbofan engines, either General Electric CF6 or Pratt & Whitney JT9D engines; the sole use of underwing engine pods allowed for any suitable turbofan engine to be more readily used.[12]: 57 The lack of a third tail-mounted engine, as per the trijet configuration used by some competing airliners, allowed for the wings to be located further forwards and to reduce the size of the vertical stabilizer and elevator, which had the effect of increasing the aircraft's flight performance and fuel efficiency.[3]: 50 [16]: 21
Airbus partners had employed the latest technology, some of which having been derived from Concorde, on the A300. According to Airbus, new technologies adopted for the airliner were selected principally for increased safety, operational capability, and profitability.[19] Upon entry into service in 1974, the A300 was a very advanced plane, which went on to influence later airliner designs. The technological highlights include advanced wings by de Havilland (later BAE Systems) with supercritical airfoil sections for economical performance and advanced aerodynamically efficient flight control surfaces. The 5.64 m (222 in) diameter circular fuselage section allows an eight-abreast passenger seating and is wide enough for 2 LD3 cargo containers side by side. Structures are made from metal billets, reducing weight. It is the first airliner to be fitted with wind shear protection. Its advanced autopilots are capable of flying the aircraft from climb-out to landing, and it has an electrically controlled braking system.
Later A300s incorporated other advanced features such as the Forward-Facing Crew Cockpit (FFCC), which enabled a two-pilot flight crew to fly the aircraft alone without the need for a flight engineer, the functions of which were automated; this two-man cockpit concept was a world-first for a wide-body aircraft.[8][16]: 23–24 [20] Glass cockpit flight instrumentation, which used cathode ray tube (CRT) monitors to display flight, navigation, and warning information, along with fully digital dual autopilots and digital flight control computers for controlling the spoilers, flaps, and leading-edge slats, were also adopted upon later-built models.[19][21] Additional composites were also made use of, such as carbon-fiber-reinforced polymer (CFRP), as well as their presence in an increasing proportion of the aircraft's components, including the spoilers, rudder, air brakes, and landing gear doors.[22] Another feature of later aircraft was the addition of wingtip fences, which improved aerodynamic performance and thus reduced cruise fuel consumption by about 1.5% for the A300-600.[23]
In addition to passenger duties, the A300 became widely used by air freight operators; according to Airbus, it is the best selling freight aircraft of all time.[20] Various variants of the A300 were built to meet customer demands, often for diverse roles such as aerial refueling tankers, freighter models (new-build and conversions), combi aircraft, military airlifter, and VIP transport. Perhaps the most visually unique of the variants is the A300-600ST Beluga, an oversize cargo-carrying model operated by Airbus to carry aircraft sections between their manufacturing facilities.[20] The A300 was the basis for, and retained a high level of commonality with, the second airliner produced by Airbus, the smaller Airbus A310.[19]
Operational history:
On 23 May 1974, the first A300 to enter service performed the first commercial flight of the type, flying from Paris to London, for Air France.[6]: 39 [18]
Immediately after the launch, sales of the A300 were weak for some years, with most orders going to airlines that had an obligation to favor the domestically made product – notably Air France and Lufthansa, the first two airlines to place orders for the type.[3]: 50–52 [18] Following the appointment of Bernard Lathière as Henri Ziegler's replacement, an aggressive sales approach was adopted. Indian Airlines was the world's first domestic airline to purchase the A300, ordering three aircraft with three options. However, between December 1975 and May 1977, there were no sales for the type. During this period a number of "whitetail" A300s – completed but unsold aircraft – were completed and stored at Toulouse, and production fell to half an aircraft per month amid calls to pause production completely.[18]
During the flight testing of the A300B2, Airbus held a series of talks with Korean Air on the topic of developing a longer-range version of the A300, which would become the A300B4. In September 1974, Korean Air placed an order for four A300B4s with options for two further aircraft; this sale was viewed as significant as it was the first non-European international airline to order Airbus aircraft. Airbus had viewed South-East Asia as a vital market that was ready to be opened up and believed Korean Air to be the 'key'.[8][16]: 23 [18]
Airlines operating the A300 on short haul routes were forced to reduce frequencies to try and fill the aircraft. As a result, they lost passengers to airlines operating more frequent narrow body flights. Eventually, Airbus had to build its own narrowbody aircraft (the A320) to compete with the Boeing 737 and McDonnell Douglas DC-9/MD-80. The savior of the A300 was the advent of ETOPS, a revised FAA rule which allows twin-engine jets to fly long-distance routes that were previously off-limits to them. This enabled Airbus to develop the aircraft as a medium/long range airliner.
In 1977, US carrier Eastern Air Lines leased four A300s as an in-service trial.[18] CEO Frank Borman was impressed that the A300 consumed 30% less fuel, even less than expected, than his fleet of L-1011s. Borman proceeded to order 23 A300s, becoming the first U.S. customer for the type. This order is often cited as the point at which Airbus came to be seen as a serious competitor to the large American aircraft-manufacturers Boeing and McDonnell Douglas.[6]: 40 [8][18] Aviation author John Bowen alleged that various concessions, such as loan guarantees from European governments and compensation payments, were a factor in the decision as well.[3]: 52 The Eastern Air Lines breakthrough was shortly followed by an order from Pan Am. From then on, the A300 family sold well, eventually reaching a total of 561 delivered aircraft.[1]
In December 1977, Aerocondor Colombia became the first Airbus operator in Latin America, leasing one Airbus A300B4-2C, named Ciudad de Barranquilla.
During the late 1970s, Airbus adopted a so-called 'Silk Road' strategy, targeting airlines in the Far East.[3]: 52 [18] As a result, The aircraft found particular favor with Asian airlines, being bought by Japan Air System, Korean Air, China Eastern Airlines, Thai Airways International, Singapore Airlines, Malaysia Airlines, Philippine Airlines, Garuda Indonesia, China Airlines, Pakistan International Airlines, Indian Airlines, Trans Australia Airlines and many others. As Asia did not have restrictions similar to the FAA 60-minutes rule for twin-engine airliners which existed at the time, Asian airlines used A300s for routes across the Bay of Bengal and South China Sea.
In 1977, the A300B4 became the first ETOPS compliant aircraft,[24] qualifying for Extended Twin Engine Operations over water, providing operators with more versatility in routing. In 1982 Garuda Indonesia became the first airline to fly the A300B4-200FFCC.[25] By 1981, Airbus was growing rapidly, with over 400 aircraft sold to over forty airlines.[26]
In 1989, Chinese operator China Eastern Airlines received its first A300; by 2006, the airline operated around 18 A300s, making it the largest operator of both the A300 and the A310 at that time. On 31 May 2014, China Eastern officially retired the last A300-600 in its fleet, having begun drawing down the type in 2010.[27]
From 1997 to 2014, a single A300, designated A300 Zero-G, was operated by the European Space Agency (ESA), centre national d'études spatiales (CNES) and the German Aerospace Center (DLR) as a reduced-gravity aircraft for conducting research into microgravity; the A300 is the largest aircraft to ever have been used in this capacity. A typical flight would last for two and a half hours, enabling up to 30 parabolas to be performed per flight.[28][29]
By the 1990s, the A300 was being heavily promoted as a cargo freighter.[16]: 24 The largest freight operator of the A300 is FedEx Express, which has 65 A300 aircraft in service as of May 2022.[30] UPS Airlines also operates 52 freighter versions of the A300.[31]
The final version was the A300-600R and is rated for 180-minute ETOPS. The A300 has enjoyed renewed interest in the secondhand market for conversion to freighters; large numbers were being converted during the late 1990s.[16]: 24–25 The freighter versions – either new-build A300-600s or converted ex-passenger A300-600s, A300B2s and B4s – account for most of the world's freighter fleet after the Boeing 747 freighter.[32]
The A300 provided Airbus the experience of manufacturing and selling airliners competitively. The basic fuselage of the A300 was later stretched (A330 and A340), shortened (A310), or modified into derivatives (A300-600ST Beluga Super Transporter). In 2006, unit cost of an −600F was $105 million.[14] In March 2006, Airbus announced the impending closure of the A300/A310 final assembly line,[33] making them the first Airbus aircraft to be discontinued. The final production A300, an A300F freighter, performed its initial flight on 18 April 2007,[34] and was delivered to FedEx Express on 12 July 2007.[35] Airbus has announced a support package to keep A300s flying commercially. Airbus offers the A330-200F freighter as a replacement for the A300 cargo variants.[36]
The life of UPS's fleet of 52 A300s, delivered from 2000 to 2006, will be extended to 2035 by a flight deck upgrade based around Honeywell Primus Epic avionics; new displays and flight management system (FMS), improved weather radar, a central maintenance system, and a new version of the current enhanced ground proximity warning system. With a light usage of only two to three cycles per day, it will not reach the maximum number of cycles by then. The first modification will be made at Airbus Toulouse in 2019 and certified in 2020.[37] As of July 2017, there are 211 A300s in service with 22 operators, with the largest operator being FedEx Express with 68 A300-600F aircraft.[38]
Variants:
A300B1 - The A300B1 was the first variant to take flight. It had a maximum takeoff weight (MTOW) of 132 t (291,000 lb), was 51 m (167 ft) long and was powered by two General Electric CF6-50A engines.[16]: 21 [39]: 41 Only two prototypes of the variant were built before it was adapted into the A300B2, the first production variant of the airliner.[6]: 39 The second prototype was leased to Trans European Airways in 1974.[39]: 54
A300B2 -
A300B2-100:
Responding to a need for more seats from Air France, Airbus decided that the first production variant should be larger than the original prototype A300B1. The CF6-50A powered A300B2-100 was 2.6 m (8.5 ft) longer than the A300B1 and had an increased MTOW of 137 t (302,000 lb), allowing for 30 additional seats and bringing the typical passenger count up to 281, with capacity for 20 LD3 containers.[40]: 10 [41][39]: 17 Two prototypes were built and the variant made its maiden flight on 28 June 1973, became certified on 15 March 1974 and entered service with Air France on 23 May 1974.[39]: 27, 53 [40]: 10
A300B2-200:
For the A300B2-200, originally designated as the A300B2K, Krueger flaps were introduced at the leading-edge root, the slat angles were reduced from 20 degrees to 16 degrees, and other lift related changes were made in order to introduce a high-lift system. This was done to improve performance when operating at high-altitude airports, where the air is less dense and lift generation is reduced.[42]: 52, 53 [43] The variant had an increased MTOW of 142 t (313,000 lb) and was powered by CF6-50C engines, was certified on 23 June 1976, and entered service with South African Airways in November 1976.[39]: 40 [40]: 12 CF6-50C1 and CF6-50C2 models were also later fitted depending on customer requirements, these became certified on 22 February 1978 and 21 February 1980 respectively.[39]: 41 [40]: 12
A300B2-320:
The A300B2-320 introduced the Pratt & Whitney JT9D powerplant and was powered by JT9D-59A engines. It retained the 142 t (313,000 lb) MTOW of the B2-200, was certified on 4 January 1980, and entered service with Scandinavian Airlines on 18 February 1980, with only four being produced.[39]: 99, 112 [40]: 14
A300B4 -
A300B4-100:
The initial A300B4 variant, later named the A300B4-100, included a centre fuel tank for an increased fuel capacity of 47.5 tonnes (105,000 lb), and had an increased MTOW of 157.5 tonnes (347,000 lb).[44][42]: 38 It also featured Krueger flaps and had a similar high-lift system to what was later fitted to the A300B2-200.[42]: 74 The variant made its maiden flight on 26 December 1974, was certified on 26 March 1975, and entered service with Germanair in May 1975.[39]: 32, 54 [40]: 16
A300B4-200:
The A300B4-200 had an increased MTOW of 165 tonnes (364,000 lb) and featured an additional optional fuel tank in the rear cargo hold, which would reduce the cargo capacity by two LD3 containers.[40]: 19 [42]: 69 The variant was certified on 26 April 1979.[40]: 19
A300-600 - The A300-600, officially designated as the A300B4-600, was slightly longer than the A300B2 and A300B4 variants and had an increased interior space from using a similar rear fuselage to the Airbus A310, this allowed it to have two additional rows of seats.[42]: 79 It was initially powered by Pratt & Whitney JT9D-7R4H1 engines, but was later fitted with General Electric CF6-80C2 engines, with Pratt & Whitney PW4156 or PW4158 engines being introduced in 1986.[42]: 82 Other changes include an improved wing featuring a recambered trailing edge, the incorporation of simpler single-slotted Fowler flaps, the deletion of slat fences, and the removal of the outboard ailerons after they were deemed unnecessary on the A310.[45] The variant made its first flight on 8 July 1983, was certified on 9 March 1984, and entered service in June 1984 with Saudi Arabian Airlines.[40]: 42 [39]: 58 A total of 313 A300-600s (all versions) have been sold. The A300-600 uses the A310 cockpits, featuring digital technology and electronic displays, eliminating the need for a flight engineer. The FAA issues a single type rating which allows operation of both the A310 and A300-600. A300-600: (Official designation: A300B4-600) The baseline model of the −600 series. A300-620C: (Official designation: A300C4-620) A convertible-freighter version. Four delivered between 1984 and 1985. A300-600F: (Official designation: A300F4-600) The freighter version of the baseline −600. A300-600R: (Official designation: A300B4-600R) The increased-range −600, achieved by an additional trim fuel tank in the tail. First delivery in 1988 to American Airlines; all A300s built since 1989 (freighters included) are −600Rs. Japan Air System (later merged into Japan Airlines) took delivery of the last new-built passenger A300, an A300-622R, in November 2002. A300-600RC: (Official designation: A300C4-600R) The convertible-freighter version of the −600R. Two were delivered in 1999. A300-600RF: (Official designation: A300F4-600R) The freighter version of the −600R. All A300s delivered between November 2002 and 12 July 2007 (last ever A300 delivery) were A300-600RFs.
A310 (A300B10)-
Airbus had demand for an aircraft smaller than the A300. On 7 July 1978, the A310 (initially the A300B10) was launched with orders from Swissair and Lufthansa. On 3 April 1982, the first prototype conducted its maiden flight and it received its type certification on 11 March 1983.
Keeping the same eight-abreast cross-section, the A310 is 6.95 m (22.8 ft) shorter than the initial A300 variants, and has a smaller 219 m2 (2,360 sq ft) wing, down from 260 m2 (2,800 sq ft). The A310 introduced a two-crew glass cockpit, later adopted for the A300-600 with a common type rating. It was powered by the same GE CF6-80 or Pratt & Whitney JT9D then PW4000 turbofans. It can seat 220 passengers in two classes, or 240 in all-economy, and can fly up to 5,150 nmi (9,540 km). It has overwing exits between the two main front and rear door pairs.
In April 1983, the aircraft entered revenue service with Swissair and competed with the Boeing 767–200, introduced six months before. Its longer range and ETOPS regulations allowed it to be operated on transatlantic flights. Until the last delivery in June 1998, 255 aircraft were produced, as it was succeeded by the larger Airbus A330-200. It has cargo aircraft versions, and was derived into the Airbus A310 MRTT military tanketransport.
Airbus A300-ST (Beluga)
Commonly referred to as the Airbus Beluga or "Airbus Super Transporter," these five airframes are used by Airbus to ferry parts between the company's disparate manufacturing facilities, thus enabling workshare distribution. They replaced the four Aero Spacelines Super Guppys previously used by Airbus.
ICAO code: A3ST
Operators:
As of March 2023, there were 228 A300 family aircraft in commercial service. The five largest operators were FedEx Express (70), UPS Airlines (52), European Air Transport Leipzig (23), Iran Air (11), and Mahan Air (11).[46]

Apologies for the long post. Let me start by saying we live in a remote area. We are nowhere near cities so it's not like we can run down to a used lot on the corner and shop around, for those who disagree with the used car choice.
Background:
We have two cars right now: a 1985 Chevy Suburban and a 1997 Toyota Celica. There's 3 kids in our family (8, 7 and 3) and we have another on the way that's due in October. We had a 2016 Kia Sorento but got rid of it after being told the engine needed to be replaced for a second time after having it completely rebuilt 3 years ago. Understandably, I didn't want to dump 8k into the same problem twice. There's also the issue of insurance no longer wanting to cover the vehicle in our state thanks to TikTok videos showing people how to steal them.
We're renting where we live currently but we are closing on a house on 6/9. We have to wait to close on the house before we can sell a piece of property we have because most of our belongings are stored in a storage shed on the property. With the money netted from the property, we plan to buy a 2023 Toyota Highlander. However, not a lot of properties are selling in our area right now and we need a safe vehicle for the family while we wait for it to sell.
The Suburban has a third row and is very reliable but it has terrible gas mileage (12 mpg on average). It does not have airbags and only has lap belts in the back, which is a concern for the kids in booster seats. It was initially bought as more of a vehicle meant to tow trailers and move things but it's become the main family vehicle after we sold the Sorento.
The Celica only has seating for 4 people so it's not really an option. This vehicle has been owned by my spouse for about 10 years. We are both open to selling it.
Now on to the used car:
There is a 2006 GMC Yukon with 250k miles on it for sale for $5000. From what I've read, they're very reliable up to 300k or even 400k miles. This is the only vehicle within a 2 hour drive that has a 3rd row, is decently priced, seemingly taken care of and isn't a total heap of junk. The interior is nice and the owner claims it's been meticulously cared for and regularly maintained. I know the gas mileage isn't THAT much better than the Suburban (average of 16 mpg) but it's safer with better seatbelts and has airbags. Of course we'd get an inspection done and want to look up the CarFax.
I'm here because I thought it would be a good idea to buy a used car in the interim but my mom freaked out on me and acted like I was an idiot. Paying 5k for a used vehicle wouldn't break us financially by any means. We will still have a decent cushion in savings after closing on the house and paying for this vehicle, if we buy it, but we can't stretch much more than 5k in cash on a car for now and we do not want to get a loan.
So... which car should I buy? Wait for the Highlander and drive the Suburban for now or go for the Yukon first while we wait for the property to sell?

If you traded with me before, you can chat with me directly. Or else, please comment first, then send me a message or chat, thank you.

Region is NA, Full WISHLIST

My REPs: 200+ successful trades, 0 dispute.

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My Wishlist:

Rocket League
Poker night
poker night 2
NBA 2k16
NBA 2k17
Persona 5 Royal
Hell let loose
Crusader kings 3
Spiderman remaster
F1 2020, 2019, 2017, 2016, 2012, 2011
A Hat in Time
monster hunter rise
fight in tight space
phoenix wright
LOOT RIVER
Hell let loose
satisfactory
Gotham Knights
Vrising
DOOM Eternal
Deep Rock Galactic
LegionTD 2
Dead by Daylight
quantum break
​
Maybe:
Warhammer 40,000: Space Wolf special edition
slay the spire
Spyro Reignited Trilogy
deep rock galactic
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My games for trade:

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Added recently:

Lil Gator Game
Monster Hunter Rise (may keep)
slay the spire (may keep)
Spyro Reignited Trilogy (may keep)
Bloodstained: Ritual of the Night
Haiku, the Robot
Rain World
Hollow Knight
Kerbal Space Program
Starbound
Quantum Break
Wizard of Legend
Dragon's Dogma: Dark Arisen
Tainted Grail: Conquest
Dicey Dungeons
Talisman: The complete collection (54 game+dlc)
Back 4 blood (EU)
Dragon Knight (delisted, 18+)
Dragonia (delisted, 18+)
EARTH DEFENSE FORCE 4.1 + 18DLCs (19 game+dlc)
Hell Girls (delisted, 18+)
Ragnarock
Super Star (delisted, 18+)
Source of Madness
​
MAY choice:
Warhammer 40,000: Chaos Gate - Daemonhunters
Behind the Frame: The Finest Scenery
Bendy and the Dark Revival
Builder Simulator
Operation Tango
Spiritfarer®: Farewell Edition
The Invisible Hand
Windjammers 2
​
APRIL choice:
DEATH STRANDING DIRECTOR'S CUT
Aliens: Fireteam Elite
Founders' Fortune
Life is Strange 2 Complete Season (incl. Mascot Bundle DLC)
Monster Prom 2: Monster Camp
Revita
Rollerdrome
The Life and Suffering of Sir Brante
​
MARCH choice:
BIOMUTANT
JURASSIC WORLD EVOLUTION 2
EDGE OF ETERNITY
ROGUE LORDS
HERO'S HOUR
GOLDEN LIGHT
Demon Turf
​

List A: I don't own them yet myself.

A Plague Tale: Innocence
ABZU
Aliens: Fireteam Elite
AMID EVIL
Anuchard
Armello
Astronarch
Beneath Oresa
Big Pharma
BIOMUTANT
Bionic Commando Rearmed
Bloodstained: Ritual of the Night
Borderlands 3: Super Deluxe Edition
Boundless
BPM: Bullets Per Minute
Children of Morta: Complete Edition
Construction Simulator (2015) Deluxe Edition
Cultist Simulator
Demon Turf
DEATH STRANDING DIRECTOR'S CUT
DEATHLOOP
Depraved
Desperados III
Destroy All Humans
Dicey Dungeons
Dishonored Definitive Edition
Distant Worlds Universe
Dragon Knight (delisted, 18+)
Dragon's Dogma: Dark Arisen
Dragonia (delisted, 18+)
Dungeons 2 - Complete Edition
Dusk
EARTH DEFENSE FORCE 4.1 + 18DLCs (19 game+dlc, 97% positive rating)
EDGE OF ETERNITY
Encased
ENDLESS Space 2 Digital Deluxe Edition
Euro Truck Simulator 2
F1 2020
Fable Anniversary
Flynn: Son of Crimson
Full Metal Furies
Getting Over It with Bennett Foddy
GOLDEN LIGHT
GRID Ultimate Edition
Hedon Bloodrite
Hell Girls (delisted, 18+)
HERO'S HOUR
How to Sing to Open Your Heart
Injustice 2 Legendary Edition
IRIS and the Giant
Joggernauts
JURASSIC WORLD EVOLUTION 2
Just Cause 4 Complete Edition
Last Oasis
Late Shift
Life is Strange 2 Complete Season (incl. Mascot Bundle DLC)
Lost Planet 3 Complete Pack
Mafia: Definitive Edition
Mega Man Legacy Collection
Metro Exodus
Mini Metro
Mini motor Racing EVO (delisted)
Monster Hunter Rise
Monster Prom 2: Monster Camp
Nickelodeon All Star Brawl
Obduction
Offworld Trading Company
OLLIOLLI WORLD - RAD EDITION
Othercide
Outward The Soroboreans DLC + soundtrack (no base game)
Paint the Town Red
Pathfinder: Kingmaker - Royal Ascension DLC
Pathfinder: Kingmaker - The Wildcards DLC
Pathfinder: Wrath of the Righteous - Enhanced Edition
Per Aspera
Planet zoo
Plebby Quest: The Crusades
Port Royale 3 Gold
Port Royale 4 - Extended Edition + Port Royale 4 - Buccaneers DLC
Project CARS
Project Wingman
Propnight
Proteus
Quantum Break
Ragnarock
Risen 2: Dark Waters, Sacred 2: Gold Edition, Saints Row 2, and Saints Row: The Third! (all 4 together in one key)
ROGUE LORDS
Rollerdrome
Rubber Bandits
Ryse: Son of Rome
Sakura Alien, 18+
Sakura Dungeon, 18+
Sakura - Forest Girls set, 18+

• Sakura Forest Girls, 18+
• Sakura Forest Girls 2, 18+
• Sakura Forest Girls 3, 18+

Sakura knight set, 18+

• Sakura Knight, 18+
• Sakura Knight 2, 18+
• Sakura Knight 3, 18+

Sakura MMO set, 18+

• Sakura MMO, 18+
• Sakura MMO 2, 18+
• Sakura MMO 3, 18+
• Sakura MMO Extra, 18+

Sakura succubus set, 18+

• Sakura Succubus, 18+
• Sakura Succubus 2, 18+
• Sakura Succubus 3, 18+
• Sakura Succubus 4, 18+
• Sakura Succubus 5, 18+
• Sakura Succubus 6, 18+

Sakura Swim Club, 18+
Sam & Max: Devil's Playhouse
Secret Neighbor: Hello Neighbor Multiplayer
Severed steel
Ship Graveyard Simulator
Sid Meier's Civilization VI : Platinum Edition
Sniper Elite 3
Sniper Elite 4
Source of Madness
Spirit Hunter: NG
Starbound
State of Decay: Year-One Survival Edition (steam gift)
Strange Brigade
Sunset Overdrive
Super Star (delisted)
Superliminal
Surviving The Aftermath
Tainted Grail: Conquest
The Dark Pictures Anthology: Man of Medan
The Dark Pictures Anthology: Little Hope
The Dungeon Of Naheulbeuk: The Amulet Of Chaos
The Gardens Between
The Life and Suffering of Sir Brante
The Long Dark
The Stanley Parable
The Witcher: Enhanced Edition (Gift)
This War of Mine: Complete Edition
Thronebreaker: The Witcher Tales
Total War: Empire - Definitive Edition
Total War: Medieval II - Definitive Edition
Total War: Napoleon- Definitive Edition
Tribes of Midgard
Twilight Struggle
War for the Overworld
Warhammer 40,000: Chaos Gate - Daemonhunters
WASTELAND 3
Wizard of Legend
XCOM: Enemy Unknown Complete Edition
Yakuza Kiwami 2

List B: I already own.

112 Operator
911 Operator
Aarklash: Legacy
Agent in Depth
Alchemist's Castle
Aliens vs. Predator Collection ( includes Aliens vs. Predator + Aliens vs Predator Swarm Map Pack + Aliens vs Predator: Bug Hunt Pack)
Amnesia: A Machine for Pigs + Amnesia: The Dark Descent (one key)
Among Us
Armello
Army Men RTS
Assault Suit Leynos
Backbone
Battlecruisers
Beat Hazard 2
Behind the Frame: The Finest Scenery
Behold the Kickmen
Between the Stars
Bezier
Bionic Commando
Bionic Commando Rearmed
Blade Assault
Blood And Zombies
Brawlout
Brothers - A Tale of Two Sons
[email protected]
Calico
Call of Juarez Gunslinger
Cats in Time
Chicka Wars Chicken Meat (delisted)
CivCity: Rome
Click and Slay
Conan Chop Chop
Concept Destruction
Cook, Serve, Delicious! 3?!
Corridor Z
Cosmic Express
Cosmonautica
Crayon Physics Deluxe
CROSSBOW: Bloodnight
Dagon - The Eldritch Box DLC
Dead Age
Dear Esther: Landmark Edition
Death Squared
Detached: Non-VR Edition
Disciples: Liberation
Double Cross
Doughlings: Arcade
Doughlings: Invasion
Draw Slasher
Drawful 2
Driftland: The Magic Revival
Due Process
EarthX
El Hijo
Eldest Souls
Emily is Away <3
Epic Chef
Fallout
Farming Simulator 17
Firegirl: Hack 'n Splash Rescue
First Class Trouble
Five Dates
Fling to the Finish
Fobia - St. Dinfna Hotel
Forged Battalion
Fortissimo FA INTL Ver
Founders' Fortune
Frick, Inc.
Full Throttle Remastered
Fun with Ragdolls: The Game
GameGuru Classic
Garfield Kart - Furious Racing
Geometric Sniper
Ghost 1.0
Go Home Dinosaurs!
Going Under
Golf Gang
Grow: Song of the Evertree
Guilty Gear X2 #Reload
Guns & Fishes
Guts and Glory
Hack 'n' Slash bundle (including Hack 'n' Slash + Hack 'n' Slash Soundtrack + Spacebase GIFT)
Halcyon 6: Lightspeed Edition
Heart Fragment - Book Two: Belief Fragments (Shannon & Lana)
Helheim Hassle
Hellbound
Hexologic
Hidden & Dangerous 2: Courage Under Fire
Hidden & Dangerous: Action Pack
Hokko Life
Holy Potatoes! A Spy Story?!
How to Sing to Open Your Heart
Hydrophobia: Prophecy
Hyper Gunsport
I’m not a Monster
In Sound Mind
INDUSTRIA
Internet Cafe Simulator
Interplanetary: Enhanced Edition
Into the Pit
Intruders: Hide and Seek
Iris and the giant
Iron Danger
Izmir: An Independence Simulator
Joggernauts
JYDGE
Kerbal Space Program
Killsquad
Kingdoms of Amalur: Re-Reckoning FATE Edition (including Kingdoms of Amalur: Re-Reckoning + Kingdoms of Amalur: Re-Reckoning Soundtrack + Kingdoms of Amalur: Re-Reckoning - Fatesworn)
Knights of Pen and Paper +1
Labirinto 2
Last Word
Lawn Mowing Simulator
Legend of Keepers
LEGO Batman 2: DC Super Heroes
Leisure Suit Larry - Wet Dreams Don't Dry
Let Them Come
Lighthouse Keeper
Little Orpheus
Lost Planet 3 Complete Pack
Lust for Darkness
Lust from Beyond: M Edition
Maid of Sker
Mainlining
Mega Man Legacy Collection
Mekabolt
Meow Express
MirrorMoon EP
Monaco
Monster Prom 2: Monster Camp
Moon Hunters
Moonlighter
Morbid: The Seven Acolytes
Motorcycle Mechanic Simulator 2021
Murder by Numbers
Must Dash Amigos
My Time At Portia
N++
NecroWorm
NeuroVoider
Neverinth
Neverout
Nongunz: Doppelganger Edition
Non-Stop Raiders
Of Orcs And Men
Orbital Racer
Out of Reach: Treasure Royale
Override
Overture
Paradise Lost
Partial Control
Pathfinders: Memories
Pathway
PAYDAY 2
Peaky Blinders: Mastermind
Pilgrims
Pill Baby
Pixplode
Pixross
Planet TD
PlataGO!
Plebby Quest: The Crusades
Popup Dungeon
Post Void
PowerBeatsVR
Project Chemistry
Project Nimbus: Complete Edition
Propagation VR - Co-op
Proteus
Pumped BMX +
Quadrata
Radio Commander
Railroad Corporation
Railroad Tycoon 3
Raji: An Ancient Epic
Rebel Galaxy
Rebound Dodgeball Evolved
Re-Legion
Remnants of Naezith
Resident Evil Revelations
Resident Evil Revelations 2
Revita
RIOT - Civil Unrest
Roarr! Jurassic Edition
Roboquest
Rogue Heroes: Ruins of Tasos
RPG Maker VX
Rym 9000
Say No! More
ScourgeBringer
SEUM: Speedrunners from Hell
Shadow Tactics: Blades of the Shogun - Aiko's Choice
Shady Part of Me
shapez - Puzzle DLC
Shing!
Sid Meier's Railroads!
Siege Survival: Gloria Victis
Skullgirls 2nd Encore
Slinger VR
Smile For Me
Sorcerer King: Rivals
Soul Searching
Soulblight
Space Crew: Legendary Edition
Spellcaster University
Spirit Hunter: Death Mark
Stacking
Starbound
STAR WARS Jedi Knight: Jedi Academy
STAR WARS: Knights of the Old Republic
Starpoint Gemini Warlords
Stick Fight: The Game
stikir
Stirring Abyss
Strange Brigade
Strider
Stygian: Reign of the Old Ones
Sunlight
Super Chicken Catchers
Super Magbot
SUPERHOT: MIND CONTROL DELETE
Surviving the Aftermath
Sword Legacy Omen
SYMMETRY
System Shock 2
System Shock: Enhanced Edition
Telefrag VR
The Amazing American Circus
The Beast Inside
The Deed II
The Golf Club 2019 Featuring PGA TOUR
The Inner World
The Next Penelope
The Serpent Rogue
The USB Stick Found in the Grass
This War of Mine: Complete Edition
Ticket to Ride
ToeJam & Earl: Back in the Groove
TOEM
Tools Up!
Tooth and Tail
Townsmen - A Kingdom Rebuilt
Traffic Jams
Train Station Renovation
Treasure Hunter Simulator
Turmoil
Underland: The Climb
UnMetal
Vanishing Realms
War for the Overworld
Warhammer 40,000: Gladius - Relics of War
WARSAW
We Were Here Too
Where the Water Tastes Like Wine
White Noise 2
Worms Rumble
WRC 7
WWE 2K BATTLEGROUNDS
XCOM 2
X-COM: Complete Pack (including X-COM: UFO Defense + X-COM: Apocalypse + X-COM: Enforcer + X-COM: Interceptor + X-COM: Terror from the Deep)
XEL
X-Morph: Defense Complete Pack (including X-Morph: Defense + X-Morph: Defense - European Assault + X-Morph: Defense - Survival Of The Fittest + X-Morph: Defense - Last Bastion)
Yoku's Island Express
Zombie Driver HD Complete Edition (including + Zombie Driver HD + Zombie Driver HD Apocalypse Pack + Zombie Driver HD Burning Garden of Slaughter + Zombie Driver HD Tropical Race Rage + Zombie Driver HD Brutal Car Skins + Zombie Driver HD Soundtrack)
ΔV: Rings of Saturn
​
Command & Conquer Remastered Collection (ORIGIN key)
DOOM 64 (Bethesda key)
Liberated (GOG key)
STAR WARS: Squadrons (Origin)
Wanderlust Travel Stories (GOG key)
Dishonored 2 (GOG)
#########################################################

Full WISHLIST

I'm pretty sure that the majority of Barovian content creators have already seen some version of this list. I actually went back to update my original post of the list to discover that I never made my own post of it! I put together the first version of this list a couple of years ago. I'm pretty sure this is the most complete list of its kind anywhere: Alternate areas of Barovia that are commonly needed, besides the commonly published CoS specific battlemaps:

1. The (Dark) Carnival - nobody ever makes maps / assets for this, even though gobs of people always throw it in to their campaign, even though it's old as crap. I understand that there's a Carnival Realm in the new VRGtR book.. I'll probably never use the realm-carnival, but that's a second place the Dark Carnival maps/assets could be used. There are also a trio of third party Ravenloft carnival modules as well that they could be used in.
   
2. Battlemap sized maps of the towns. At LEAST a 5 foot per square / hex map for the tiger chase. (Obviously modern VTT platforms don't actually need the grid on the map. ;) )
   
3. Random shops, stables, blacksmiths and generic places the party is likely to go anyway.
   
4. Generic encounter locations.. country roads / rivers / bridges and combinations of the three. It sounds dumb because you can get generic encounter maps like that anywhere.. but it would be AWESOME to have matching Barovian roads and Svalitch woods on all of your encounter maps. Don't forget the specific crossroads with the gallows from CoS.. I don't recall if there were hanging cages (gibbets) mentioned, but you could throw in some PNG options for them.
   
5. A covered bridge, including the roof, deck and under views. (To tack on to the Headless Horseman add-in.) The Woodcutters hut as well.
   
6. Besides the Carnival, there are a few other old school modules that people like to bolt on to CoS (Adam, etc. etc.).
   
7. DragnaCarta, MandysMod and Pyram King have all developed alternate encounters and a handful of setting that might be able to use an alternate map here and there. (Orphanage.) In particular, I recall battles in/near the bogs, on mountain sides with/without roads and watch towers. Military and outfitter style tent interiors and exteriors and camps placed.. you know what? Make those camps be PNG assets that could be dropped in a bog, next to a river or on a mountain side as needed. ;) I recall Lunch Break Heroes making an encounter for Borgia/Borca, but I don't recall if they made any scenarios / encounters for Barovia. I got a special request for Beneath the Abbey.
   
8. The Interactive Tome of Strahd sends the party back in time and would be a PHENOMENAL set of maps to expand Barovia. Seriously, you could drop those on DMsGuild and make some bank. Some additionally pre-Strahd bright and shiny versions of the village of Barovia and other basic maps might be nice for some throw-back adventures.
   
9. Retro Castle Ravenloft.. Castle Ravenloft fully restored to its former glory! (Castle Barovia? I picture it as more of a walled garrison, looking like a giant stone bubble from a distance, but it did have at least one tower overlooking the cliff.) We know that the old pre-Strahd castle had multiple floors located in roughly the same place as Castle Ravenloft, but with significantly different floor plans, as the ghosts walk staircases and pass through doorways that don't exist anymore. :D (Important side-note: Strahd did not grow up in Castle Ravenloft. I believe that there is one (1) painting of him looking out over Yesterhill, through the mists at a vision of the castle he grew up in, but I don't think anyone has ever tackled it.)
   
10. The caverns and the alter area in and under the Pillarstone of Ravenloft (from Expedition to Ravenloft) are frequently added in to CoS. I've never seen a map of a hidden cavern entrance in the Svalitch woods, let alone a set of creepy Barovian caverns.. or the Castle side of the entrance, for that matter.
    
11. Around a decade ago, some weirdo drew an artistic image of Castle Ravenloft with the foundation bedrock rotted away under it. I'd like to see a detailed elevation map of the curtain wall and gatehouse with the bedrock still under the curtain wall, because that irritates me to no end. NOBODY would build a massive curtain wall on a questionable foundation. Reference Vlads actual castle (which is admittedly ten times smaller than Ravenloft) for a rather specific example of a (THE) castle built on the side of a cliff. As I recall, if looking at the gatehouse, the left side and back left corner of Vlads actual castle are protected by a cliff, and that's where the inspiration for Castle Ravenloft came from.
    
12. Speaking of elevation, at the other end of Castle Ravenloft are balconies and windows jutting out over the cliff. I'd love to see detailed maps of those areas, an 'ant sized' map of the Svalitch woods and Barovia as seen from the castle, and an elevation map of the cliff-side reaching from the Svalitch woods up past the windows and balconies to the Curtain wall. Parties occasionally decide to attempt to scale the cliff. Having a cliff and curtain wall that actually matches would be awesome.
    
13. Odd ball areas we never see. The druids must have huts or a village somewhere. The Roc must have a nest somewhere. The Mad Mage in Barovia has one of either a tower / cavern / pocket dimension somewhere. We could use Barovian flavored versions of all three. Oh, and the woods and encounters with said mage on the backside of the lake.. so a lake / forested area with spread out trees for players to run in terror or attempt to attack at range.. or whatever.
    
14. UNDER Lake Zarovich, there are a handful of generic encounters. There are also a few river monster encounters, generally near the Berez Swamp, could use a lair map and an underwater river encounter map, Barovia flavored. Speaking of Berez, I've never seen a detailed large scale swamp map for the Berez Swamp.. let alone the whole town being overrun by the swamp.
    
15. A proper Berez Swamp. A full sized swamp, with river banks, fields of cattail and reeds, murky backwaters, underwater groves of trees, and a couple of dozen oddly shaped islets and sandbanks.. a few dead logs.. not to mention a proper full sized assortment of Berez town ruins.
    
16. What's the village in the Adventurer's Guild Supplements?? Orasnou! There's a tiny village there (the size most people depict Berez as, because the CoS book doesn't describe the whole town of Berez properly). So that map is needed, along with.. 4 interior maps, if I recall? (Probably more, + a manor.) As well as an alternate werewolf lair and a few others, like a Barovian bluff, again if I recall off of the top of my head. I've had requests for the Gundarak villages Teufeldorf, Zeidenburg and Renika, as well as the other minor villages and..
    
17. The complete map of Barovia, post Grand Conjunction (done in standard modern style/graphics).
    
18. Various encounters have been depicted on Mount Baratok. Which would be a stark stone mountain, snowy and generally above the treeline, not like the hilly tree covered mountains where Argynvostholt and the Roc and etc. are located. I think a largish rocky encounter map of the mountainside would be the first needed. I (seem to) recall a three tiered monastery built on the side of a cliff, with a freshwater spring enclosed that would require an elevation map along with three small interioexterior maps showing the wooden stairs going up and down the cliff-side. I recall one encounter involving a lai small cave sized area.
    
19. Lots of people want Van Richtens magic shop and other stuff described in his escapades. We could also use a handful of Vistani Vardos and Camps. If I recall, there are only two described in the CoS book, but there are many more tribes of Vistani than that, and we're told that they move around frequently. If might be easier to provide PNG files for the vardos, outfitter tents and assets for a large scale camp. Come to think of it, there aren't a whole lot of tokens for those smallish horses they use either, so someone might whip up 10-12 smallish shaggy horses with unique patterns to show off. They don't care one ounce for a horses pedigree, and are more than happy to keep unique looking mongrel horses as their personal caravan animals. They use mountain horse stock when breeding their horses, so they would be a bit hairier and stockier then say an Arabian.. just scaled closer to a pony size. Donkey size! They're donkey sized horses. :D ..real donkey size, if I recall 5e has some weirdness going on with their official donkey/wagon sizes that makes no sense at all for Vardos sized horses and wagons like the Vistani would have.
    
20. The valley where the village of Barovia is located is described as a massive fertile farming area, yet we never see any medieval farms, ranches, graineries or farmers markets for Barovia. Definitely need a few of those. Barovian farmers and ranchers would SPECIFICALLY all have the buildings that (in the real world) later became fortifications, Thick werewolf proof walls and heavily barricaded doors everywhere. No window on the ground floor. Livestock was housed indoors, in enclosed courtyards with family areas wrapped around them, or with the animals on the ground floor and the family living above on the second floor. Horse stalls and farrowing areas would be fenced off within the area. Graineries would be large round wooden buildings with barricaded doors and sturdy out-buildings. 10 foot tall max, today's 4-5 story tall graineries are a modern invention. There would probably be a large stone community grainery far on the other side of the valley from the Village of Barovia. for that matter, there ought to be a functioning grainery or warehouse somewhere between the Village of Barovia and Bonegrinder. ALSO, if Bonegrinder is no longer being used as a mill, there would HAVE to be another windmill or waterwheel driven mill somewhere else in Barovia. Many artists have envisioned a water-wheel grainery on the River Ivlis near the Village of Barovia. Corn cribs would be on the second floor of a barn for drying grain, doubling up to dry bales of hay, not primarily as a hay loft. PNGs for 2-3 styles of fencing and gates, water troughs, and some medieval horse drawn plows and rakes would be nice. Dog kennels!! Every farm would probably have it's own horse pasture or rink with a training post, and a dog kennel or run for dogs to run during the day. You know those giant mastiffs that the Barovian nobles are so fond of? Yeah, the farmers in the fertile valley near Barovia would be the only ones rich enough to be able to afford to raise those pups for the nobles. Somewhere out here would be a medieval rancher set up to raise mastiff puppies with an assortment of full grown mastiffs. Mongrel pups or runts would be sold off to neighboring farms at a discount. Roaming wolves would stay FAR away from them, and werewolf packs would likely attack them for any reason at all (if they could find a way in to the basin). I picture a LARGE farmers market and stockyards just inside the River Ivlis bridge of the Valley of Barovia. We know that Barovia is a trade center.. so there MUST be one. The bridge would offer protection if needed, and it would be the closest place farmers and ranchers could set up to provide commerce with the other villages and domains and still have the protection of being inside the gates. Hmm.. they might have a dirt race track there for showing off horses going up for sale. Make that very probably, The Vistani/Romani are famous for defending their mountain horses at the drop of a hat. This would be the main place of commerce for farmers goods in Barovia. This is (the main area) where Vistani Caravans would import and export farm goods in to and out of Barovia.
    
21. There would absolutely be homestead (small) sized farms and ranches carved out up in mountain valleys or even on mountain sides facing south. In fact, a south facing mountain side might get enough sunlight to raise delicate crops, spices and herbs, whereas most of Barovia can't, due to the mists blocking the sunlight. Also, a couple of mountain pastures with matching rocks / trees bordering them would be nice. Honestly though, if you pass out some rock and tree assets that match the ones you already use, anybody could throw together their own mountain pastures, or even their own valley pastures. Rows of crops are hard to find though! You could easily have scenarios of wolves/werewolves hunting the party in a cornfield.. but there are no Barovian cornfield battlemaps. ACTUALLY, I don't think I have any battlemap sized crop assets, and I probably have the largest collection of map assets around. You could probably sell these farming assets/maps on DriveThruRPG and DMsGuild as well, I've never seen them anywhere. ..OR you might ask Forgotten Adventures or Tom Cartos to throw some together, whatever seems clever. :) I've been asked specifically to try to get Yaedrag (barbarian-esque village in the mountains that Dragna wrote up) made up.
    
22. Jenny Greenteeth's Hut.. perhaps a grove of her untainted trees from the Quivering Forest? (Also the Glumpen Swamp and Vanishing Hills, various locations within these.) I picture the Quivering Forest loaded with fruit and nut trees and songbirds fighting for real estate (the text mentions angry squirrels).. surrounded by classic Svalitch Woods half-dead spooky trees. ;) I recall seeing a couple of versions that roughly followed the description given in DDAL04, but they're just a hut, not the whole barrow surrounding her hut as described. Additionally, many artists have upscaled her hut to be a small trading post, and put it on wooden poles, swamp style (never seen a battlemap of it, though). Lots of room for creative renditions there. :)
    
23. Another thing that I haven't seen ANYBODY making is small abbeys. The hills and mountains of Barovia are said to be littered with small abbeys. ..some of them abandoned, some not.
    
24. Abandoned mansions and manors. Strahd massacred the noble families of Barovia for their involvement in his father's murder. There is one legend of a nobleman possessed by a demon that Strahd left alive, as a curse 'worse than death'. At any rate, there ought to be a handful of abandoned / haunted mansions and manors dotting the Barovian countryside for the party to stumble in to (or check out due to a hook dropped by an informative villager).
    
25. There are currently NO mines in the CoS version of Barovia.. bizarre for a mountain country. It would suit that some of those decimated noble families ran some mines that have since been abandoned. Of course, it wouldn't do to host your standard monsters in a Barovian mine. I'm thinking Lair of the White Worm. Something more horrifying than dungeoneering.
    
26. It's been mentioned that instead of murdering the losers from the werewolf trials, they might be shipped off to be slaves in a mine, or to a plantation in the swamp. The plantation would be stick construction, as you would expect in a swamp, they would collect tubers and reeds that grow in the swamp, not traditional plantation type crops.
    
27. The various Barovian villages NOT included on Schleys map of (Central) Barovia usually have a town sized map plotted out and published somewhere, but no really decent overview maps or battlemap sized maps of them exist. (This need might easily be filled by a couple of handfuls of generic Barovian village buildings, field-stone and dirt street assets, and sundry village constructions.
    
28. Besides the Gates of Barovia, there are supposed to be watch-towers dotting the landscape as well. An operational watchtower and a couple of partially ruined ones would be awesome.
    
29. I didn't think of this one, because most modern cartographers are already including them.. the three Fanes! I believe they were first done in Expedition to Castle Ravenloft, but they are definitely one of the best loved add in features for CoS. :)
    

Assets nobody has made like the Dark Carnival and lake/river encounters and the Mad Mages various lair options would be the most needed. I simply don't understand why EVERY CoS map developer doesn't provide matching roads, forests, rivers and generic shops with matching Barovian assets. The maps I mentioned which you could make money selling on DriveThruRPG and DMsGuild (to me) would just be silly NOT to make. ...Van Richtens magic shop is requested a LOT. When the party first enters Barovia, I can picture them being chased in to a fortified farm by a pack of dire wolves / werewolves at dusk (perhaps the first couple of farms won't unbarricade their doors). I'm sure you can see the utility of the rest. Will everybody need a Roc nest on a cliff above the forest? No. Will DMs derail their campaign for a minute just for the opportunity to make the party loot a Roc nest? Yes. :)
Finally, I would note that since I wrote this list, a few cartographers have added some of the above locations to their Library, but the vast majority of these are as of yet, untouched. :)

Hey everyone, here's a few pictures of my N64 Games, 3DS XL Console, GBA Console, GBA Games I have for sale . There's a lot listed below that is not pictured so just let me know what you are interested in and I can provide additional pictures.
Prices do not include shipping unless "shipped" is noted. Shipping is $4 for 1 game (1st Class in a Padded/Bubble Wrapped Envelope). An additional $1 per game (if weight exceeds 12 oz). I only accept PayPal via Friends & Family or Venmo F&F, however I do have 295+ confirmed transaction on this board.
Consoles + Accessories Gameboy Original (CIB; unused condition; even the batteries are unopened) - $300 shipped or BO GBA Wireless Adapter (AGB-015) - $20 shipped GBA to Gamecube Adapter (DOL-011) - $25 shipped Gameboy OEM Clam Shells (lot of 32) - $75 shipped Nintendo 3DS XL Pokemon X & Y Limited Edition Console + Luigis Mansion Dark Moon (loose) - $300 shipped Nintendo 64 OEM Gray Controller - $25 Nintendo 64 OEM Controller Pak (NUS-004) - $13 shipped Nintendo 64 GameShark - $25 Nintendo 64 Performance Memory Card - $10 shipped Nintendo 64 OEM Transfer Pak - $20 shipped Nintendo DSI (TMNT Decals) w/ Charger - $50 shipped Sega GameGear Super Wide Gear - $22 shipped Sega Master System w/ hookups + controller (small crack/break in console shell) $125 + shipping Super Nintendo Snes Jr Console (console only; tested) - $90 shipped
N64 Games 007 World is Not Enough (ex-rental) - $14 1080 Snowboarding - $11 Backstage Assault - $12 Blast Corps - $18 Excite Bike 64 - $15 Flying Dragon - $30 F-Zero X - $40 Jet Force Gemini - $13 Madden Football 64 - $5 Mario Kart 64 - $42 MRC Multi Championship Racing - $10 Mystical Ninja Featuring Goemon (ex-rental) - $85 Namco Museum 64 - $12 NBA Jam 99 - $11 NFL Blitz 2001 (torn label) - $18 NFL Quarterback Club 2000 - $5 Pokemon Snap - $20 Pokemon Stadium - $35 San Francisco Rush - $15 San Francisco Rush 2 - $18 Star Wars Episode 1 Racer - $10 Star Wars Rogue Squadron - $14 Super Mario 64 - $38 Superman - $15 Super Smash Brothers - $45 Magical Tetris Challenge - $25 The New Tetris - $30 Tetrisphere - $12 Tony Hawk Pro Skater - $12 Tony Hawk Pro Skater 2 - $21 Top Gear Overdrive - $11 Toy Story 2 - $20 Turok Dinosaur Hunter - $12 Virtual Pool - $13 Waialae Country Club - $6
N64 Manuals/Strategy Guides Duke Nukem Manual - $10 Flying Dragon Manual - $40 Silicon Valley Space Station Manual - $50 Super Mario 64 Nintendo Power Player's Guide - $18
NES Games Adventure of Bayou Billy - $7 Anticipation - $5 Bad Street Brawler - $13 Battle Chess (CIB) - $32 Battle of Olympus - $16 Blades of Steel - $9 Defender 2 - $10 Dragon Warrior (CIB) - $70 Dragon Warrior II -$60 Dragon Warrior - III - $120 Dragon Warrior IV - $160 Excite Bike - $11 Exodus Ultima - $11 Faxanadu - $12 Fester's Quest - $10 Final Fantasy - $25 Gauntlet II (label wear) - $10 Golf - $3 Gotcha - $7 Ghost 'N Goblins - $15 Greg Norman's Golf Power - $14 Gyruss - $9 Hydlide - $9 Iron Sword - $8 Little League Baseball - $12 Magic of Scheherazade (CIB) - $65 Mach Rider - $8 Metal Gear (w/ worn box) - $80 Mike Tyson's Punch-Out - $40 Paperboy - $16 Pinball $7 The Punisher - $27 Rad Racer II - $7 Renegade - $10 RBI Baseball 2 - $10 Road Runner - $16 Spy Hunter - $6 Super Glove Ball - $7 Superman - $21 Super Mario Bros. - $15 Super Mario Bros./ Duck Hunt - $7 Super Mario Bros. 2 - $24 Super Off-Road - $12 Super Sprint (Tengen) - $7 Super Team Games - $9 Tetris - $12 Tetris 2 -$9 Tiger-Heli - $5 Tiny Toon Adventures 2 Trouble in Wackyland - $16 To The Earth - $5 Toobin (Tengen) - $20 Top Gun - $5 Top Player Tennis - $9 Vindicators - $10 Winter Games by Epyx - $6
NES Manuals Anticipation Manual - $5 Captain Skyhawk Manual - $5 Dance Aerobics Manual - $5 Friday the 13th Manual - $16 Golf - $5 Gotcha Manual - $7 (crease) Hogan's Alley Manual - $9 Iron Sword Wizards & Warriors II Manual - $7 Life Force Manual - $10 (some damage to an interior page) Sesame Street 1 2 3 - $7 Super Team Games - $7 Tiger Heli - $3 (water damage)
Gameboy (cart only) Batman - $24 Dr. Mario - $10 Star Wars - $11 Super Mario Land - (top of label is faded) - $20 Wario Land: Super Mario Land 3 - $30
Gameboy Color (cart only) All-Star Baseball 2000 - $5 Mary Kate & Ashley's New Adventures - $4 Men in Black The Series - $7 Pacman Special Color Edition - $14 Rugrats the Movie - $7 Shrek Fairy Tale Freak Down - $7 Smurf's Nightmare - $10 Tony Hawk Pro Skater 2 - $6 Tony Hawk's Pro Skater 3 - $6 Yu- Gi- Oh Dark Duel Stories - $10
GBA (cart only) 007 Everything or Nothing - $7 A Series of Unfortunate Events -$4 Backyard Baseball - $5 Backyard Baseball 2006 - $7 Backyard Baseball 2007 - $7 Backyard Football - $8 Backyard Football 2006 - $4 Backyard Football 2007 - $5 Battleship / Risk / Clue - $6 Bratz - $4 Butt Ugly Martians: BKM Battles - $5 Cars - $5 Cartoon Network Speedway - $6 Catz - $5 Cho Makaimura R Super Ghouls N Ghost ( Japanese Import) - $95 Shipped Dave Mirra Freestyle BMX 2 - $4 Dogz - $6 Dora Explorer's Pirate Pig's Treasure - $4 Dragon Ball Z Supersonic Warriors - $20 Earth Worm Jim - $16 ESPN Great Outdoor Games Bass 2002 - $5 Fantastic 4 Flame On - $3 Finding Nemo - $5 Fire Pro Wrestling - $11 Frogger's Journey - $6 Hot Wheels Stunt Track Challenge - $3 Hot Wheels World Race - $5 Incredibles Rise of the Underminer - $6 Jimmy Neutron Attack of the Twonkies - $4 Jimmy Neutron Jet Fusion - $3 Lord of the Rings The Two Towers - $10 Lost Vikings - $25 Lizzie McGuire: On the Go - $3 Madagascar & Shrek 2 - $5 Madagascar Operation Penguin - $6 Madden 2005 - $5 Mario Kart Super Circuit (torn label) - $21 Monster Jam Maximum Destruction - $6 Namco Museum - $6 Oddworld Munch's Oddysee - $12 Pong Asterios Yar's Revenge - $4 Power Rangers Dino Thunder - $8 Quad Desert Furty - $3 Road Rash Jail Break - $10 Shark Tale - $4 Spirit Stallion of the Cimarron - $5 Star Wars Episode II Attack of the Clones - $5 Star Wars The New Droid Army - $5 Super Mario Advance (worn label) - $17 The Incredibles - $3 Top Gear GT Championship - $10 Yu-Gi-Oh Double Pack 2 - $13 Yu-Gi-Oh Eternal Duelist Soul - $12 Wario Land 4 - $45 WWF Road to Wrestlemania - $10
Nintendo 3DS (loose) Transformers Dark of the Moon Stealth Edition - $7
Nintendo DS Games (cart only unless noted) Avatar The Last Airbender - $13 Backyard Sports Rookie Rush - $4 Bionicle Matoran Adventures - $6 Club Penguin - $4 Happy Feet - $4 Mario Hoops 3 on 3 - $10 Marvel Ultimate Alliance 2 - $10 Megaman Starforce Dragon - $95 shipped Metroid Hunters First Hunt - $6 Namco Museum DS - $8 Nintendo Dogs: Chihuahua & Friends - $6 Nintendo Dogs: Dachshund & Friends (CIB) - $10 Nintendo Dogs: Lab & Friends - $6 Ping Pals - $3 Plants vs Zombies - $10 Ratatouille - $5 Ridge Racer DS - $8 Shrek Superslam - $5 MySims - $5 MySims Kingdom - $5 Spectrobes - $5 Spiderman 3 - $8 Star Wars II The Original Trilogy (LEGO) - $6 Super Money Ball Touch & Roll - $6
Nintendo Gamecube Games (CIB unless noted) ATV Quad Power Racing 2 (missing manual) - $9 Cars - $8 ESPN Winter Sports 2002 - $6 Madden 2003 - $5 Madden 2005 - $6 Need for Speed Hot Pursuit 2 - $8 Spongebob Squarepants: Lights Camera Pants - $16 WWE Day of Reckoning 2 (missing manual) - $25 WWE WrestleMania X8 (missing manual) - $12
Nintendo Wii Games (all have cases) All-Star Cheer Squad - $5 Cabelas Big Game Hunter 2010 (CIB) - $8 Call of Duty Black Ops (CIB) - $9 Carnival Games (CIB) - $6 Chuck E Cheese Party Games (Missing Manual) - $10 Country Dance (CIB) - $8 Deal or No Deal (CIB) - $5 Guitar Hero III Legends of Rock (CIB) - $19 Hannah Montana Spotlight World Tour (Sealed) - $8 Major League Baseball 2K12 (CIB) - $10 Thrillville Off The Rails (CIB) - $5 Wii Music - $6 Wii Sports (Disc & Manual) - $20 Wii Sports Resort (CIB) - $30
Playstation PS1 Games (CIB unless noted) 007 Tomorrow Never Dies - $7 A Bug's Life (GH) - $7 Action Bass - $6 Ball Breakers (sealed) - $10 Bass Championship - $7 Battle Arena Toshinden (GH) - $14 Bushido Blade - $36 Crash Bandicoot Warped (GH) - $13 Fighting Force - $20 Gran Turismo 2 (GH) - $12 Harry Potter & the Sorcerer's Stone - $13 IHRA Drag Racing - $5 Inspector Gadget: Gadget's Crazy Maze - $8 MediEvil (missing manual) - $35 Missile Command - $6 Monster's Inc (GH) - $9 Nascar Heat (CIB) - $7 NBA Live 2000 - $8 NBA Shootout 98 - $9 NFL Blitz 2000 - $15 NHL 98 - $8 NHL Faceoff 97 (GH) - $5 Parasite Eve - $75 Parasite Eve (missing demo disk) - $60 PlayStation Underground Jampack Fall 2001 - $9 Q* Bert - $10 Resident Evil Director's Cut (GH) - $30 Rugrats Search for Reptar (GH) - $17 Rugrats in Paris: The Movie - $12 Soul Blade - $23 Star wars Dark Forces (unoriginal jewel case) - $13 Syphon Filter 2 (GH) - $10 Tecmo Super Bowl - $20 Tiger Woods 99 - $8 Tony Hawk Pro Skater (GH) - $10 Tony Hawk Pro Skater 2 (GH) - $12 Triply Play 99 - $8 Who Wants to Be a Millionaire 2nd Edition - $8 World Cup 98 - $12
Playstation 2 PS2 Games (CIB unless noted) 007 Everything or Nothing - $7 007 Nightfire - $9 Ace Combat 4 Shattered Skies (GH) - $8 All-Star Baseball 2005 - $5 Ben 10 Protector of Earth - $9 Bully - $22 Clock Tower 3 - $70 Crash Bandicoot The Wrath of the Cortex (GH version) - $10 Crash Bandicoot The Wrath of the Cortex - $12 Devil May Cry (GH) - $7 Enter the Matrix - $10 Eragon - $6 Family Feud - $5 Final Fantasy X (GH) -$9 Frogger the Great Quest - $7 Godfather the Game - $14 God of War (2 Disc Set) - $12 Guitar Hero II - $7 Guitar Hero III Legends of Rock - $9 High Heat Major League Baseball 2004 - $5 Hobbit - $10 Karaoke Revolution Party - $8 Karaoke Revolution Presents: American Idol - $5 Madden 2003 - $5 Madden 2007 - $5 Madden 2008 - $5 Midway Arcade Treasures - $11 MLB 07 the Show - $5 MLB Slugfest 2004 - $11 Nascar 2001 - $5 Nascar Thunder 2003 - $7 NFL Blitz Pro - $10 Onimusha 3 Demon Siege - $21 Pinball Hall of Fame - $5 Pirates - The Legend of Black Kat - $12 Red Dead Revolver - $17 Rise of Kasai - $8 Silent Hill 4 The Room (Factory Sealed) - $325 shipped Star Wars Episode 3: Revenge of the Sith - $9 SSX Tricky (missing manual) - $19 Summoner - $10 Teen Titans - $22 Theme Park Roller Coaster - $8 Time Crisis 3 - $23 Tom Clancy's Splinter Cell - $6 Ty the Tasmanian Tiger - $11 Warriors of Might & Magic - $10 Wheel of Fortune - $7 Yu-Gi-Oh Duelists of the Roses - $22
PS3 Band Hero - $6 Call of Duty Black Ops - $10 Call of Duty World at War -$11 Crysis 2 - $7 Fifa Soccer 11 - $5 Guitar Hero 5 - $11 MLB the Show 10 - $4 MLB the Show 11 - $4 NCAA Football 11 - $9 Sports Champions - $5
Sega 32X (all cart only) Primal Rage - $50 Virtua Fighter - $24 Virtua Racing - $20
Sega Dreamcast Games (disc & manual only***; do not have original cases unless noted CIB) Centipede - $7 Plasma Sword Night of Bilstein - $50 Psychic Force 2012 - $25 Ready 2 Rumble Boxing - $12 Rippin Riders - $5 Sega Bass Fishing - $8 Sega Rally 2 Championship - $12 Speed Devils - $15 Sword of Berserk: Gut's Rage (game only) - $65 Trick Style - $7 Zombie Revenge - $30
Sega Game Gear (cart only) Columns - $5 Sega Genesis (cart only unless noted) Aladdin (cart + manual) - $10 Boogerman A Pick & Flick Adventure (cart + manual) - $20 John Madden Football (cart + manual) - $20 Mortal Kombat (cart + manual) - $12 Prime Time NFL Football starring Deon Sanders (cart +manual) - $9 Shining Force (Case & Cart) - $75 Shining Force 2 (cart only) - $55 Sonic the Hedgehog (cart + manual) - $13 Sonic the Hedgehog 2 (cart + manual) - $12 Sonic & Knuckles (cart only) - $25 Streets of Rage (cart only) - $22 X-Men (cart + manual) - $15
Sega Master System (Mostly CIB; ask me to check manual) Alex Kidd: The Lost Stars - $28 California Games (missing manual) - $20 Choplifter - $18 Ghostbusters - $25 Great Baseball - $10 Monopoly - $10 Parlour Games - $10 Pro Wrestling - $14 Rocky - $17 Space Harrier (missing manual) - $18 Shinobi (includes map; missing manual) - $30
Super Nintendo (SNES) Games (cart only) Aeroacrobat - $9 Best of the Best Championship Karate - $8 Brandish - $85 Brett Hull Hockey - $7 Bulls vs Blazers - $4 Capcom MVP Football - $7 Captain Commando - $175 Cliffhanger - $9 College Slam - $7 Donkey Kong Country - $20 ESPN Baseball Tonight - $4 Family Feud - Final Fantasy Mystic Quest - $17 Football Fury - $20 Harley's Humongous Adventure - $15 Magic Johnson's Super Slam Dunk - $6 Mickey's Ultimate Challenge - $12 MechWarrior 3050 - $17 Monopoly - $5 Ms. Pacman - $12 NCAA Basketball - $5 Nickelodeon GUTS - $16 Ninja Warrior - $130 NFL Football - $5 Pit Fighter - $8 Romance of the Three Kingdoms II - $20 Soldier's of Fortune (rental sticker on label) - $25 Stanley Cup Championship -$6 Street Fighter II - $15 Super Caesar's Palace - $4 Super High Impact - $5 Super Soccer - $9 Super Star Wars Return of the Jedi - $16 Terminator 2 Judgement Day - $15 Top Gear - $15
Xbox 360 (CIB) Assassin's Creed - $6 Battlefield Hardline Deluxe Edition - $10 Battlefield 3 Limited Edition - $6 Fifa Soccer 10 - $5 Fifa Work Cup South Africa 2010 - $5 Grand Theft Auto V - $10 Injustice Gods Among Us - $5 L.A. Noire - $7 Left 4 Dead 2 - $11 Mafia II - $10 N3 Ninety-Nine Nights - $20 Nascar The Game 2011 - $9 NBA 2K12 - $5 NHL 10 - $3 NHL 14 - $6 Pocket Bike Racer - $5 Red Dead Redemption - $9 Saints Row - $10 Saints Row The Third - $5 Skate 3 - $6 Virtua Tennis 4 - $9

If you have aphantasia, please reply with books or authors you have read (not listened to) and enjoyed.
Here are some of mine, with brief descriptions cribbed from Wikipedia or Goodreads. These are mostly books & authors that I've read recently.

• Jorge Luis Borges: His best-known books, Ficciones (Fictions) and El Aleph) (The Aleph), published in the 1940s, are collections of short stories exploring themes of dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers and mythology.
• Haruki Murakami: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I-novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. A notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.[36] He has further compared the process of writing to movies: "That is one of the joys of writing fiction—I'm making my own film made just for myself."[57]
• R A Lafferty: Lafferty's quirky prose drew from traditional storytelling styles, largely from the Irish and Native American, and his shaggy-dog characters and tall tales are unique in science fiction. Little of Lafferty's writing is considered typical of the genre. His stories are closer to tall tales than traditional science fiction and are deeply influenced by his Catholic beliefs; Fourth Mansions, for example, draws on The Interior Mansions of Teresa of Avila.
• The Southern Reach Trilogy, by Jeff VanderMeer: Area X has been cut off from the rest of the world for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach Trilogy, we join the twelfth expedition.
• Piranesi, by Susanna Clarke: Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house.
• Parables and Paradoxes, by Franz Kafka: The pieces here were posthumously gathered from Kafka's notebooks, diaries, letters, and short fictional works. Though generally short, they do seem to go remarkably well together. The pieces are arranged in 4 broad sections: the imperial area including the Great Wall and The Tower of Babel. ("If it had been possible to build the Tower of Babel without ascending it, the work would have been permitted."). There is a section that is Midrashic on the Older testament ("We are fashioned to live in Paradise, and Paradise was destined to serve us)". A favorite of mine was "The Animal in the Synagogue", though what the animal may symbolize is open for discussion. The section on the Greeks, introduces Poseidon, who has become a bureaucrat, checking "the last row of figures." And "Leopards in the Temple" presents another animal in another temple ... and "becomes part of the ceremony". The final section includes unrelated fragments such as "The invention of the devil" and "The truth about Sancho Panza".
• Moby Dick, by Herman Melville: The book is the sailor Ishmael)'s narrative of the maniacal quest of Ahab, captain of the whaling ship Pequod), for vengeance against Moby Dick), the giant white sperm whale that bit off his leg on the ship's previous voyage.
• I Who Have Never Known Men, by Jacqueline Harpman: Thirty-nine women and a girl are being held prisoner in a cage underground. The guards are all male, and never speak to them. The girl is the only one of the prisoners who has no memory of the outside world; none of them know why they are being held prisoner, or why there is one child among thirty-nine adults. One day, an alarm sounds, and the guards flee; the prisoners are subsequently able to escape. They find themselves on an immense barren plain, with no other people anywhere, and no clue as to what has happened to the world.

Note: This comes from my old fig blog.........called "Dan's Cajun Figs"
(see ...........cajunfigs.blogspot.com for pictures and more information).

Initially posted on SATURDAY, MAY 26, 2012

Choosing Fig Varieties......by their taste (flavor)

By Dan
Semper Fi-cus
📷Hmmmmm!! Which one should I choose?? Figs come in all shapes, sizes, and colors. There are large ones and small ones. Round ones and flat ones. Some have long necks while some have no neck at all. Some are pear shaped and others are very elongated in shape. Colors can be green, yellow, brown, red, purple, and black. Some even will have two colors and these colors can exist as color vertical bands or stripes. The Panachee is a beautiful yellow fig which has vertical striped bands of green. The fig's pulp color can range from clear, cream, amber, gold, pink, red, and purple. Taste too can vary quite a bit from cultivar to cultivar. So how does one go about choosing a fig based on flavor??
Well, my taste buds tell me that there are a just a few broad groupings that are based on their "TASTE" or their flavor alone. Keep in mind that any taste rating is very subjective and a personal thing. Given that qualifier, here is what my tongue tells me are similar tasting fig varieties. The better figs in each group will have a richer and more complex flavor. A rich flavor will linger on your tongue for several minutes after you eat it and provide maximum taste sensation. A complex flavor will remind you of several different flavors all playing in concert with each other....and teasing your taste buds. Not all figs will have both a rich and complex flavor. Some will have only a single flavor note....like most honey figs. The sugar to acid ratio of the fig pulp too plays a very big role in its overall taste sensation.
I have some of my figs listed in similar flavor groupings. They are in no particular order:
1) The Celeste types .....Celeste, LSU Improved Celeste, O'Rourke, Southern Brown Turkey, English Brown Turkey, Blue Bingo, Blue Celeste, Celestine, Texas Everbearing.
2) The Mission types.......Black Mission, Violette De Bordeaux, Native Black, LSU Scott's Black, Black Beauty 10, Negronne, Petite Aubique, Beer's Black, Maltese Falcon (GM#5), Rond de Bourdeaux, Hardy Chicago New, 2 Fat Lady Black
3) The Honey types......LSU Golden Celeste, Italian Honey, LSU Gold, Jack Lily, White Triana, Atreano, Florentine, Cajun Honey, Cajun Gold, China White, Flanders, Vernino/Pasquale Not, UCD 143-36, LSU Everbearing, Latarula
4) The Blackberry types.......Hardy Chicago, Sals, Sicilian Black, LSU Purple, Black Triana, Black Italian, Marseilles VS, Dark Portuguese, Gino's Black, Black Beauty 10, Dark Sicilian #11, St. Jerome, Quantico, Maltese Falcon (GM#5), Pastillier
5) The Adriatic types.......Smith, Dalmatie, Battaglia Green, Adriatic, JH Adriatc, Green Greek, Strawberry, Monstreuse, Late Green, Verte, Ischia White, Conadria, Lattarola ---------------------------------------------- IMO Everyone should have one from each taste grouping.
Black Beauty 10....is hands down the best tasting fig in my collection. It's taste is very complex and fits into multiple groupings. It will produce two crops in a zone 9 climate. It is a Persian fig which originated from the northern part of Iran. It is NOT the same fig as Kathleen Black. Persian figs are reputed to have better flavor than European or Mediterranean figs because of their different gene pool. I have two other Persian figs which are yellow in color. The yellow one from Northern Iran (not written about yet) is truly outstanding in flavor which leads me to believe that Persian figs are indeed better flavored than those cultivars that originated from Europe. Time will tell..........
Col de Dame is my second best tasting. Its taste is complex and fits into multiple groupings. My climate is long enough to ripen this fig to perfection. It needs a long hot climate. It can produce a light breba crop. Main crop figs ripen late in the season.
Bourjosotte Gris is third best based on taste alone.....it has a very strong and intense strawberry flavor. This fig tastes more Strawberry than a real strawberry. However, its productivity is still in question. Its taste is complex and fits into multiple groupings. It too is a late season fig producing only one crop.
Smith is often to die for good. It is a very well flavored, balanced, and rain tolerant fig. As more and more fig enthusiast around the country get to taste this truly outstanding fig....you will hear them raving about its flavor. It produces two crops in a zone 9 climate.
IMO....Violette De Bordeaux is a MUST HAVE fig as it tastes so good and does real well in most climates. It can produce two crops in a zone 9 climate.
-----------------------------
IMO, there are other factors that should go into cultivar selection besides "TASTE" (flavor) alone. Ripening times, number of crops, persistence, speed of ripening, productivity, rain tolerance, bug resistance, skin quality, sweetness, pulp consistency, heat tolerance, fruit drop, size of tree, cold hardiness, pot culture vs. in-ground culture, cooking qualities, etc. should also be taken into consideration when choosing a fig variety.
For taste and overall performance in the rainy areas in the South.....it is still hard to beat the Louisiana heirloom Celeste fig that I found several summers ago. I was in fig heaven for over an hour as I ate a ton of figs from that particular mother tree. That fig can be seen in the above picture and listed as Celeste LF. Celeste figs can be to die for good. That is why Celeste still remains the Queen Fig of the South....even though it is usually a one crop fig. -------------------------------------------------
Added the following on June 27, 2012
Here are a few current pictures of my old time Celeste LF stain. This one is not an LSU hybrid fig like the LSU Improved Celeste. IMO, this is THE BEST regular Celeste fig strain to be found in Louisiana and likely the nation.......no, let's make that the best in the world!! lol...... This is the one that I have been searching to find for years. My conclusion is based on lots of research on lots of Celeste fig trees. Its taste is absolutely superb (a perfect 10), does not drop its figs, and does not split. This one will dry on the tree into a raisin if you let it. Its taste gets rather complex as the interior pulp turns into a very rich and jam-like sweet treat. I am exceedingly happy to have found this particular strain. I put a lot of miles on my truck during my hunts to find this fig. You can read more about it in another future post on my Fig Blog..............
📷Celeste LF figs A Superior strain of regular Celeste fig June 2012
📷Celeste LF figs A Superior strain of regular Celeste fig June 2012

I love this sub Reddit for the simple reason that it’s so much more reasonable than Spurs Twitter, which is so bloody toxic. With that in mind a lot of you are unsure about Ange Postecoglu. He may not even be hired. But if he is here is why I’m excited, and why maybe you can be too.
There’s a couple of points I want to address.
Edit: I’ve been put right by a couple of people on a couple of things below, Rangers were in the league for Rogers titles. between 2016-2019. I would place less value on them than Agnes title win, but more than Neil Lennons and Ronny Delia’s who won the first 6 titles when Rangers went bust. Celtic now have won the Scottish title 9 times in a row twice. The first whilst rangers “existed”.
1) To be clear I’m a Rangers fan, not a Celtic fan. I’ve been one since I was old enough for my dad to say “you support rangers” so, I guess they’re my boyhood club. So this is all coming from a position from the other side of the divide. But I watched it all happen and it was crazy. Feel free to skip the background info early on if you’re clued up on Scottish football. But the context is important.
2) I’m not even going to bother going into all the Brisbane Roar, Socceroos, Yokohama (his time in Japan I know the least about) stuff. But maybe I will if enough of you are interested.
3) I don’t know much about it all, I only know what I have seen being in the unique position of being Australian, a spurs fan and a Rangers fan
4) a lot of people are saying “SPFL is a 1 horse race”. It is not, albeit, it’s a 2 horse race.
The 2 horses are the Glasgow giants, Rangers and Celtic. Celtic has won a heap in recent years 10 titles to be exact. Their first of these was in 2012, that’s because their main rival Rangers went bust in 2012. Before that, Rangers had won the last 3 titles in a row (despite being in financial peril). Before 2012 it was a consistent 2 horse race. Rangers and Celtic are 2 of the most successful teams in world football.
It took Rangers nearly 8 years to get back from the basement of Scottish professional football to the top league. In that time Brendan Rodgers won 8 titles in a row facing very little competition from any other side in the division. Only 1 of which was won with Rangers back in the division, after which he left mid season for Leicester.
After that Neil Lennon (who was in charge last when Rangers were busy winning 3 in a row) swooped in and won the treble up against Gerard’s Rangers who were finding their feet in the league (practically gimme titles). This was Celtics 9th title in a row equaling a league record held by Rangers.
In his third year in charge of Rangers, Steven Gerrard and his assistant Michael Beale won Rangers first since their financial collapse and their 55th league title overall. They did it tearing Celtic apart by 23 points. After which Neil Lennon was sacked unceremoniously, leaving Celtics squad and the club in an absolute mess.
Gerrard left Rangers for Aston Villa, but his second in command (the guy running the show) Mick Beale went to coach QPR. Without Beale, Gerrard was found out, and Beale has since been rehired by Rangers as head coach.
In the mean time Ange Postecoglu was hired by Celtic to the same uneducated jeers he is receiving from some of our fans now. What he did was remarkable, he picked up a completely broken Celtic. The remains of Brendan Rodgers tired, old, used up and disillusioned squad was pick up and galvanised m, the spent players were sold and he brought in bonafide stars from a league he knew well (Japan). He then proceeded to Beat the shit out of Rangers playing exciting attacking progressive smart football. and will probably win a domestic treble in his first year coaching in Europe.
Without context or understanding this treble doesn’t feel like a massive feat. But when you understand just how broken that Celtic side were when they brought him in. Then you start to get and idea of how good this guy is.
If you admit to knowing nothing about either the manager or the league, then consider just listening and learning and reserving judgment. Or heck maybe you’ll read this and get excited, like I am.

Title: The Peregrine Author: J.A. Baker Date of Publication: 1967 Country of Origin: England Pagecount: 191 in both TPB and HC Goodreads Rating: 4.16 average from 4,256 readers Genre Tags: Nonfiction, Nature Synopsis: From autumn to spring, J.A. Baker set out to track the daily comings and goings of a pair of peregrine falcons across the flat fen lands of eastern England. He followed the birds obsessively, observing them in the air and on the ground, in pursuit of their prey, making a kill, eating, and at rest, activities he describes with an extraordinary fusion of precision and poetry. And as he continued his mysterious private quest, his sense of human self slowly dissolved, to be replaced with the alien and implacable consciousness of a hawk.
It is this extraordinary metamorphosis, magical and terrifying, that these beautifully written pages record.
Kirkus Review: https://www.kirkusreviews.com/book-reviews/a/j-a-bakethe-peregrine/ ___________________________________________________________________________________________________________
Title: The Orchid Thief Author: Susan Orlean Date of Publication: 1998 Country of Origin: America Pagecount: 284 in both TPB and HC Goodreads Rating: 3.68 average from 18,454 readers Genre Tags: Nonfiction, True Crime, Nature Synopsis: The Orchid Thief is Susan Orlean’s tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion.
Kirkus Review: https://www.kirkusreviews.com/book-reviews/susan-orlean/the-orchid-thief/ ___________________________________________________________________________________________________________
Title: Quiet Author: Susan Cain Date of Publication: 2012 Country of Origin: America Pagecount: 352 in TPB ; 333 in HC Goodreads Rating: 4.07 average from 410,719 readers Genre Tags: Nonfiction, Psychology, Self Help Synopsis: At least one-third of the people we know are introverts. They are the ones who prefer listening to speaking; who innovate and create but dislike self-promotion; who favor working on their own over working in teams. It is to introverts—Rosa Parks, Chopin, Dr. Seuss, Steve Wozniak—that we owe many of the great contributions to society.
In Quiet, Susan Cain argues that we dramatically undervalue introverts and shows how much we lose in doing so. She charts the rise of the Extrovert Ideal throughout the twentieth century and explores how deeply it has come to permeate our culture. She also introduces us to successful introverts—from a witty, high-octane public speaker who recharges in solitude after his talks, to a record-breaking salesman who quietly taps into the power of questions. Passionately argued, superbly researched, and filled with indelible stories of real people, Quiet has the power to permanently change how we see introverts and, equally important, how they see themselves.
Kirkus Review: https://www.kirkusreviews.com/book-reviews/susan-cain/quiet-power-introverts/ ___________________________________________________________________________________________________________
Title: Red Earth White Earth Author: Will Weaver Date of Publication: 1986 Country of Origin: America Pagecount: 352 in TPB; 383 in HC Goodreads Rating: 3.97 average from 216 readers Genre Tags: Historical Fiction, Native American Synopsis: Having fled his family’s farm at eighteen with a promise never to return, Guy Pehrsson is drawn back into his past when he receives his grandfather’s ominous letter, “Trouble here. Come home when you can.” He returns to discover a place both wholly familiar and barely recognizable and is cast into the center of an interracial land dispute with the exigencies of war. Widely acclaimed when first published in the eighties, the timeless novel Red Earth, White Earth showcases Will Weaver’s rough ease with language and storytelling, frankly depicting life’s uneven terrain and crooked paths.
Kirkus Review: https://www.kirkusreviews.com/book-reviews/a/will-weaver-2/red-earth-white-earth/ ___________________________________________________________________________________________________________
Title: The Lost City of the Monkey God Author: Douglas Preston Date of Publication: 2017 Country of Origin: America Pagecount: 326 in TPB; 328 in HC Goodreads Rating: 3.92 average from 52,856 readers Genre Tags: Nonfiction, Adventure, Travel Synopsis: A five-hundred-year-old legend. An ancient curse. A stunning medical mystery. And a pioneering journey into the unknown heart of the world's densest jungle.
Since the days of conquistador Hernán Cortés, rumors have circulated about a lost city of immense wealth hidden somewhere in the Honduran interior, called the White City or the Lost City of the Monkey God. Indigenous tribes speak of ancestors who fled there to escape the Spanish invaders, and they warn that anyone who enters this sacred city will fall ill and die. In 1940, swashbuckling journalist Theodore Morde returned from the rainforest with hundreds of artifacts and an electrifying story of having found the Lost City of the Monkey God-but then committed suicide without revealing its location.
Three quarters of a century later, author Doug Preston joined a team of scientists on a groundbreaking new quest. In 2012 he climbed aboard a rickety, single-engine plane carrying the machine that would change everything: lidar, a highly advanced, classified technology that could map the terrain under the densest rainforest canopy. In an unexplored valley ringed by steep mountains, that flight revealed the unmistakable image of a sprawling metropolis, tantalizing evidence of not just an undiscovered city but an enigmatic, lost civilization.
Venturing into this raw, treacherous, but breathtakingly beautiful wilderness to confirm the discovery, Preston and the team battled torrential rains, quickmud, disease-carrying insects, jaguars, and deadly snakes. But it wasn't until they returned that tragedy struck: Preston and others found they had contracted in the ruins a horrifying, sometimes lethal-and incurable-disease.
Kirkus Review: https://www.kirkusreviews.com/book-reviews/douglas-preston/the-lost-city-of-the-monkey-god/

This is the best tl;dr I could make, original reduced by 65%. (I'm a bot)

Nine people died in clashes that erupted after Senegalese opposition figure Ousmane Sonko was sentenced to two years behind bars, Interior Minister Antoine Diome said Friday.
Riots broke out in Senegal's capital Dakar on Thursday after a court sentenced a leading opposition politician, Ousmane Sonko, to two years in jail for corrupting youth, undermining his chances of running for president next year.
Sonko's supporters denounce the charges as a ploy to prevent Sonko running in next year's election.
A former tax inspector who came third in the last election, Sonko has tapped into frustrations with President Macky Sall that have grown since he was elected in 2012.
Sonko has garnered strong support among the young, many of whom have responded to his calls to take to the streets to protest against his judicial problems, prompting security crackdowns that have led to deaths.
Separately, Sonko is appealing against a six-month suspended prison sentence for libel.

Summary Source FAQ Feedback Top keywords: Sonko^#1 year^#2 election^#3 protest^#4 next^#5
Post found in /worldnews, /AutoNewspaper and /FRANCE24auto.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.

2012 gmc Acadia 160000 miles
Earlier this year Had a misfire on cylinder 3 I swapped the coils with cylinder 2 and the Misfire moved to cylinder 2 So I replaced the coil
Same thing happened a few months later
Couple weeks ago had a misfire on cylinder 3 I checked the plugs and the plug was bad so I put in a new plug... In a few hours it's misfiring again.
Any idea what could be causing the multiple failures?

Jackie Jensen, "The Golden Boy", was a superstar athlete in the 1940s who seemed destined for greatness as the heir to Joe DiMaggio... only to be supplanted by a different golden boy, the great Mickey Mantle.
Jensen would eventually live up to the hype, but with the Red Sox -- but his career ended prematurely because, as baseball expanded to the west coast, his fear of flying made road games unbearable!
The Yankees between 1947 and 1964 were utterly dominant, winning 15 pennants and 10 World Series. And it wasn't just the major league team that was successful. The Yankees of this era were loaded up and down the system, from Rookie ball to their two Triple-A teams!
With such a loaded major league roster, the Yankees had many talented players stuck either on the end of the bench or in the minors who would eventually find an opportunity with other teams, including Bob Cerv, Vic Power, Gus Triandos, Lew Burdette, Jerry Lumpe, Bob Porterfield, and Bob Keegan, all named All-Stars with other teams after leaving the Yankees. Clint Courtney would be the 1952 A.L. Rookie of the Year runner-up after the Yankees traded him to the Browns, and Bill Virdon was the 1955 N.L. Rookie of the Year with the Cardinals (and then Yankee manager from 1974 to 1975!).
But the most talented player who just couldn't find the playing time in New York was Jack Eugene Jensen, born March 9, 1927, in San Francisco. His parents divorced when he was 5, and he grew up poor, his mother working six days a week, 12 hours a day. Jensen said the family moved 16 times between kindergarten and eighth grade -- "every time the rent came due."
After serving in the U.S. Navy during World War II, Jensen went to the University of California in 1946 on the G.I. Bill. There he became one of the most famous college players in the country, leading Cal to the Rose Bowl. In 1947, he was the starting fullback as well as the team's top defensive back, and in 1948, he rushed for 1,000 yards and was an All-American.
He also was a tremendous two-way baseball player, pitching and hitting for the Golden Bears in 1947 as the won the very first College World Series, beating a Yale team that had George H.W. Bush playing first base. In 1949, he was an All-American in baseball, too.
His blond hair, good looks, and athletic accomplishments earned him the nickname "The Golden Boy."
Halfway through his junior year, Jensen left Berkeley to turn pro. Jensen would later say he couldn't risk playing a career-ending injury playing for free while teams -- baseball and football -- were trying to sign him to big-money contracts.

"There was a money tree growing in my backyard. Why shouldn't I pluck off the dollars when I wanted to?"

Jensen considered a number of offers, including from the Yankees, before signing a three-year, $75,000 contract with the Oakland Oaks of the Pacific Coast League. Jensen said he thought he'd face better competition in the Pacific Coast League, the top minor league of the era, than he would at the bottom of the Yankee farm system. He was right about it being more of a challenge -- he hit an unimpressive .261/.317/.394 in 510 plate appearances with the Oaks.
At the end of the year, the Oaks sold his contract (and that of Billy Martin, another Northern California kid) to the Yankees.
That same year, Jensen married his high school sweetheart, Zoe Ann Olsen, an Olympic diver. (By age 18, she had won 14 national diving championships and a silver medal in the 1948 Olympics.) "Together they looked like a Nordic god and goddess," Sports Illustrated reported. Nicknamed "the sweethearts of sports," they were the Dansby Swanson and Mallory Pugh of their era. More than 1,000 people attended their wedding.
Jensen would start the 1950 season not in the minors but in the Bronx. He joined the Yankees in a time of flux. They though they'd won the 1949 World Series, the Yankees knew they had to make some changes, with 35-year-old Joe DiMaggio nearing the end of his career. And their heir apparent was not Mickey Mantle -- at the time an 18-year-old shortstop playing in the Class C league, the equivalent of A-ball today -- but the 23-year-old Jensen.
But Jensen disappointed, hitting just .171/.247/.300 in 70 at-bats, and only starting in 13 games. Watching from the bench most of the season, Jensen would later lament the lost year of development, saying he'd have been better off playing every day in the Pacific Coast League.
The Yankees won the pennant for a second straight year, and in the World Series he once again was left on the bench. His only action was as a pinch runner in Game 3 as the Yankees swept the Phillies. That "Moonlight Graham" appearance would be his only taste of the post-season in an 11-year career.
The following year would be DiMaggio's last, and Mantle's first. Jensen began the year as the Yankees' starting left fielder and proved he belonged, hitting .296/.371/.509 through the end of July... and then, shockingly, was demoted to Triple-A and replaced with previously forgotten Yankee Bob Cerv.
I can see why they called up Cerv -- the University of Nebraska stand-out was tearing up Triple-A, leading the American Association in batting average (.349), home runs (26), triples (21), RBIs (101), and total bases (261) -- but why demote Jensen, who had a 140 OPS+ in the majors? Maybe the Yankees felt the brash 23-year-old needed to be taken down a peg. In any event, Cerv hit just .214/.333/.250 in August and was sent back to Triple-A, but Jensen also was left down there. He hit .263/.344/.469 and was recalled after the Triple-A season ended, only getting into three games (he went 3-for-9).
Mantle, too, had started the season with the Yankees, and after hitting .260/.341/.423 through the middle of July, was sent down to Triple-A. But he hit .361/.445/.651 in 166 at-bats, and unlike Jensen was back in the bigs by August 24. He would play pretty much every game the rest of the season, hitting .284/.370/.495 in 95 at-bats.
The torch had clearly been passed -- Jensen was no longer the heir apparent to DiMaggio. In the World Series that year, Mantle was the starting right fielder, and Jensen wasn't even on the post-season roster.
Jensen was so disappointed with how the Yankees had treated him in 1951 that he talked to the San Francisco 49ers about switching to pro football, but ultimately decided to stick with baseball.
Never shy about what he said to reporters, Jensen told The Sporting News on October 24, 1951:

"I felt so badly about the treatment that I received from the Yankees that, although I was in New York at the end of the season, I didn't feel like sticking around to even watch the club play in any of the World's Series games."
"I do not feel the Yankees were justified in sending me to the minor leagues. When I was shipped to Kansas City, I was doing as good a job as any Yankee outfielder and better than some of them. I was hitting .296, which was ten points better than Hank Bauer and 30 points better than Joe DiMaggio, Gene Woodling and Mickey Mantle. Yet Casey Stengel didn't give me the chance I felt I deserved."

Despite blasting his manager in the press, Jensen was still the property of the Yankees. That off-season, teams were circling, hoping to pry away the talented but disgruntled outfielder. There were newspaper reports of offers from the St. Louis Browns, the Detroit Tigers, the Philadelphia Athletics, the Washington Senators, the Cleveland Indians, and the Boston Red Sox -- with one rumor being Ted Williams to the Bronx in exchange for Jensen and several other players. (A Red Sox scout called the rumored deal "a lot of hogwash.")
Sportswriters spent the off-season speculating whether DiMaggio would retire, and if he did, whether Jensen or Mantle would take over as the center fielder, as there were still concerns that Mantle, who had hurt his knee in the 1951 World Series, wouldn't be fully recovered by the start of the season.
On Opening Day, April 16, 1952, it was Jackie Jensen in center and Mickey Mantle in right. Jensen went 0-for-5 with a GIDP; Mantle, 3-for-4 with a double, a walk, and a stolen base! Seven games into the season, Jensen was 2-for-17 (.118) and found himself on the bench. He'd never play for the Yankees again. On May 3, the Golden Boy was traded to the Washington Senators along with Spec Shea, Jerry Snyder, and Archie Wilson in exchange for Irv Noren and Tom Upton.
In two years with the Senators, Jensen hit an impressive .276/.359/.407 (112 OPS+), but the team was terrible, and Jensen wasn't happy. Still just 26 years old, he later said he had almost quit after the 1953 season... particularly after a harrowing flight to Japan for a series of exhibition games with a squad of All-Stars that included Yankees Yogi Berra, Eddie Lopat, and Billy Martin. That experience gave Jensen a lifelong fear of flying, a phobia that became so intense eventually he could only fly with the help of sleeping pills... and a hypnotist!
He might have quit if not for the trade on December 9, 1953, that sent him to the Boston Red Sox for pitcher Mickey McDermott and outfielder Tom Umphlett. He was homesick, he hated flying, and he now had two little kids at home. Red Sox general manager Joe Cronin convinced Jensen to come to the Red Sox, telling him that Fenway Park was tailor made for his swing. Cronin was right: Jensen was a career .279/.369/.460 hitter, but .298/.400/.514 at Fenway.
It was in Boston that Jensen finally lived up to the hype, becoming a two-time All-Star and winning the A.L. MVP Award in 1958 and a Gold Glove in 1959. During his seven seasons in Boston, he hit .282/.374/.478 in 4,519 plate appearances. In his MVP season, Jensen hit .286/.396/.535 (148 OPS+) with 31 doubles, 35 home runs, and a league-leading 122 RBIs. During his peak with the Red Sox, 1954 to 1959, Jensen's average season was .285/.378/.490 (127 OPS+) with 28 doubles, 26 home runs, 111 RBIs, 14 stolen bases, and 3.6 bWAR. During those six seasons, no one in the American League -- not Mickey Mantle, not Ted Williams, not Al Kaline -- had more runs batted in than Jackie Jensen.
Of course, Mantle was the far better player -- even in Jensen's MVP season, Mantle had more runs, hits, home runs, walks, and a 188 OPS+ -- but Jensen's 127 OPS+ between 1954 and 1959 would have been an upgrade over the aging Hank Bauer's 110 OPS+ in right or the left field merry-go-round of Norm Siebern (113 OPS+), Irv Noren (107 OPS+), Enos Slaughter (103 OPS+), and previously forgotten Yankee Hector Lopez (101 OPS+). Casey Stengel would later say the Jensen trade was the worst one the Yankees had made while he was manager.
Despite his success, Jensen was sometimes booed by the Boston fans, just as they sometimes booed Ted Williams. There even was an article in Sport magazine, "What Do They Want From Jackie Jensen?", taking Red Sox fans to task for their unreasonably high demands from the Golden Boy. In 1956, in a game at Fenway Park against the Yankees, the hometown fans were razzing Jensen so much that teammates had to restrain him from going into the stands after a fan. Later that same game, Williams misplayed a wind-blown fly ball from Mantle, and the fans booed lustily. The very next play, Williams made a leaping catch at the scoreboard to rob Yogi Berra of a double. But Williams, still furious, spit into the crowd. He was later fined $5,000.
And Jackie was unhappy to be away from home. He and Zoe Ann had bought a house near Lake Tahoe, where they could both ski and golf year-round, as well as hit the casinos. They also had a home in Oakland, and a restaurant there, and each year Jensen hosted a pro-am golf tournament. But the marriage was struggling. Zoe Ann, once nationally known for her Olympic exploits, was frustrated to be a stay-at-home mom in the shadow of her famous husband, and Jackie became angry if she engaged in her favorite outdoor hobbies, suspecting there were men around.
Jensen's fear of flying also had become even more intense. Sometimes he was so drugged up that he had to be carried on and off the plane, fueling rumors that he was a drunk. Other times he took trains or even drove while his teammates flew.
Once again Jensen was talking about retirement, and in Spring Training 1957, the Red Sox allowed him to train with the San Francisco Seals, Boston's Triple-A team, rather than having to go to Florida. But he was still miserable. That year, he told Sports Illustrated:

“In baseball you get to the point where you don’t think you have a family. It just looks like I’m not built for this life like some ballplayers. You are always away from home and you’re lonesome, and as soon as I can, I intend to get out.”

The 32-year-old Jensen announced his retirement after the 1959 season, and he spent 1960 home with Zoe Ann and their children and running his restaurant. But he returned in 1961. After hitting just .130 in April, Jensen took a train from Detroit home to Reno, determined to quit once again. After a week away, he rejoined the team and had six hits in his next 10 at-bats. By the end of the season he was at .263/.350/.392, and he quit again. This time for good.
After leaving baseball, Jensen invested in real estate and a golf course, but lost most of his money. He then got a job working for a Lake Tahoe casino, was a national spokesman for Camel cigarettes, Wonder Bread, and Gillette, and even tried selling cars. Ironically, Jackie found himself on the road almost as much as he had been as a ballplayer. In 1963, he and Zoe Ann divorced, remarried, and then divorced again.
In 1967, Jensen became a TV sportscaster, married his producer Katharine Cortesi, and eventually teamed up with Keith Jackson calling college football games for ABC, and was a college baseball coach, first at the University of Nevada-Reno and then at the University of California. He managed the Red Sox team in the New York Penn League in 1970. In 1977, Jackie and Katharine moved to Virginia and started a Christmas tree farm while he coached baseball at a military academy. About five years later, on July 14, 1982, he died of a heart attack at age 55.
You Don't Know Jack(ie):

• How good would Jackie Jensen have been as a Yankee? Maybe not great. He was a career .279/.369/.460 hitter, but just .238/.326/.398 at Yankee Stadium, which -- especially in that era -- was famously death on right-handed batters. Fenway Park was much more to his liking!
  
• Born in San Francisco in 1927, it's no surprise Jensen's favorite player as a kid was Joe DiMaggio, who made his debut with the San Francisco Seals when Jensen was a 5 years old. When Jensen made his major league debut, on April 18, 1950, DiMaggio went 3-for-6 with a triple in a 15-10 win over the Red Sox. Two weeks later, on May 3, Jensen made his first start, playing left field and batting second, and DiMaggio was in center and batting fourth.
  
• Jensen wore #36 at Cal. When he came up with the Yankees, he was first issued #40, then switched to #27, and finally to #25. (With the Senators, he wore #8, then #4; in Boston, he first wore #30 but primarily wore #4.) Currently, #40 is worn by Luis Severino. Other famous 40's include Chien-Ming Wang (2005-2009), Andy Hawkins (1989-1991), and Lindy McDaniel (1968-1973). #27 has been worn by Giancarlo Stanton since 2018; prior to him, it was worn by Austin Romine (2016-2017). It also was the number worn by Bob Wickman (1993-1996), Butch Wynegar (1982-1986), and Woodie Held (1954-1957). Gleyber Torres has worn #25 since 2018; it also was worn by Mark Teixeira (2009-2016), Jason Giambi (2002-2008), Joe Girardi (1996-1999), Jim Abbott (1993-1994), Tommy John (1979-1989), and Joe Pepitone (1962-1969).
  
• Jensen is one of six major leaguers to graduate from Oakland High School, but the only Yankee. Cal has sent 83 players to the majors, including twenty Yankees -- most notably, early 1990s pitcher Chuck Cary, 1930s infielder Lyn Lary, and 1990 A.L. ROY runner-up Kevin Maas.
  
• The Yankees during spring training in 1951 tinkered with the idea of using Jensen into a pitcher. Jensen had been a star pitcher at Cal, including pitching in the 1947 College World Series, and had pitched in a winter league that off-season. But he was bombed in a handful of spring training innings -- while crushing as a hitter -- and the Yankees decided to leave him in the outfield.
  
• College teammates said Jensen wasn't afraid of flying at Cal. His second wife Katharine said the phobia came from a near-miss experience on a flight early in his baseball career -- he looked out the window and saw another plane coming straight at him! The two planes managed to avoid each other, but he was never comfortable on a plane again.
  
• Billy Martin, who also had grown up in Northern California and was Jensen's teammate on both the Oakland Oaks and the Yankees, was merciless when it came to teasing Jensen about his fear of flying. In 1953, on a flight from Okinawa to Honshu to play a series of exhibition games in Japan, the plane ran into a bad storm and was bouncing pretty hard. Jensen, who wouldn't get on a plane without the help of tranquilizers, was blissfully sleeping through the turbulence. Martin found a lifejacket and put it on, then stood over Jensen and shouted "We're going down!"
  
• Arthur Ellen, a hypnotist that Jensen had used to try to cure his fear of flying, believed Jackie wasn't aerophobic at all. It was really a fear of losing his family. "Subconsciously, it developed as a good reason to leave the Red Sox and go home," the hypnotist said.
  
• Jensen is featured prominently in Norman Rockwell's famous 1957 painting, The Rookie. Jensen is the one seated on the bench tying his shoe in the middle of the painting. Standing behind him is Ted Williams, and sitting on the bench next to him is pitcher Frank Sullivan (#18). Wearing the catcher's mitt in the foreground is Sammy White, and the player with his hand over his mouth to the far right is Billy Goodman. Jensen, Sullivan, and White had gone to Rockwell's studio in Massachusetts to pose for the painting; the images of Williams and Goodman were based on photos. The shirtless player was one of Rockwell's assistants, and "the rookie" holding the suitcase was a local high school student!
  
• Boston sportswriters named Jensen the team's MVP in 1954, when he hit .276/.359/.472 with 25 home runs and 117 RBIs. I guess they were tired of giving the award to Ted Williams, who hit .345/.513/.635 that year, albeit in just 117 games as he had broken his collarbone in spring training. Williams didn't qualify for the batting title that year because he had only 386 at-bats... mostly due to his league-leading 136 walks. The rule was subsequently changed from at-bats to plate appearances.
  
• After Jensen was acquired by the Washington Senators, manager Bucky Harris -- who managed the Yankees when they won the 1947 World Series -- pulled him aside and told him he was the right fielder and he'd hit third. "No pep talk, no nothing, but he made it sound like I was the right fielder and third place hitter for a long time to come," Jensen later recalled. "It made me feel good." The 1950s Senators had a number of ex-Yankees and several of them told reporters that Harris was a much more low-key, hands-off manager than Casey Stengel, and Jensen agreed. "With Stengel it was always 'watch for that curve ball' or 'watch for that change up'," Jensen said. "Bucky leaves you on your own up there." But Jensen would later say Stengel was the smartest manager he'd ever had.
  
• Stengel obliquely mentioned Jensen in his famously long, rambling testimony before the Senate Anti-Trust and Monopoly Subcommittee on July 8, 1958. Asked about legislation that would exempt baseball from federal anti-trust laws, Stengel said about 7,000 words without really saying anything. The hearing was held the day after the All-Star Game -- the Stengel-managed A.L. All-Stars won, 4-3 -- and in the American League starting lineup were Jensen and two other ex-Yankees, Bob Cerv and Gus Triandos. Stengel was asked if the Yankees were going to continue to "monopolize" the World Series, and his confusing answer: "Well, I will tell you. I got a little concerned yesterday in the first three innings when I saw the three players I had gotten rid of [Jensen, Cerv, and Triandos] and I said when I lost nine what am I going to do? And when I had a couple of my players I thought so great of that did not do so good up to the sixth inning I was more confused but I finally had to go and call on a young man in Baltimore that we don't own and the Yankees don't own him and he is doing pretty well and I would actually have to to tell you that we are more the Greta Garbo-type now from success. We are being hated. I mean from the ownership and all we are being hated. Every sport that gets too great or one individual -- but if we made twenty-seven cents and it pays to have a winner at home why would you have a good winner in your park if you were an owner? That is the result of baseball. An owner gets most of the money at home, and it is up to him and his staff to do better or they ought to be discharged." After befuddling the committee with answers like that for 45 minutes, Stengel was excused and Mickey Mantle called upon. His opening statement: "My views are just about the same as Casey's."
  
• Casey Stengel later said Jensen plus Spec Shea, Jerry Snyder, and Archie Wilson to the Senators for Irv Noren and Tom Upton was the worst trade the Yankees made during his tenure. But in reality it was pretty much a wash for the Yankees. Jensen, in two seasons, would be worth 4.9 bWAR for the Senators before being traded. Shea, a right-handed pitcher who had been an All-Star with the Yankees as a rookie, pitched four years in Washington and was worth 2.9 bWAR. Snyder was a good-glove, no-hit infielder worth -0.1 bWAR in seven seasons with the Senators. (You must have a really good glove to last seven seasons with a 55 OPS+!) Wilson, at one point seen as a good prospect but now a 28-year-old minor league journeyman, only played 26 games in Washington before being traded. In exchange, the Yankees received the 27-year-old Irv Noren, an outfieldefirst baseman who played five years in New York and was an All-Star in 1954; he was worth 7.9 bWAR, making the trade essentially even by bWAR. (The other player the Yankees received, minor league infielder Tom Upton, never made it back to the bigs.) Prior to the 1957 season, Noren was traded to the Kansas City Athletics as part of a monster 13-player trade that included Clete Boyer, third baseman of the early 1960s dynasty!
  
• The two players Washington got from Boston for Jensen, Mickey McDermott and Tom Umphlett, were both future Yankees. McDermott was a left-handed pitcher whose father, Maurice McDermott, had played in the minors with Lou Gehrig. Mickey was just 25 years old at the time of the trade but had been in the majors for six seasons, going 48-34 with a 3.80 ERA (114 ERA+). In two years with the Senators, McDermott went 17-25 (but with a 3.58 ERA), then prior to the 1957 season was traded to the Yankees as part of a seven-player deal; he went 2-6 with a 4.24 ERA as a swingman, and closed out the Game 2 win in the 1956 World Series. After that one season in New York, he was part of the trade with the A's that brought back Clete Boyer.
  
• Umphlett, a 22-year-old infielder, was traded back to the Red Sox in 1955, and then the Red Sox traded him to the Yankees in 1962 for infielder Billy Gardner. He would spend 1962 and 1963 in Triple-A for the Yankees, then ended his career in the minors with the Minnesota Twins -- the team that had been the Senators until 1961.
  
• In 1956, the anthology television show Cavalcade of America had an episode called The Jackie Jensen Story. Jackie had a cameo as the adult version of himself, but the 30-minute episode was focused on Jackie's teenage years and the influence of his middle high school coach, a man named Ralph Kerchum who became a father figure. The coach was played by Ross Elliott, a Bronx native whose most memorable role might have been as the director in the Vitameatavegamin episode of I Love Lucy.
  
• Jensen's MVP in 1958 broke a string of four straight MVP awards for Yankees -- Yogi Berra in 1954 and 1955 followed by Mickey Mantle in 1956 and 1957. Nellie Fox of the White Sox won it in 1959, and then the Yankees won it four years in a row again -- Roger Maris in 1960 and 1961, Mantle in 1962, and Elston Howard in 1963. Then a long drought -- the next Yankee to win it would be Thurman Munson in 1976.
  
• Going by bWAR, Mantle should have won it a third straight year in 1958 -- his 8.7 bWAR led the league, followed by Frank Lary at 6.7 and Al Kaline at 6.5. Jensen's 4.9 was 10th that year. Of course, they didn't have bWAR back then!
  
• Jackie won a Gold Glove in 1959; it was just the third year of the award's existence, or he might have won more. "Right field in Boston is a bitch, the sun field, and few play it well," Ted Williams said. "Jackie Jensen was the best I saw at it." Jensen was renowned for his throwing arm -- he twice led the league in assists, and twice led the league in double plays as an outfielder. One Yankee scout said he had the best arm he'd seen since previously forgotten Yankee Bob Meusel, usually said to have the best cannon in baseball history until Roberto Clemente came along.
  
• Jensen was well known for his brashness, especially compared to Mantle's aw shucks attitude. Mantle, asked if he thought he could beat out Jensen to replace DiMaggio in center field, humbly replied that there were three positions in the outfield and he hoped to win any one of them. Jensen, on the other hand, vowed he'd "out-run, out-hit, and out-throw" Mantle, an arrogant answer that didn't go over well with teammates. Joe DiMaggio, asked what he thought of the duel for his old job, quipped that Mantle was "out-quoting" Jensen.
  
• When Mantle was asked what he thought about Jensen's quote, he replied: "I don't know what to make of that guy." Jensen would later say he was misquoted, but reports of his cockiness would follow him throughout his Yankee years. Later in life, Jensen said people mistook his shyness and anxiety for arrogance and rudeness.
  
• According to Sports Illustrated, Jensen is the only player to have played in the East-West football game, the Rose Bowl, the World Series, and the Major League All-Star Game. I'll take their word for it!
  
• As a freshman at Cal, the first time Jensen touched the ball -- on a punt return -- he ran it back for a 56-yard touchdown. Cal quarterback Charles Erb said they'd never seen anything like it. "He was all over the field, dodging and leaping over guys. The rest of us just stood there on the sidelines with our mouths open. Finally somebody said, 'Who in the hell is that guy?' "
  
• Jensen is one of two "forgotten" Yankees in the College Football Hall of Fame -- the other is 1960s catcher Jake Gibbs. (Other Yankees in the College Football Hall of Fame include John Elway, who was in the Yankee minor league system before joining the Denver Broncos, and Deion Sanders, who was on the Yankees in 1989 and 1990.) Jensen also is a member of the Cal Hall of Fame, the Bay Area Sports Hall of Fame, and... ugh... the Boston Red Sox Hall of Fame.
  
• Despite his speed -- Jensen led the league in triples in 1956 and in stolen bases in 1954, and was in the top five in stolen bases in six seasons -- Jackie also was prone to grounding into double plays, leading the league in 1954, 1956, and 1957. His 32 GIDPs in 1954 was the major league record until Boston's Jim Rice hit into 36 in 1984, which is still the single-season record. Rice also had 35 in 1985. Jensen's 32 is tied for third with four others. The most by a Yankee? Dave Winfield with 30 in 1983, which is tied for 14th.
  
• Jensen lost most of his baseball earnings through a series of bad investments. His ex-wife, former Olympian Zoe Ann, later became a blackjack dealer in Reno to pay the bills.
  
• Jensen had four appearances on the popular show Home Run Derby, and set a record for most home runs in one match when he defeated Ernie Banks, 14-11, in Episode 24. The 25 combined home runs also was a record. He took on Mickey Mantle in Episode 3, with Mantle winning, 9-2, then defeated Rocky Colavito, 3-2, in Episode 25. He rematched against Mantle in Episode 26, with Mantle winning again, 13-10. Jensen set another record in that contest when he became the only player to hit four home runs in a row, and then a fifth home run in a row. That episode was supposed to be the season one finale, but it turned out to be the last episode of the series: The show's host and producer, Mark Scott, died of a heart attack at age 45, shortly after the last episode aired, and two months later the show's 64-year-old director Benjamin Stoloff also died. Rather than replacing them, the show was cancelled.
  
• Jensen's last game came against the Yankees, on October 1st, 1961, at Yankee Stadium. He appeared as a pinch hitter and popped out to shortstop Tony Kubek. In the 4th inning of that game, Roger Maris hit his 61st home run, breaking Babe Ruth's single-season record!
  
• Jackie and Zoe Ann had two sons, Jon and Jay, and a daughter, Jan. Jay's son, Tucker Jensen, was a pitcher in the Blue Jays farm system in 2011 and 2012.
  

In 1958, Jensen told Sports Illustrated that the biggest thrill of his career wasn't being an All-American or an All-Star, it wasn't winning an MVP or a World Series. "The biggest is having played in the same outfield with both DiMaggio and Williams."

So, currently I have a 2012 Safari Dicor. The car is extremely reliable (if maintained) and has spacious seating. I have two dogs, who are comfortably seated if I fold all the seats behind the driver and co-driver. I take my dogs to yearly trips, mostly Goa/Karnataka. FYI I am from Pune. Recently, the Tata Service centres have been quoting me way too much for simple stuff and most of the time spare parts aren't available for my Safari. Hence I have started to look for cars which have comparable space, reliability and endurance. (On one of the trips, one of my coolant hose ruptured which led to no coolant in the system, i was in the middle of nowhere and no mobile coverage, i was still able to drive about 40 kms stopping frequently to drive down the engine temperature, and once the hose was fixed, the car was perfect again). According to my research: 1. Jeep Wrangler - ticks all my boxes, but it's about 20 lacs over budget, I could wait 1 year if I can't find something similar. 2. XUV 700. 3. Ford Endeavour. 4. Toyota Hilux - with canopy mod 5. Toyota Highlander
Key points - 1. Needs to be reliable in bad road/weather conditions. 2. Ground Clearance 3. Spacious seating. 4. Ability to fold seats of second and third row completely to form a flat surface. 5. Within 50-60 lac range (on road).